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Walter Plunkett(1902-1982)

  • Costume Designer
  • Costume and Wardrobe Department
  • Actor
IMDbProStarmeterSee rank
Walter Plunkett
The brilliant and talented Walter Plunkett was born June 5, 1902, to James and Frances Plunkett of Oakland, California. He studied law at the University of California, but was hardly as interested in becoming an attorney as he was in his involvement with the campus' theatrical group. Making the quick change in careers, Walter moved to New York in 1923, where he began work as an actor, as well as a costume and set designer, on the stage. He drifted through the gay circles of Greenwich Village and was referred to Hollywood. He moved back to California, this time to the movie capital, and found work as an extra. He can be spotted dancing with Irene, another future top designer, in Erich von Stroheim's La veuve joyeuse (1925). In 1927, Walter's first (credited) work as a costume designer first appeared on screen for Hard-Boiled Haggerty (1927). During the late twenties and early thirties, while working at RKO, Plunkett managed to fashion the enormous costume and wardrobe department into a department that was both efficient and creative. With so much free reign, Walter set about creating outstanding costumes that rivaled the work of his contemporaries, such as Travis Banton and Adrian. His two best-known films were Autant en emporte le vent (1939) (including that dress made from green velvet drapes, probably the most famous movie costume of all time), and Chantons sous la pluie (1952), in which he lampooned the very style his work had begun in (the roaring 20s). Walter was well-liked by most people for his generous and easy-going nature, as well as his inventiveness and ingenuity. Walter retired from films and spent the last years of his life with his partner Lee. He died in 1982, leaving Lee his estate.
BornJune 5, 1902
DiedMarch 8, 1982(79)
BornJune 5, 1902
DiedMarch 8, 1982(79)
IMDbProStarmeterSee rank
  • Won 1 Oscar
    • 2 wins & 9 nominations total

Photos4

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Known for

Un Américain à Paris (1951)
Un Américain à Paris
7.1
  • Costume Department(Beaux Arts Ball)
  • 1951
Gene Kelly, Debbie Reynolds, and Donald O'Connor in Chantons sous la pluie (1952)
Chantons sous la pluie
8.3
  • Costume Designer(costumes designed by)
  • 1952
Autant en emporte le vent (1939)
Autant en emporte le vent
8.2
  • Costume Designer(costumes designed by)
  • 1939
Jane Powell and Howard Keel in Les sept femmes de Barbe: Rousse (1954)
Les sept femmes de Barbe: Rousse
7.3
  • Costume Designer(costumes designed by)
  • 1954

Credits

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IMDbPro

Costume Designer



  • Frontière chinoise (1965)
    Frontière chinoise
    6.7
    • Costume Designer
    • 1965
  • Deborah Kerr, Frank Sinatra, and Dean Martin in Les inséparables (1965)
    Les inséparables
    5.7
    • costume designer: women
    • 1965
  • Walt Disney in Le monde merveilleux de Disney (1954)
    Le monde merveilleux de Disney
    8.3
    TV Series
    • Costume Designer
    • 1963
  • La Conquête de l'Ouest (1962)
    La Conquête de l'Ouest
    7.1
    • Costume Designer (costumes)
    • 1962
  • Quinze jours ailleurs (1962)
    Quinze jours ailleurs
    6.4
    • Costume Designer (uncredited)
    • 1962
  • Les quatre cavaliers de l'apocalypse (1962)
    Les quatre cavaliers de l'apocalypse
    6.5
    • Costume Designer
    • 1962
  • Bette Davis, Peter Falk, Glenn Ford, Hope Lange, Thomas Mitchell, and Arthur O'Connell in Milliardaire pour un jour (1961)
    Milliardaire pour un jour
    7.1
    • Costume Designer (costumes: men)
    • 1961
  • Glenn Ford and Maria Schell in La ruée vers l'Ouest (1960)
    La ruée vers l'Ouest
    6.4
    • Costume Designer
    • 1960
  • Dean Martin, Judy Holliday, and Jean Stapleton in Un numéro du tonnerre (1960)
    Un numéro du tonnerre
    6.9
    • Costume Designer
    • 1960
  • Karl Malden, Hayley Mills, Agnes Moorehead, Kevin Corcoran, Donald Crisp, Richard Egan, Adolphe Menjou, Nancy Olson, and Jane Wyman in Pollyanna (1960)
    Pollyanna
    7.4
    • Costume Designer
    • 1960
  • Robert Mitchum, George Hamilton, and Eleanor Parker in Celui par qui le scandale arrive (1960)
    Celui par qui le scandale arrive
    7.4
    • Costume Designer
    • 1960
  • Frank Sinatra, Shirley MacLaine, and Steve Peck in Comme un torrent (1958)
    Comme un torrent
    7.2
    • Costume Designer
    • 1958
  • Robert Taylor, Richard Widmark, and Patricia Owens in Le trésor du pendu (1958)
    Le trésor du pendu
    6.8
    • Costume Designer
    • 1958
  • La vallée de la poudre (1958)
    La vallée de la poudre
    6.8
    • Costume Designer
    • 1958
  • Le fou du cirque (1958)
    Le fou du cirque
    6.6
    • Costume Designer
    • 1958

