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Ken Ralston(I)

  • Visual Effects
  • Second Unit Director or Assistant Director
  • Special Effects
IMDbProStarmeterSee rank
Ken Ralston
Ken Ralston was born in 1954 in the USA. He is an assistant director, known for Le Retour du Jedi (1983), Contact (1997) and Forrest Gump (1994).
Born1954
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
Born1954
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
    • Won 4 Oscars
      • 23 wins & 17 nominations total

    Photos1

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    Known for

    Le Retour du Jedi (1983)
    Le Retour du Jedi
    8.3
    • Visual Effects
    • 1983
    Jodie Foster and Matthew McConaughey in Contact (1997)
    Contact
    7.5
    • Visual Effects
    • 1997
    Tom Hanks and Mykelti Williamson in Forrest Gump (1994)
    Forrest Gump
    8.8
    • Visual Effects
    • 1994
    Johnny Depp and Mia Wasikowska in Alice au pays des merveilles (2010)
    Alice au pays des merveilles
    6.4
    • Visual Effects
    • 2010

    Credits

    Edit
    IMDbPro

    Visual Effects



    • Johnny Depp, Helena Bonham Carter, Anne Hathaway, Sacha Baron Cohen, Matt Lucas, and Mia Wasikowska in Alice de l'autre côté du miroir (2016)
      Alice de l'autre côté du miroir
      6.2
      • visual effects supervisor
      • 2016
    • Tommy Lee Jones, Will Smith, and Josh Brolin in Men in Black 3 (2012)
      Men in Black 3
      6.8
      • visual effects supervisor
      • 2012
    • Johnny Depp and Mia Wasikowska in Alice au pays des merveilles (2010)
      Alice au pays des merveilles
      6.4
      • senior visual effects supervisor
      • 2010
    • Ray Winstone in La légende de Beowulf (2007)
      La légende de Beowulf
      6.3
      • visual effects design consultant
      • 2007
    • Tom Hanks, Daryl Sabara, and Josh Hutcherson in Le Pôle Express (2004)
      Le Pôle Express
      6.6
      • senior visual effects supervisor
      • 2004
    • Julianne Moore, Gary Sinise, and Dominic West in Mémoire effacée (2004)
      Mémoire effacée
      5.8
      • visual effects consultant
      • 2004
    • Tommy Lee Jones and Will Smith in Men in Black 2 (2002)
      Men in Black 2
      6.2
      • senior visual effects supervisor: SPI
      • 2002
    • John Cusack, Julia Roberts, Billy Crystal, and Catherine Zeta-Jones in Couple de stars (2001)
      Couple de stars
      5.7
      • visual effects consultant
      • 2001
    • Tom Hanks in Seul au monde (2000)
      Seul au monde
      7.8
      • visual effects supervisor
      • 2000
    • Robin Williams in Docteur Patch (1998)
      Docteur Patch
      6.8
      • visual effects guru: SPI (uncredited)
      • 1998
    • Jodie Foster and Matthew McConaughey in Contact (1997)
      Contact
      7.5
      • senior visual effects supervisor
      • 1997
    • John Travolta in Michael (1996)
      Michael
      5.7
      • senior visual effects supervisor: SPI
      • 1996
    • John Travolta and Kyra Sedgwick in Phénomène (1996)
      Phénomène
      6.4
      • visual effects supervisor: SPI
      • 1996
    • Harrison Ford in Sabrina (1995)
      Sabrina
      6.3
      • visual effects supervisor: ILM (uncredited)
      • 1995
    • Robin Williams in Jumanji (1995)
      Jumanji
      7.1
      • production visual effects supervisor
      • 1995

    Second Unit or Assistant Director



    • Bruce Willis, Goldie Hawn, and Meryl Streep in La mort vous va si bien (1992)
      La mort vous va si bien
      6.7
      • second unit director
      • 1992
    • Billy Campbell in Rocketeer (1991)
      Rocketeer
      6.6
      • second unit director
      • 1991

    Special Effects



    • Ray Winstone in La légende de Beowulf (2007)
      La légende de Beowulf
      6.3
      • special effects
      • 2007

    Personal details

    Edit
    • Alternative name
      • Kenneth Ralston
    • Born
      • 1954
      • USA

    Did you know

    Edit
    • Trivia
      President of Sony Pictures Imageworks
    • Quotes
      After the motion capture is done, no one ever appreciates the mountain of effort that goes in on the so-called back end. It isn't really the back end. It's really the main production. The effort required to grasp that material and get it on screen looking the way it does is beyond monumental.

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