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Yasuzô Masumura(1924-1986)

  • Director
  • Writer
  • Second Unit Director or Assistant Director
IMDbProStarmeterSee rank
Yasuzô Masumura
Born in Yamanashi, Japan, Yasuzô Masumura would become known as a maverick director whose main legacy was films portraying and promoting individualism, which was the opposite of the norm in Japanese society. He earned a law degree towards the end of World War II from Tokyo University, yet joined Daiei Studio as an assistant director in 1950. He pursued a second degree at Tokyo University as a literature and philosophy double major. He was the first Japanese to study at Rome, Italy's Centro Sperimentale Di Cinematografia. He returned to Japan in 1953 and worked as assistant to Kenji Mizoguchi and Kon Ichikawa. Masumura's own lead directorial debut came in 1957 with Kuchizuke, which was a commercial success and also won praise from director Oshima Nagisa. Masumura went on to become a prolific director who also continued writing on Japanese cinema. A 1996 ten-day retrospective on Masumura in Rome was attended by Michaelangelo Antonioni who was an admirer.
BornAugust 25, 1924
DiedNovember 23, 1986(62)
BornAugust 25, 1924
DiedNovember 23, 1986(62)
IMDbProStarmeterSee rank
  • Awards
    • 1 win & 1 nomination total

Photos2

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Known for

La berceuse de la grande terre (1976)
La berceuse de la grande terre
6.9
  • Director
  • 1976
Testaments de femmes (1960)
Testaments de femmes
6.7
  • Director(segment "Mimi o kamitagaru onna")
  • 1960
Le grand salaud (1968)
Le grand salaud
7.1
  • Director
  • 1968
Denki kurage (1970)
Denki kurage
6.5
  • Director
  • 1970

Credits

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IMDbPro

Director



  • Kuroi fukuin: Shinpu no giwaku
    TV Movie
    • Director
    • 1984
  • Stewardess monogatari (1983)
    Stewardess monogatari
    7.6
    TV Series
    • Director
    • 1983
  • Mazakon-keiji no jikenbo
    TV Movie
    • Director
    • 1983
  • Konoko no nanatsu no oiwai ni (1982)
    Konoko no nanatsu no oiwai ni
    5.6
    • Director
    • 1982
  • Himawari no uta
    TV Series
    • Director (as Yasuzo Masumura)
    • 1981
  • Eden no sono (1980)
    Eden no sono
    5.5
    • Director
    • 1980
  • Akai shisen (1980)
    Akai shisen
    6.9
    TV Movie
    • Director
    • 1980
  • Meiko Kaji in Double suicide à Sonezaki (1978)
    Double suicide à Sonezaki
    6.8
    • Director
    • 1978
  • Akai gekiryû
    TV Series
    • Director (as Yasuzo Masumura, episodes 1, 2, 12 and 20)
    • 1977
  • Akai shôgeki (1976)
    Akai shôgeki
    6.3
    TV Series
    • Director (as Yasuzo Masumura, episodes 1 and 10)
    • 1976
  • La berceuse de la grande terre (1976)
    La berceuse de la grande terre
    6.9
    • Director
    • 1976
  • L'archipel des artères (1975)
    L'archipel des artères
    6.4
    • Director
    • 1975
  • Yoake no keiji
    TV Series
    • Director (as Yasuzo Masumura)
    • 1974–1977
  • Le vaurien: la guerre des territoires (1974)
    Le vaurien: la guerre des territoires
    7.6
    • Director
    • 1974
  • Shintarô Katsu in Kung-fu hara kiri (1973)
    Kung-fu hara kiri
    6.9
    • Director
    • 1973

Writer



  • Hato no gotoku hebi no gotoku shayô
    • Writer
    • 2022
  • Stewardess monogatari (1983)
    Stewardess monogatari
    7.6
    TV Series
    • writer (as Yasuzo Masumura)
    • 1983
  • Konoko no nanatsu no oiwai ni (1982)
    Konoko no nanatsu no oiwai ni
    5.6
    • screenplay
    • 1982
  • Eden no sono (1980)
    Eden no sono
    5.5
    • Writer
    • 1980
  • Meiko Kaji in Double suicide à Sonezaki (1978)
    Double suicide à Sonezaki
    6.8
    • writer
    • 1978
  • L'archipel des artères (1975)
    L'archipel des artères
    6.4
    • Writer
    • 1975
  • Shintarô Katsu in Hanzo the razor - La chair et l'or (1974)
    Hanzo the razor - La chair et l'or
    6.5
    • Writer
    • 1974
  • Shintarô Katsu in Kung-fu hara kiri (1973)
    Kung-fu hara kiri
    6.9
    • writer
    • 1973
  • Triple Sôsasen
    TV Mini Series
    • teleplay
    • 1973
  • La musique (1972)
    La musique
    6.1
    • Writer
    • 1972
  • Le nouveau soldat yakuza: la ligne de feu (1972)
    Le nouveau soldat yakuza: la ligne de feu
    6.8
    • screenplay
    • 1972
  • Jeux dangereux (1971)
    Jeux dangereux
    6.6
    • embellishment
    • 1971
  • Kawaii Akuma: Iimono ageru (1970)
    Kawaii Akuma: Iimono ageru
    • Writer
    • 1970
  • Shibire Kurage (1970)
    Shibire Kurage
    6.9
    • screenplay
    • 1970
  • Denki kurage (1970)
    Denki kurage
    6.5
    • screenplay
    • 1970

Second Unit or Assistant Director



  • Le train bondé (1957)
    Le train bondé
    7.2
    • assistant director
    • 1957
  • Nihonbashi (1956)
    Nihonbashi
    6.7
    • assistant director
    • 1956
  • La chambre des exécutions (1956)
    La chambre des exécutions
    7.1
    • assistant director
    • 1956
  • La rue de la honte (1956)
    La rue de la honte
    7.8
    • assistant director
    • 1956
  • Le héros sacrilège (1955)
    Le héros sacrilège
    7.2
    • assistant director (uncredited)
    • 1955
  • L'impératrice Yang Kwei-Fei (1955)
    L'impératrice Yang Kwei-Fei
    7.1
    • assistant director
    • 1955
  • Kaoru Yachigusa in Madama Butterfly (1954)
    Madama Butterfly
    6.9
    • assistant director (as Yasuzo Masumura)
    • 1954
  • Chiemi Eri, Aiko Mimasu, Jun Usami, and Ayako Wakao in Hahakozuru (1952)
    Hahakozuru
    • third assistant director
    • 1952

Personal details

Edit
  • Alternative name
    • Yasuzo Masumura
  • Born
    • August 25, 1924
    • Kofu, Yamanashi, Japan
  • Died
    • November 23, 1986
  • Publicity listings
    • 3 Print Biographies
    • 2 Articles

Did you know

Edit
  • Trivia
    In 1950 he traveled to Rome to study film-making at the prestigious Centro Sperimentale Cinematografico.
  • Quotes
    My goal is to create an exaggerated depiction featuring only the ideas and passions of living human beings. In Japanese society, which is essentially regimented, freedom and the individual do not exist. The theme of Japanese film is the emotions of the Japanese people, who have no choice but to live according to the norms of that society . . . After experiencing Europe for two years, I wanted to portray the type of beautifully vital, strong people I came to know there.

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