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IMDbPro

Max Ophüls(1902-1957)

  • Director
  • Writer
  • Producer
IMDbProStarmeterSee rank
Max Ophüls
Director Max Ophüls was born Max Oppenheimer in Saarbrücken, Germany. He began his career as a stage actor and director in the golden twenties. He worked in cities such as Stuttgart, Dortmund, Wuppertal, Vienna, Frankfurt, Breslau and Berlin. In 1929 his son Marcel Ophüls was born in Frankfurt, Germany. He had begun to work under his pseudonym Max Ophüls by that time. In the early 1930s Ophüls discovered the movie world and began to work as an assistant director for Anatole Litvak. He directed his first movies (On préfère l'huile de foie de morue (1931), Le studio amoureux (1932)) in that time too. Around 1933 he emigrated to France and also worked in the Netherlands and Italy for a period of eight years. In 1941 he emigrated again, this time to the USA where he worked for a period of 10 years before he went back to France in 1950. Beginning in 1954 he also worked in Germany again, mainly for German radio in Baden-Baden. Max Ophüls died in March 1957 in Hamburg, Germany and is buried on the famous cemetery Père-Lachaise in Paris, France.
BornMay 6, 1902
DiedMarch 25, 1957(54)
BornMay 6, 1902
DiedMarch 25, 1957(54)
IMDbProStarmeterSee rank
  • Nominated for 2 Oscars
    • 3 wins & 6 nominations total

Photos2

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Known for

La ronde (1950)
La ronde
7.5
  • Director(as Max Ophuls)
  • 1950
La Tendre Ennemie (1936)
La Tendre Ennemie
6.5
  • Director
  • 1936
Lola Montès (1955)
Lola Montès
7.2
  • Director(as Max Ophuls)
  • 1955
Le plaisir (1952)
Le plaisir
7.5
  • Director
  • 1952

Credits

Edit
IMDbPro

Director



  • Lola Montès (1955)
    Lola Montès
    7.2
    • Director (as Max Ophuls)
    • 1955
  • Charles Boyer, Vittorio De Sica, Danielle Darrieux, and Roger Vincent in Madame de... (1953)
    Madame de...
    7.9
    • Director
    • 1953
  • Le plaisir (1952)
    Le plaisir
    7.5
    • Director
    • 1952
  • Faith Domergue in Vengeance corse (1950)
    Vengeance corse
    5.4
    • Director (1946 first version; fired, uncredited)
    • 1950
  • La ronde (1950)
    La ronde
    7.5
    • Director (as Max Ophuls)
    • 1950
  • James Mason and Joan Bennett in Les désemparés (1949)
    Les désemparés
    7.1
    • Director (as Max Opuls)
    • 1949
  • Pris au piège (1949)
    Pris au piège
    7.0
    • Director (as Max Opuls)
    • 1949
  • Joan Fontaine and Louis Jourdan in Lettre d'une inconnue (1948)
    Lettre d'une inconnue
    7.8
    • Director (as Max Opuls)
    • 1948
  • Douglas Fairbanks Jr. in L'exilé (1947)
    L'exilé
    6.6
    • Director (as Max Opuls)
    • 1947
  • L'école des femmes (1940)
    L'école des femmes
    • Director
    • 1940
  • Edwige Feuillère and John Lodge in De Mayerling à Sarajevo (1940)
    De Mayerling à Sarajevo
    6.7
    • Director
    • 1940
  • Sans lendemain (1939)
    Sans lendemain
    7.3
    • Director (as Max Ophuls)
    • 1939
  • Le roman de Werther (1938)
    Le roman de Werther
    6.6
    • Director
    • 1938
  • Yoshiwara (1937)
    Yoshiwara
    6.4
    • Director (as Max Ophuls)
    • 1937
  • Ave Maria
    6.6
    Short
    • Director
    • 1936

Writer



  • Riccardo De Torrebruna, Birgit Doll, and Kitty Speiser in Frau Berta Garlan (1989)
    Frau Berta Garlan
    7.1
    TV Movie
    • play
    • 1989
  • Der tolle Tag
    9.3
    TV Movie
    • translation
    • 1962
  • Les amants de Montparnasse (1958)
    Les amants de Montparnasse
    7.3
    • Writer (uncredited)
    • 1958
  • Lola Montès (1955)
    Lola Montès
    7.2
    • adaptation
    • scenario (as Max Ophuls)
    • 1955
  • Charles Boyer, Vittorio De Sica, Danielle Darrieux, and Roger Vincent in Madame de... (1953)
    Madame de...
    7.9
    • screenplay
    • 1953
  • Le plaisir (1952)
    Le plaisir
    7.5
    • adaptation
    • 1952
  • La ronde (1950)
    La ronde
    7.5
    • adaptation (as Max Ophuls)
    • 1950
  • Joan Fontaine and Louis Jourdan in Lettre d'une inconnue (1948)
    Lettre d'une inconnue
    7.8
    • Writer (uncredited)
    • 1948
  • L'école des femmes (1940)
    L'école des femmes
    • Writer
    • 1940
  • Sans lendemain (1939)
    Sans lendemain
    7.3
    • Writer (uncredited)
    • 1939
  • Le roman de Werther (1938)
    Le roman de Werther
    6.6
    • adaptation
    • 1938
  • Yoshiwara (1937)
    Yoshiwara
    6.4
    • adaptation (as Max Ophuls)
    • 1937
  • Comédie de l'argent (1936)
    Comédie de l'argent
    6.5
    • screenplay
    • 1936
  • La Tendre Ennemie (1936)
    La Tendre Ennemie
    6.5
    • screenplay
    • 1936
  • Divine (1935)
    Divine
    6.4
    • decoupage (as Max Ophuls)
    • 1935

Producer



  • Le plaisir (1952)
    Le plaisir
    7.5
    • producer (uncredited)
    • 1952
  • La Tendre Ennemie (1936)
    La Tendre Ennemie
    6.5
    • producer
    • 1936

Personal details

Edit
  • Alternative names
    • Max Ophuls
  • Height
    • 1.68 m
  • Born
    • May 6, 1902
    • St. Johann, Saarbrücken, Rhine Province, Kingdom of Prussia [now Saarbrücken, Saarland], Germany
  • Died
    • March 25, 1957
    • Hamburg, West Germany(heart failure)
  • Spouse
    • Hildegard Wall1926 - March 26, 1957 (his death, 1 child)
  • Children
    • Marcel Ophüls
  • Relatives
    • Andréas-Benjamin Seyfert(Great Grandchild)
  • Publicity listings
    • 5 Print Biographies
    • 5 Articles

Did you know

Edit
  • Trivia
    Max Oppenheimer adopted the pseudonym of "Ophüls" which is the name of an aristocratic German family. When his name began to spread because of his qualities as a film-maker, the original Ophüls family wrote to him to ask which branch he belonged to, because they couldn't figure it out. So the director wrote back confessing the innocent scam, to which they replied that, since he had arrived into the family by chance, he could stay: they were glad to keep him.
  • Quotes
    Paris, which had always amused me on holiday, was too lovely ... emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night. ... Everyone in the world has two fatherlands: his own and Paris. (Spiel im Dasein)
  • Trademarks
      Camera movement, especially circular motion. Obsession with detail.

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