Humanity may be on the fritz, but you can still trust Siff to move the needle. On Wednesday, April 23, the Seattle International Film Festival announced its programming lineup for the 51st edition of the annual event. Kicking off more than a week of Washington-area film screenings on May 15, with opening night film Darren Thornton’s “Four Mothers,” selections include a range of international and independent voices.
“At a time when the cultural cornerstones of discovery and diversity that make art so important are being threatened, Siff is doubling down on bringing those stories to the screen,” artistic director Beth Barrett said in a statement. The festival will show 245 films from 74 different countries and regions. That’s 83 features, 122 short films, 35 documentaries, three archival features, and two secret projects. (Those confidential films are part of the fan-favorite Secret Fest and require attendees to sign an NDA prior to attending.)
“A large majority...
“At a time when the cultural cornerstones of discovery and diversity that make art so important are being threatened, Siff is doubling down on bringing those stories to the screen,” artistic director Beth Barrett said in a statement. The festival will show 245 films from 74 different countries and regions. That’s 83 features, 122 short films, 35 documentaries, three archival features, and two secret projects. (Those confidential films are part of the fan-favorite Secret Fest and require attendees to sign an NDA prior to attending.)
“A large majority...
- 4/23/2025
- by Alison Foreman
- Indiewire
The BFI has launched a trailer for the heartwarming comedy-drama ‘Four Mothers.’
The movie follows a struggling writer juggling four very different mothers during a chaotic weekend after his friends unexpectedly leave them in his care.
Directed by Darren Thornton, the cast includes James McArdle, Fionnula Flanagan, Dearbhla Molloy Paddy Glynn and Stella McCusker. Niamh Cusack makes a cameo appearance as a medium and Rory O’Neill, aka Panti Bliss, one of Ireland’s best-known drag performers, plays a therapist.
Also in trailers – Ben Affleck returns in trailer for ‘The Accountant 2’
The movie hits UK and Irish cinemas on April 4th.
The post “My son has abandoned me…” Trailer lands for comedy drama ‘Four Mothers’ appeared first on HeyUGuys.
The movie follows a struggling writer juggling four very different mothers during a chaotic weekend after his friends unexpectedly leave them in his care.
Directed by Darren Thornton, the cast includes James McArdle, Fionnula Flanagan, Dearbhla Molloy Paddy Glynn and Stella McCusker. Niamh Cusack makes a cameo appearance as a medium and Rory O’Neill, aka Panti Bliss, one of Ireland’s best-known drag performers, plays a therapist.
Also in trailers – Ben Affleck returns in trailer for ‘The Accountant 2’
The movie hits UK and Irish cinemas on April 4th.
The post “My son has abandoned me…” Trailer lands for comedy drama ‘Four Mothers’ appeared first on HeyUGuys.
- 2/14/2025
- by Zehra Phelan
- HeyUGuys.co.uk
"We can do it together." Break Out Pictures has unveiled their official UK trailer for an indie comedy called Four Mothers, opening in the UK + Ireland this April. This "funny and heartwarming comedy drama" first premiered at the 2024 London Film Festival last year where it won the Audience Award at the end of the fest. The tender dramedy film follows a struggling novelist who is forced to take care of three eccentric older women – and his own mother – over the course of a chaotic weekend in Dublin, Ireland. Edward is a queer, up-and-coming novelist forced to balance press commitments with caring for his aging mother. Pressure to go on a US book tour is mounting. But when his three closest friends, desperate to feel young and carefree again, go off on an impromptu Pride holiday, they leave their ageing mothers in Edward's care. This indie stars James McArdle with Fionnula Flanagan,...
- 2/14/2025
- by Alex Billington
- firstshowing.net
Vampire horror is a genre full of expectations and conventions, but several amazing vampire films and TV shows from the 2020s have started to turn the genre on its head. This is in part due to several incredible vampire acting performances, but also groundbreaking writing and design. These stories have begun to chart new paths for the vampire genre, taking a monster well-known by many and putting vampire characters into fresh situations.
The 2020s aren't the only years full of great vampire media, making great changes to a long-beloved genre. The 2000s were full of underrated vampire classics, but the biggest changes seem to have come in more recent years. These changes are most evident in the stories being told, as most vampire media in the past have either portrayed them as static monsters or romantic leads.
Boys From County Hell (2020) This Movie Turns Dracula Into A Local Legend
Your...
The 2020s aren't the only years full of great vampire media, making great changes to a long-beloved genre. The 2000s were full of underrated vampire classics, but the biggest changes seem to have come in more recent years. These changes are most evident in the stories being told, as most vampire media in the past have either portrayed them as static monsters or romantic leads.
