Carol Lynley(1942-2019)

Blonde and blue-eyed with an attractively feline appeal, Carol Lynley began her professional career as Carolyn Lee. She learned ballet at age seven, became a successful child model at age 10 (eventually working for the Sears & Roebuck department store in New York), and got her face nationally recognized as "the Coca-Cola Girl."

Carole Ann Jones was born in New York City to Frances Fuller (Felch) from New England and Irish immigrant Cyril Roland Jones. Trying to branch out into acting early on, Carol discovered that another individual by that name, born seven years earlier, was already on the books of Actors' Equity, so Carolyn fused "lyn" and "lee" to create 'Lynley'. From age 15, she appeared on Broadway, played juvenile roles in early anthology television and was featured on the cover of Life Magazine in April 1957. Her first important film roles came in decidedly wholesome fare, beginning with Lueur dans la forêt (1958) for Walt Disney Productions, in which she played indentured servant Shenandoe. It was a promising start. A New York Times reviewer praised her performance (alongside that of fellow screen newbie James MacArthur), describing both as "real charmers with more than their share of talent." Thrust once more into the limelight, Lynley reprised her earlier Broadway role in the film version of Blue-jeans (1959) as a naive girl who becomes pregnant and ponders having an illegal abortion. This performance got her nominated for a Golden Globe Award as Most Promising Newcomer in 1959. That same year, she graduated with a diploma from New York's School for Young Professionals. Lynley went on to play other ingénues and troubled teens before shedding her wholesome image by the early 1960s.

Les lauriers sont coupés (1961) headlined the actress as a best-selling novelist who controversially reveals the town's darkest secrets and scandals. This was followed by the bawdy (and mostly irritating) sex farce Oui ou non avant le mariage ? (1963), with Lynley as a virginal college student in a New York apartment block pursued by a lecherous landlord/playboy (played by Jack Lemmon). Luckily, better opportunities to prove her acting mettle turned up with a double role in Le Cardinal (1963) (opposite Tom Tryon), and as the tormented mother of a kidnapped child in the superior psychological thriller Bunny Lake a disparu (1965), directed by Otto Preminger and co-starring Laurence Olivier. Cinema magazine commented "With a face like that of a fallen angel, Carol Lynley has beauty that is often awe- inspiring".

In March 1965, the former teen queen posed nude for an issue of Playboy magazine. Later that year she played the title role in a turgid biopic of 1930s Hollywood sex symbol Jean Harlow. While the quality of her films tended to decline after the mid-60s, there were still entertaining moments in B-pictures like La malédiction des Whateley (1967) and Histoire d'un meurtre (1969) (in this lurid thriller, Lynley rose above her material and was memorable in the role of a psychotic murderess). In Irwin Allen's L'aventure du Poséidon (1972), she was merely one of the ill-fated passengers who ended up in Davy Jones' Locker. Still, Variety called her performance "especially effective". After 1967, television provided most of her work, including guest spots in seminal shows like Mannix (1967), Les envahisseurs (1967), Hawaii police d'état (1968) and as co-star of the TV pilot for The Night Stalker (1972) (as Carl Kolchak's girlfriend). In her penultimate role, Lynley played a grandmother in a film titled uncannily similar to the one which had launched her career: A Light in the Forest (2003).

Carol Lynley retired from the screen in 2006. A highly capable actress who should have made a bigger splash in Hollywood, she passed away on September 3, 2019 in Pacific Palisades, California from a heart attack. She was 77.