Costume Department



  • Maureen O'Hara and John Wayne in L'aigle vole au soleil (1957)
    L'aigle vole au soleil
    6.6
    • wardrobe: Miss O'Hara
    • 1957
  • James Cagney, Stephen McNally, and Irene Papas in La loi de la prairie (1956)
    La loi de la prairie
    6.7
    • costumes: Irene Papas
    • 1956
  • Planète interdite (1956)
    Planète interdite
    7.5
    • costumes: men's
    • 1956
  • Un Américain à Paris (1951)
    Un Américain à Paris
    7.1
    • costumes designer: Beaux Arts Ball
    • 1951
  • Femme en péril (1951)
    Femme en péril
    7.1
    • costumes: women
    • 1951
  • L'histoire des Miniver (1950)
    L'histoire des Miniver
    6.3
    • costumes: Greer Garson
    • 1950
  • Spencer Tracy and Joan Bennett in Le Père de la mariée (1950)
    Le Père de la mariée
    7.1
    • costumes: men's
    • 1950
  • Arlene Dahl and Joel McCrea in Le convoi maudit (1950)
    Le convoi maudit
    6.1
    • costumer
    • 1950
  • Robert Taylor and John Hodiak in Embuscade (1950)
    Embuscade
    6.5
    • costumes: women
    • 1950
  • Madame porte la culotte (1949)
    Madame porte la culotte
    7.4
    • costumes: Miss Hepburn
    • 1949
  • Van Heflin, Jennifer Jones, and Louis Jourdan in Madame Bovary (1949)
    Madame Bovary
    7.0
    • costumes: women
    • 1949
  • Brian Donlevy, Preston Foster, and Miriam Hopkins in A Gentleman After Dark (1942)
    A Gentleman After Dark
    6.5
    • designer: Miriam Hopkins' gowns
    • 1942
  • Gene Tierney, George Sanders, and Bruce Cabot in Crépuscule (1941)
    Crépuscule
    5.6
    • costumes: Miss Tierney
    • 1941
  • Victor Mature, Leo Carrillo, and Louise Platt in Capitaine Casse-Cou (1940)
    Capitaine Casse-Cou
    5.5
    • wardrobe
    • 1940
  • Raymond Massey in Abraham Lincoln (1940)
    Abraham Lincoln
    7.3
    • wardrobe
    • 1940

Actor



  • John Gilbert and Mae Murray in La veuve joyeuse (1925)
    La veuve joyeuse
    7.2
    • Ballroom Dancer (uncredited)
    • 1925

Personal details

Edit
  • Alternative name
    • Walter Plunket
  • Height
    • 1.75 m
  • Born
    • June 5, 1902
    • Oakland, California, USA
  • Died
    • March 8, 1982
    • Santa Monica, California, USA(undisclosed)
  • Publicity listings
    • 3 Articles

Did you know

Edit
  • Trivia
    Costume designer Walter Plunkett's concern for detail in his costumes designed for the 1939 feature film - "Gone With The Wind" - may never be explained. Ralph Siegel, a design-department lead instructor at the California College of Arts and Crafts Design Schoo, (located in Berkeley-Oakland) in the '50s, had worked in Walter Plunkett's Selznick Studios costume-wardrobe department during the costume preparation for this feature film; Ralph's employment was as an artist, designer, and costumer, whose sole job was to prepare every undergarment worn by the female and male performers. Each and every female costume was accurately outfitted with petticoats; each painted with watercolor dye patterns and designs in the style and vogue of the mid 1840-50s. Filming never captured the details of any of the costumes constructed for this film. Walter Plunkett researched the wardrobe fashions and minute undergarment details of the styles existing before the Civil War ante-bellum 1845-47 era - male and female garment requirements insisting every costume be complete in detail, even for the background film extras.
  • Quotes
    [on working at MGM]: It was a lucky and very glorious thing for me. I was lucky that I was a part of the Hollywood movie-making era when costume designers were considered important and were allowed more money.
  • Nickname
    • Plunky

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