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David Lynch proved himself as a master of film music in his 1986 feature.

“Every note of music has enough breath to carry you away, and as a director, all you have to do is let the right wind blow at the right time” — David Lynch

Sound and music are incredibly important in David Lynch’s films. From Eraserhead (1977) on, Lynch has shown his talent for creating creepy and dreamy soundscapes, which include music and dialogue as well as diegetic and non-diegetic sound effects. Perhaps Lynch’s most popular film, Blue Velvet (1986) perfectly blends together pop music, original score, and Lynchian sound effects. Blue Velvet is especially rich with beautiful music that both comments on and runs counter to the images onscreen. This was the first film in which Lynch focused on both original score/sound effects and pre-existing pop music.

David Lynch is never completely serious or completely joking — he is always both at the same time...

[Blue Velvet] was the song that sparked the movie!—David Lynch(1)Blue velvet, red lips, sprawling, manicured neighborhood lawns; the transgressions that go on behind the closed doors of ostensibly squeaky-clean American suburbia; the mysterious melancholy behind a pop song written in the early 1950s: these were the things that inspired David Lynch to write Blue Velvet. Kyle MacLachlan plays Jeffrey Beaumont in the film, a young man who returns to his hometown of Lumberton after his father has had a stroke. Whilst walking home after visiting his father in hospital, Jeffrey comes across an ant-infested human ear in an empty lot and takes it upon himself to investigate the mystery surrounding it, resulting in his being seduced and almost destroyed by the seamy underbelly of the town. In his investigations Jeffrey is torn between two worlds, one of innocence and one of corruption, and it is a duality that is not...

Melrose Place veteran Vanessa Williams has joined the Days of Our Lives TV show cast, on NBC. The actress announced the news on Instagram (see below). She is a re-cast of the Dr. Valerie Grant character, originated by Tina Andrews in 1975, who played the part until 1977. Kitty Lester and the late Lawrence Cook played Valerie's parents, Helen and Paul Grant. Soap Central reports Andrews was not approached to reprise the role.Rose Fonseca assumed the role of Valerie from 1977 to '78. Diane Sommerfield brought the character back to Salem, from 1981 to '82. Per Deadline, Williams' first airdate is slated for October 25, 2016. Since Valerie's former love interest, Abe Carver (James Reynolds), is widowed, unattached, and still living in Salem...

“I’m gonna let them find you on their own,” Jeffrey quietly says to himself, invoking Frank, who will appear again in a few minutes. Turning away from the camera, his ear might actually hear the song on the soundtrack, Ketty Lester’s version of “Love Letters,” released as a single in 1961:

The song was written in 1945 by Victor Young and Edward Heyman, and appeared in the film Love Letters, which starred Jennifer Jones and Joseph Cotten. Adapted by none other than Ayn Rand (“People should be able to build what they want to build, when they want to build it, how they want to build it,” Lynch said in 2001) from the novel Pity My Simplicity, the trailer suggests Freud Gone Wild: “Buried within these bleak, forbidding walls were haunting memories, memories of violence and disaster.” Of her adaptation of the film, Rand wrote to a friend:

You want...