The Eric Red-scripted classic The Hitcher just received a 4K release from Second Sight Films in September (and another one from Warner Bros. last month), and now Kino Lorber has announced that they’ll be giving Red’s film Body Parts (watch it Here) a 4K Uhd release in January! The street date is January 21st, and copies are available for pre-order through the Kino Lorber website.
Directed by Red from a screenplay credited to him and Norman Snider, with Patricia Herskovic and Joyce Taylor receiving story credit, Body Parts is the bone-chilling tale of a medical experiment gone murderously wrong. Bill Chrushank is a criminal psychologist who loses his arm and nearly his life in a grisly car accident. A daring medical operation follows, in which a donor’s arm is successfully grafted onto Bill’s body. But after the operation, the arm starts to take on a violent life of its own,...
Directed by Red from a screenplay credited to him and Norman Snider, with Patricia Herskovic and Joyce Taylor receiving story credit, Body Parts is the bone-chilling tale of a medical experiment gone murderously wrong. Bill Chrushank is a criminal psychologist who loses his arm and nearly his life in a grisly car accident. A daring medical operation follows, in which a donor’s arm is successfully grafted onto Bill’s body. But after the operation, the arm starts to take on a violent life of its own,...
- 11/25/2024
- by Cody Hamman
- JoBlo.com
Although Halloween is embraced by all ages these days, it was mostly a children’s holiday not all that long ago. What is essentially now a multi-month event was a single day of fun back then. The real world has changed in this regard, but some things stay the same in TV anthologies; kids are still the focal point in stories about Halloween.
In episodic anthologies rooted in horror, Halloween stories occasionally happen but are not guaranteed or even timely. Horror series, after all, do not rely on Halloween in order to be horror. The chances are, though, if an episode is all about Halloween, the protagonists are probably young.
Here are five must-watch tales of kid-friendly Halloween horror from TV anthologies.
Tales from the Darkside (1983-1988)
Trick or Treat
Interest in a Creepshow TV series back in the ‘80s led to the creation of Tales from the Darkside. Before...
In episodic anthologies rooted in horror, Halloween stories occasionally happen but are not guaranteed or even timely. Horror series, after all, do not rely on Halloween in order to be horror. The chances are, though, if an episode is all about Halloween, the protagonists are probably young.
Here are five must-watch tales of kid-friendly Halloween horror from TV anthologies.
Tales from the Darkside (1983-1988)
Trick or Treat
Interest in a Creepshow TV series back in the ‘80s led to the creation of Tales from the Darkside. Before...
- 10/25/2024
- by Paul Lê
- bloody-disgusting.com
'George's Island'
More severed heads and less business about loving families is what the Canadian family film ''George's Island'' needs.
With a meandering narrative that shifts from a story about buried treasure and pirate ghosts to a contemporary tale of grumpy grandpas and busybody teachers, the modestly budgeted movie, despite a fairly impressive cast, too often plays like one of the parodies of such efforts by the old SCTV gang. However, there is enough here to while away a rainy afternoon, and OK business could develop.
The title location is an uninhabited spot near Halifax, Nova Scotia, where, in a prelude, Captain Kidd buries a stolen treasure and then murders his five piratical companions so that their skeletons can guard it.
Rushing into the present-day confines of a Halifax grammar school, we find young George Waters (Nathaniel Moreau) taking a rap from crabby Miss Birdwood (Sheila McCarthy) for believing the old story about buccaneers and treasure.
Before long, Miss Birdwood and social worker Mr. Droonfield (Maury Chaykin) have set out to separate George from his salty old grandfather, grog-quaffing Capt. Waters (Ian Bannen), a grouchy but lovable soul who spends his days shooting rock salt at young trespassers and spinning tales about pirates and ghosts.
After a very lengthy and very slow-moving account of George's removal from his home and placement in a foster home -- where he discovers a fellow victim, a girl from school -- the movie finally gets down to combining the two tales when everyone, human and otherwise, ends up on the haunted island at midnight on Halloween.