Boys From County Hell (2020) This Movie Turns Dracula Into A Local Legend
Your...
- 1/12/2025
- by Clarence Snell
- ScreenRant
The Last Rifleman is one of those films from a genre I have often described as “a movie.” It was made for that lazy Sunday afternoon that makes you appreciate what you have or long for what you don’t. This British war drama, which Sky Films has finally dusted off, is now allowing the rest of the world to see it. This is welcomed because The Last Rifleman is a good genre picture.
That’s because Terry Loane’s (In the Land of Saints and Sinners) The Last Rifleman has a bevy of quality messaging that also happens to be highly entertaining. Along with a touching central performance from a well-known movie star and some cameos from the late John Amos in his last film role, it’s a movie experience that is funny, moving, and, above all else, satisfying.
Pierce Brosnan and Samuel Bottomley star in The Last Rifleman...
That’s because Terry Loane’s (In the Land of Saints and Sinners) The Last Rifleman has a bevy of quality messaging that also happens to be highly entertaining. Along with a touching central performance from a well-known movie star and some cameos from the late John Amos in his last film role, it’s a movie experience that is funny, moving, and, above all else, satisfying.
Pierce Brosnan and Samuel Bottomley star in The Last Rifleman...
- 11/8/2024
- by M.N. Miller
- FandomWire
That the mother-son film movie remains, for some reason, the least-covered quadrant when it comes to parent-child relationships on screen may say something about patriarchal bias in the industry — though the best examples say plenty themselves about how men are raised and made. A modestly framed domestic comedy with surprising reserves of wisdom and sadness, Darren Thornton’s thoroughly disarming sophomore feature “Four Mothers” earns itself a place in the mother-son pantheon only a few minutes in, as mild-mannered writer Edward (James McArdle) helps his disabled mother Alma (Fionnula Flanagan) select and put on an outfit for the day, drily hamming up the routine to distract from the pain of her dependency. A simple scene of reversed care roles, it’s nonetheless rare in its everyday tenderness, and sets the tone for a film packed with similarly lovely, unforced observations.
A world premiere at the London Film Festival, where it played in the main competition,...
A world premiere at the London Film Festival, where it played in the main competition,...
- 10/22/2024
- by Guy Lodge
- Variety Film + TV
Every week there are large numbers of indie and specialty releases vying for attention. It’s impossible to do them all, so when the option of reviewing Nowhere Special was placed in front of me I resisted at first after discovering it actually premiered at the 2020 Venice Film Festival. That’s right, four years ago. I had to wonder what could possibly be good about a film delayed for that long in terms of getting a U.S. release date? Finally caving in to the persistent requests by the distributor and its passionate PR team, I decided to check it out.
What I discovered was not that this was some sort of troubled film, not even close. Instead I found a spare but moving drama, powered by a remarkable lead performance, that is all about life and death and all things in between. At its heart it is also an...
What I discovered was not that this was some sort of troubled film, not even close. Instead I found a spare but moving drama, powered by a remarkable lead performance, that is all about life and death and all things in between. At its heart it is also an...
- 4/26/2024
- by Pete Hammond
- Deadline Film + TV
"He's chasing me right now!" Well Go USA has re-released their official trailer for the US premiere of the Irish revenge thriller Bad Day for the Cut, which originally premiered years ago at the 2017 Sundance Film Festival playing in the Midnight section. Even with a small release back then it has been lost in time, but Well Go has officially released it on VOD and Blu-ray in the US for anyone interested in catching up with it. A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when his mother is murdered. The indie film stars Nigel O'Neill, Susan Lynch, Józef Pawłowski, Stella McCusker, and Stuart Graham. Reviews out of the festivals years ago say that this is "a taut vengeance thriller that doesn't completely come together as one would hope but has enough solid entertainment value, well-directed visuals, and nasty...
- 11/30/2022
- by Alex Billington
- firstshowing.net
The Paris-based sales company has a hefty slate for AFM.
Paris-based mk2 Films is kicking off sales on Darren Thornton’s Ireland-set comedy-drama Four Mothers at the AFM this week.
The title is an Irish twist on Gianni Di Gregorio’s 2008 Italian hit Mid-August Lunch that won several awards including the Luigi De Laurentiis prize when it premiered at the Venice Film Festival. Thornton, whose previous credits include RTÉ comedy-drama series Love Is The Drug and his debut feature A Date For Mad Mary, penned the script with his brother Colin Thornton who also co-wrote the script for A Date For Mad Mary.
