Mandy Miller(I)

The sensitive-looking British child star of the fifties was born Carmen Isabella Miller in 1944 but affectionately called "Mandy" practically from birth. Her father, a BBC Radio producer, took Mandy (then age 6) and her older sister, Jan Miller to watch a film being made at Ealing Studios. Instead of her sister, it was Mandy who impressed the powers-that-be at the studio commissary that day and was offered a small role in the Alec Guinness film L'homme au complet blanc (1951). The little girl took gingerly to acting and signed up for classes along with dancing lessons, finding some work in commercial modeling. She achieved in the 1950s what popular child star Hayley Mills would accomplish a decade later, except in a dramatic vein for Mandy's strong suit was no-holds-barred tearjerkers. Her finest hour in film came with the movie La merveilleuse histoire de Mandy (1952), in which she portrayed a disturbed deaf girl called "Mandy". Other moving performances came in Background (1953), as the young product of a bitter divorce, The Secret (1955), which was a covert thriller, and Child in the House (1956), which proved to be another sob story suited to her talents. In her final film, L'homme au masque de verre (1958), Mandy played a young teen who leads police to her mother's murderer. After guest shots on TV's Chapeau melon et bottes de cuir (1961) and Le Saint (1962), she left the limelight, forever. At the age of 18, she moved to New York to become an au pair. Mandy married an architect in 1965, had three children (two girls and a boy), and settled down to a life of domesticity.