Much time is wasted on feeble attempts at adult caricature, with the broad lampoons at teacher, social worker and foster parents both too weak and too precious for young heads. McCarthy plugs away doggedly at her serio-comic teacher, but Chaykin never makes much of an impression as the weak-willed social worker. Bannen makes the most heroic attempts at performance of all, but he is undermined by the film's recessive direction.
In fact, director Paul Donovan, who also co-wrote the script, acts as though he could not make up his mind whether to make a larger-than-life fantasy, or a quieter and more modest poignant family drama. As a result, the film is stuck somewhere in between, doing justice to neither.
Cinematographer Les Krizsan, however, deserves some praise for his daytime exteriors, which nicely capture the cold clarity of the northern autumn.
GEORGE'S ISLAND
New Line
Salter Street Films and the National Film Board of Canada
Producer Maura O'Connell
Director Paul Donovan
Writers Maura O'Connell, Paul Donovan
Director of photography Les Krizsan
Editor Stephen Fanfara
Music Marty Simon
Production designer Bill Fleming
Color
Cast:
George Nathaniel Moreau
Miss Bordwood Sheila McCarthy
Capt. Waters Ian Bannen
Mr. Droonfield Maury Chaykin
Running time -- 90 minutes
MPAA Rating: PG
(c) The Hollywood Reporter...
With a meandering narrative that shifts from a story about buried treasure and pirate ghosts to a contemporary tale of grumpy grandpas and busybody teachers, the modestly budgeted movie, despite a fairly impressive cast, too often plays like one of the parodies of such efforts by the old SCTV gang. However, there is enough here to while away a rainy afternoon, and OK business could develop.
The title location is an uninhabited spot near Halifax, Nova Scotia, where, in a prelude, Captain Kidd buries a stolen treasure and then murders his five piratical companions so that their skeletons can guard it.
Rushing into the present-day confines of a Halifax grammar school, we find young George Waters (Nathaniel Moreau) taking a rap from crabby Miss Birdwood (Sheila McCarthy) for believing the old story about buccaneers and treasure.
Before long, Miss Birdwood and social worker Mr. Droonfield (Maury Chaykin) have set out to separate George from his salty old grandfather, grog-quaffing Capt. Waters (Ian Bannen), a grouchy but lovable soul who spends his days shooting rock salt at young trespassers and spinning tales about pirates and ghosts.
After a very lengthy and very slow-moving account of George's removal from his home and placement in a foster home -- where he discovers a fellow victim, a girl from school -- the movie finally gets down to combining the two tales when everyone, human and otherwise, ends up on the haunted island at midnight on Halloween.
Much time is wasted on feeble attempts at adult caricature, with the broad lampoons at teacher, social worker and foster parents both too weak and too precious for young heads. McCarthy plugs away doggedly at her serio-comic teacher, but Chaykin never makes much of an impression as the weak-willed social worker. Bannen makes the most heroic attempts at performance of all, but he is undermined by the film's recessive direction.
In fact, director Paul Donovan, who also co-wrote the script, acts as though he could not make up his mind whether to make a larger-than-life fantasy, or a quieter and more modest poignant family drama. As a result, the film is stuck somewhere in between, doing justice to neither.
Cinematographer Les Krizsan, however, deserves some praise for his daytime exteriors, which nicely capture the cold clarity of the northern autumn.
GEORGE'S ISLAND
New Line
Salter Street Films and the National Film Board of Canada
Producer Maura O'Connell
Director Paul Donovan
Writers Maura O'Connell, Paul Donovan
Director of photography Les Krizsan
Editor Stephen Fanfara
Music Marty Simon
Production designer Bill Fleming
Color
Cast:
George Nathaniel Moreau
Miss Bordwood Sheila McCarthy
Capt. Waters Ian Bannen
Mr. Droonfield Maury Chaykin
Running time -- 90 minutes
MPAA Rating: PG
(c) The Hollywood Reporter...
- 10/28/1991
- The Hollywood Reporter - Movie News
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