Paris-based mk2 Films is kicking off sales on Darren Thornton’s Ireland-set comedy-drama Four Mothers at the AFM this week.
The title is an Irish twist on Gianni Di Gregorio’s 2008 Italian hit Mid-August Lunch that won several awards including the Luigi De Laurentiis prize when it premiered at the Venice Film Festival. Thornton, whose previous credits include RTÉ comedy-drama series Love Is The Drug and his debut feature A Date For Mad Mary, penned the script with his brother Colin Thornton who also co-wrote the script for A Date For Mad Mary.
- 10/31/2022
- by Rebecca Leffler
- ScreenDaily
Exclusive: James McArdle (Mare Of Easttown) and Fionnula Flanagan (The Others) have been set to lead the ensemble cast of Four Mothers, an Irish-set adaptation of Gianni di Gregorio’s 2008 festival and box office hit Mid-August Lunch (Pranzo Di Ferragosto).
Filming is underway in Dublin on the comedy feature which heralds from Ida producer Eric Abraham and former Working Title exec Jack Sidey’s Portobello Films and Television (Moffie) and Martina Niland for Port Pictures (Sing Street).
Dearbhla Molloy (Wild Mountain Thyme), Paddy Glynn (Cinderella) and Stella McCusker (Nowhere Special) also star.
Darren Thornton directs and co-wrote the script with his brother, Colin Thornton. They previously collaborated on their IFTA-winning debut A Date For Mad Mary.
Olivier-award nominee McArdle plays a self-sabotaging novelist, saddled with caring for his mother (Flanagan) after a stroke. After his book becomes an overnight hit, his plans for a U.S. promotional tour are thrown...
Filming is underway in Dublin on the comedy feature which heralds from Ida producer Eric Abraham and former Working Title exec Jack Sidey’s Portobello Films and Television (Moffie) and Martina Niland for Port Pictures (Sing Street).
Dearbhla Molloy (Wild Mountain Thyme), Paddy Glynn (Cinderella) and Stella McCusker (Nowhere Special) also star.
Darren Thornton directs and co-wrote the script with his brother, Colin Thornton. They previously collaborated on their IFTA-winning debut A Date For Mad Mary.
Olivier-award nominee McArdle plays a self-sabotaging novelist, saddled with caring for his mother (Flanagan) after a stroke. After his book becomes an overnight hit, his plans for a U.S. promotional tour are thrown...
- 5/3/2022
- by Andreas Wiseman
- Deadline Film + TV
Stars: Nigel O’Neill, Susan Lynch, Józef Pawlowski, Stuart Graham, David Pearse, Anna Próchniak, Stella McCusker, Ian McElhinney, Brian Milligan, Shashi Rami, Lalor Roddy, Ryan McParland | Written by Chris Baugh, Brendan Mullin | Directed by Chris Baugh
Northern Ireland is pretty well known for having its fair share of “troubles” and as such makes for a pretty bleak backdrop to a dark, twisted and, at times, awkwardly funny tale of revenge, a camper van road trip, suicide and the murder of a mans mother… First rule of being a baddie, don’t mess with another guys mother, especially the quiet farmer type.
Donal (Nigel O’Neill) is a quiet lonesome farmer still living at home in a quiet Irish village with his mother (yes, his mother) Florence (Stella McCusker) . Donal spends his days fixing up the farm and drinking himself to sleep. When we meet him the only real thing he...
Northern Ireland is pretty well known for having its fair share of “troubles” and as such makes for a pretty bleak backdrop to a dark, twisted and, at times, awkwardly funny tale of revenge, a camper van road trip, suicide and the murder of a mans mother… First rule of being a baddie, don’t mess with another guys mother, especially the quiet farmer type.
Donal (Nigel O’Neill) is a quiet lonesome farmer still living at home in a quiet Irish village with his mother (yes, his mother) Florence (Stella McCusker) . Donal spends his days fixing up the farm and drinking himself to sleep. When we meet him the only real thing he...
- 1/17/2018
- by Kevin Haldon
- Nerdly
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Kino Lorber has acquired the North American rights to Bill Morrison’s “Dawson City: Frozen Time,” about the true history of a collection of 533 reels of film (representing 372 titles) dating from the 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory. The film tells the unique history of a Canadian gold rush town and how cinema, capitalism and history intersect.
“Dawson City” had its world premiere at the 73rd Venice Film Festival and North American premiere at 2016 New York Film Festival. The film also played at the BFI/London Film Festival and the 2017 Rotterdam International Film Festival, and screened Thursday at the TCM...
