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Robert Milasch(1885-1954)

  • Actor
IMDbProStarmeterSee rank
Robert Milasch
At six and a half feet tall, Robert Emmet Milasch might have made a great circus performer. In fact, early in his career, that's exactly what he was. Born April 18, 1885, in New York City, Milasch ran away as a youngster and joined a circus, becoming a contortionist. He then joined another circus which toured South Africa. When he joined his last circus, in England, he performed as a clown. Returning to the United States when he was about fifteen years old, he got a job with the Gaumont Film Company, earning a few dollars a day. He then joined the Edison Company. Some sources claim his first film was "Babes in a Barrel," a 300-foot short produced by Edison around 1900. He was paid three dollars to appear as a brakeman and a train robber in the famous 1903 Edison film Le vol du grand rapide (1903). In the early days of films, Milasch would write scenarios, erect sets, handle props, and even cast the parts. Often he would find extras in neighborhood saloons, offering customers five dollars for a day's work. He appeared in the first talkie, entitled "The Chimes of Normandie." The dialog was recorded on cylinders and played on a phonograph behind the movie screen. In 1912, he began filming a semi-documentary entitled "The Great Diamond Mystery," based upon a real diamond theft in Europe. His camera crew followed the police every time there was a new lead. Apparently the film was never completed. In 1913, while filming the two-reel short Hard Cash (1913), produced by the Edison Company, Milasch escaped serious injury. He was on a ship's mast during a fire scene, and his shoes and socks were scorched from the flames. Milasch was able to stay on the mast until the scene was over. Years later, Director Henry King offered him a role in Le coeur sur la main (1921). Milasch was already committed to something else, but he had a friend who looked a lot like him and told King about him. The friend's name was Ernest Torrence, who got the part, and also a career start. Milasch had an extensive filmography, and claimed he had appeared in about 3000 films. He also claimed he had appeared in three versions of "The Hunchback of Notre Dame": the 1939 Charles Laughton version, the 1923 Lon Chaney version, and the 1917 version entitled The Darling of Paris (1917), which featured Theda Bara as the gypsy Esmeralda. He worked steadily into the early 1950s, in uncredited roles. After retiring from the screen, he ran a gift shop in Plattsmouth, Nebraska. Milasch died on November 14, 1954, at the Motion Picture Country Hospital in Los Angeles. He was married twice, and was survived by a son named Wally.
BornApril 18, 1885
DiedNovember 14, 1954(69)
BornApril 18, 1885
DiedNovember 14, 1954(69)
IMDbProStarmeterSee rank

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Known for

Captain Blood (1924)
Captain Blood
6.5
  • Kent(as Robert Milash)
  • 1924
Carter DeHaven and Robert Milasch in Timothy Dobbs, That's Me (1916)
Timothy Dobbs, That's Me
  • Jeff Jenkins
  • 1916
Jack Hoxie and Scout in Grinning Guns (1927)
Grinning Guns
  • Buckaroo Bill
  • 1927
Montagu Love and Carmel Myers in The Lion and the Lamb (1931)
The Lion and the Lamb
  • Lem
  • 1931

Credits

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IMDbPro

Actor



  • William Holden, Edmond O'Brien, and Alexis Smith in Le cran d'arrêt (1952)
    Le cran d'arrêt
    6.8
    • Pedestrian (uncredited)
    • 1952
  • Randolph Scott and Janis Carter in La bagarre de Santa Fé (1951)
    La bagarre de Santa Fé
    6.1
    • Bartender (uncredited)
    • 1951
  • David Wayne in M le maudit (1951)
    M le maudit
    6.8
    • Man in Mob (uncredited)
    • 1951
  • Will Geer, Helena Carter, John Emery, and Donald O'Connor in Double Crossbones (1951)
    Double Crossbones
    6.0
    • Tavern Patron (uncredited)
    • 1951
  • Douglas Kennedy and Marjorie Lord in Chain Gang (1950)
    Chain Gang
    5.4
    • Convict (uncredited)
    • 1950
  • Maureen O'Hara and Macdonald Carey in Sur le territoire des comanches (1950)
    Sur le territoire des comanches
    5.6
    • Townsman (uncredited)
    • 1950
  • Yvonne De Carlo and Philip Friend in La fille des boucaniers (1950)
    La fille des boucaniers
    6.1
    • Barfly Brawler (uncredited)
    • 1950
  • Shelley Winters and Macdonald Carey in Le bistrot du péché (1950)
    Le bistrot du péché
    5.6
    • Bar Customer (uncredited)
    • 1950
  • Randolph Scott and Jane Nigh in L'Homme de Kansas City (1949)
    L'Homme de Kansas City
    6.5
    • Townsman (uncredited)
    • 1949
  • Yvonne De Carlo, Charles Coburn, and John Russell in La Belle Aventurière (1949)
    La Belle Aventurière
    6.1
    • Barfly (uncredited)
    • 1949
  • Yvonne De Carlo and Howard Duff in La Fille des prairies (1949)
    La Fille des prairies
    5.9
    • Townsman (uncredited)
    • 1949
  • Edward G. Robinson, Susan Hayward, and Richard Conte in La maison des étrangers (1949)
    La maison des étrangers
    7.3
    • Chess Player (uncredited)
    • 1949
  • Sterling Holloway, Hugh Herbert, Betty Grable, Cesar Romero, El Brendel, Porter Hall, and Rudy Vallee in Mamzelle Mitraillette (1949)
    Mamzelle Mitraillette
    6.0
    • Train Passenger (uncredited)
    • 1949
  • Randolph Scott, Nancy Olson, and Jane Wyatt in Canadian Pacific (1949)
    Canadian Pacific
    6.0
    • Railroad Worker (uncredited)
    • 1949
  • William Holden, William Bendix, Macdonald Carey, and Mona Freeman in La chevauchée de l'honneur (1949)
    La chevauchée de l'honneur
    6.6
    • Barfly (uncredited)
    • 1949

Personal details

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  • Alternative names
    • Robert Milach
  • Height
    • 1.98 m
  • Born
    • April 18, 1885
    • New York City, New York, USA
  • Died
    • November 14, 1954
    • Woodland Hills, Los Angeles, California, USA(uremic poisoning)
  • Spouses
      Virginia RoseOctober 9, 1936 - April 10, 1942 (her death)

Did you know

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  • Trivia
    Early in 1913, Thomas Edison experimented with "Edison Talking Pictures" in which synchronized voices and sound effects were recorded on a cylinder disc played simultaneously with the film. Despite the novelty appeal, much promotion, and high hopes, the system was doomed from the beginning because of the primitive acoustical sound recording technique, the lack of amplification, and the inevitable synchronization problems. Robert Milasch appeared in at least two of these, 'Chimes of Normandy.' which featured scenes and sounds from the New York City stage success, of which no further documentation has yet been found, and also in _Nursery Favorites (1913)_, which not only survives, but has been restored and is presently accessible on YouTube. In latter day interviews, Milasch claimed the actors performed, and attempted to synchronize their words with the pre-recorded cylinders, played over an acoustical horn placed above the set.

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