Jerome Moross(1913-1983)
- Music Department
- Composer
- Soundtrack
Brooklyn-born composer and orchestrator, who graduated from New York
University at the age of eighteen. A child prodigy, he was already an
accomplished pianist at the age of five and began composing music three
years later. His first serious work
('Paeans') was performed in public
when he was seventeen, conducted by the great Bernard Herrmann.
Other orchestral compositions included 'Those Everlasting Blues' (1932)
and 'Beguine' (1934), notable for his usage of traditional American
folk idioms.
He wrote for many Broadway shows from 1935, beginning with 'Parade'. Moross also composed five ballets, of which 'Frankie and Johnny' (1938,for dancer Ruth Page) and 'The Golden Apple' (1954) were the most successful. The latter won the Drama Critics Circle Award for Best Musical, 1953-4. Moross worked in Hollywood from 1940 as composer/arranger, often in collaboration with Aaron Copland (eg. Une petite ville sans histoire (1940)), Hugo Friedhofer and Franz Waxman. His own scores as film composer include Le fier rebelle (1958), Le seigneur de la guerre (1965) and Rachel, Rachel (1968). He was nominated for an Academy Award for his lush, sweeping score of Les grands espaces (1958). In addition to his film work, he was also active in composing music for television, his best work in the western series Gunsmoke (1955) and La grande caravane (1957). He created eight pieces of chamber music, 1964-78, and, his final work, the one-act opera 'Sorry, Wrong Number', based on Lucille Fletcher's famous thriller. Jerome Moross received Guggenheim Fellowships in 1947 and 1948.
He wrote for many Broadway shows from 1935, beginning with 'Parade'. Moross also composed five ballets, of which 'Frankie and Johnny' (1938,for dancer Ruth Page) and 'The Golden Apple' (1954) were the most successful. The latter won the Drama Critics Circle Award for Best Musical, 1953-4. Moross worked in Hollywood from 1940 as composer/arranger, often in collaboration with Aaron Copland (eg. Une petite ville sans histoire (1940)), Hugo Friedhofer and Franz Waxman. His own scores as film composer include Le fier rebelle (1958), Le seigneur de la guerre (1965) and Rachel, Rachel (1968). He was nominated for an Academy Award for his lush, sweeping score of Les grands espaces (1958). In addition to his film work, he was also active in composing music for television, his best work in the western series Gunsmoke (1955) and La grande caravane (1957). He created eight pieces of chamber music, 1964-78, and, his final work, the one-act opera 'Sorry, Wrong Number', based on Lucille Fletcher's famous thriller. Jerome Moross received Guggenheim Fellowships in 1947 and 1948.