– Kino Lorber has acquired the North American rights to Bill Morrison’s “Dawson City: Frozen Time,” about the true history of a collection of 533 reels of film (representing 372 titles) dating from the 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory. The film tells the unique history of a Canadian gold rush town and how cinema, capitalism and history intersect.
“Dawson City” had its world premiere at the 73rd Venice Film Festival and North American premiere at 2016 New York Film Festival. The film also played at the BFI/London Film Festival and the 2017 Rotterdam International Film Festival, and screened Thursday at the TCM...
- 4/7/2017
- by Graham Winfrey
- Indiewire
“This is the third person I’ve buried this week.”
Violence begets violence. It’s a lesson we all (or most of us, at least) learn early on, and it’s a lesson firmly driven home by co-writer/director Chris Baugh in Bad Day for the Cut. His Irish gangster thriller pits an unassuming farmer against the ruthless members of a slick crime syndicate, and the results are both explosive and heartbreaking.
In Bad Day for the Cut, we meet Donal (Nigel O’Neill), a middle-aged man who lives at home with his mom, Florence (Stella McCusker), on their remote farm in the Irish countryside. He spends his free time fixing cars or drinking at the local pub, with nothing remotely out of the ordinary ever really happening in his quietly mundane existence. But one night, Donal discovers his mother brutally murdered in their home, and he sees a mysterious...
Violence begets violence. It’s a lesson we all (or most of us, at least) learn early on, and it’s a lesson firmly driven home by co-writer/director Chris Baugh in Bad Day for the Cut. His Irish gangster thriller pits an unassuming farmer against the ruthless members of a slick crime syndicate, and the results are both explosive and heartbreaking.
In Bad Day for the Cut, we meet Donal (Nigel O’Neill), a middle-aged man who lives at home with his mom, Florence (Stella McCusker), on their remote farm in the Irish countryside. He spends his free time fixing cars or drinking at the local pub, with nothing remotely out of the ordinary ever really happening in his quietly mundane existence. But one night, Donal discovers his mother brutally murdered in their home, and he sees a mysterious...
- 1/23/2017
- by Heather Wixson
- DailyDead
The Sundance Film Festival premieres numerous films in and out of competition across many different sections — U.S. Dramatic, World Documentary, Next, etc. — but the one section that features films that defy convenient genre trappings is the Midnight section. This year, the Midnight section will feature new work from Annie Clark (a.k.a St. Vincent), Jeff Baena and the first feature-length film from Chris Baugh entitled “Bad Day for the Cut.”
Read More: 10 Surprises and Hidden Gems from the 2017 Sundance Lineup
The film follows Donal (Nigel O’Neill), a quiet, content farmer who still lives at home in a little Irish village with his mother Florence (Stella McCusker). But when Florence is killed in an apparent home invasion, Donal sets off for Belfast looking to avenge her death and discovers a secret for revenge about his mother that will shake him to his core. The film co-stars Susan Lynch...
Read More: 10 Surprises and Hidden Gems from the 2017 Sundance Lineup
The film follows Donal (Nigel O’Neill), a quiet, content farmer who still lives at home in a little Irish village with his mother Florence (Stella McCusker). But when Florence is killed in an apparent home invasion, Donal sets off for Belfast looking to avenge her death and discovers a secret for revenge about his mother that will shake him to his core. The film co-stars Susan Lynch...
- 1/18/2017
- by Vikram Murthi
- Indiewire
Stars: Lauryn Canny, Eva Birthistle, David Murray, Levi O’Sullivan, Justine Mitchell, David Herlihy, Declan Conlon, Emily Nagle, Stella McCusker, Shauna Griffith | Created by Rob Crawley, Paul Duane
If there is one type of television show we’ve got a lot of right now it’s the drama. While mostly concentrating on murder and politics there are some though that look to hit a much more emotional nerve by using the subject of children. Amber is one of the latest to use children as the subject using the theme of abduction.
When fourteen year old Amber Bailey disappears her family are left in turmoil. As they search for her at her friends they find she lied about visiting there and with no sign of her return it’s left to the police and pleas to the public for any news on where she could be. As the days go by...
If there is one type of television show we’ve got a lot of right now it’s the drama. While mostly concentrating on murder and politics there are some though that look to hit a much more emotional nerve by using the subject of children. Amber is one of the latest to use children as the subject using the theme of abduction.
When fourteen year old Amber Bailey disappears her family are left in turmoil. As they search for her at her friends they find she lied about visiting there and with no sign of her return it’s left to the police and pleas to the public for any news on where she could be. As the days go by...
- 7/3/2014
- by Paul Metcalf
- Nerdly
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