After Funeral Kings screened to a full house in J.A. De Seve Theatre at Fantasia, the brothers McManus, Matt and Kevin, as well as their co-producer Michael McGarry bumped into me first at one of the usual end of the night Pub gatherings, but then more randomly a second time well into the A.M. at a divey Lebanese burgers and poutine joint along a seedier part of René Lévesque Boulevard. So, sleeping off booze and greasy indulgence, they were kind enough to join me for breakfast at Kafein Bar for java and chit-chat. The brothers are identical twins (3 minutes apart) who indeed, enthusiastically finish each other sentences. This is your fair warning (and apologies) if I have them backwards on one occasion or another. They were charming...
- 7/23/2012
- Screen Anarchy
Leading light in the emergence of French Canadian cinema
After years of neglect and discrimination by the dominant Anglophone culture, a distinctive French Canadian cinema emerged in the 1960s with the victory of René Lévesque's Liberal party in Quebec and the sponsorship of the National Film Board of Canada and the Quebec Film Commission. Among the beneficiaries was a group of young directors headed by Claude Jutra, Denys Arcand and Gilles Carle, who has died aged 80.
Carle, the most senior, was always an anti-elitist, independent figure, a social satirist whose films sought to expose "the secret order of things". Eroticism and violence are dominant themes in his critiques of middle-class rectitude, corruption and religious hypocrisy. He once described his movies as "social fables, allegorical tales rather than films of social protest".
At the heart of most of Carle's films is a beautiful, commanding, impulsive and defiant woman. The role...
After years of neglect and discrimination by the dominant Anglophone culture, a distinctive French Canadian cinema emerged in the 1960s with the victory of René Lévesque's Liberal party in Quebec and the sponsorship of the National Film Board of Canada and the Quebec Film Commission. Among the beneficiaries was a group of young directors headed by Claude Jutra, Denys Arcand and Gilles Carle, who has died aged 80.
Carle, the most senior, was always an anti-elitist, independent figure, a social satirist whose films sought to expose "the secret order of things". Eroticism and violence are dominant themes in his critiques of middle-class rectitude, corruption and religious hypocrisy. He once described his movies as "social fables, allegorical tales rather than films of social protest".
At the heart of most of Carle's films is a beautiful, commanding, impulsive and defiant woman. The role...
- 12/31/2009
- by Ronald Bergan
- The Guardian - Film News
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