Sheldon Leonard(1907-1997)
- Producer
- Director
- Writer
Sheldon Leonard was born in New York City's lower Manhattan, the son of
Jewish parents. He studied acting at Syracuse University and, after
graduating, landed a job on Wall Street. Following the Wall Street
crash of 1929, he found himself unemployed and resolved to become a
professional actor on the stage. The road was hard, since it took him
five years to first appear on Broadway in "Hotel Alimony" (1934). While
this production was universally slammed by the critics, the next plays
he appeared in, "Having Wonderful Time" (1937) and "Kiss the Boys
Goodbye" (1938), were unqualified successes, the former running for 372
performances.
Movie offers followed, and from 1939 he became one of Hollywood's most recognizable screen tough guys, the names of his characters evocative of the roles he played: Pretty Willie in Tall, Dark and Handsome (1941), Slip Moran in Jordan le révolté (1942), Lippy Harris in Jinx Money (1948), Jumbo Schneider in Un galop du diable (1953) and, famously, Harry the Horse in Blanches colombes et vilains messieurs (1955). There was also an assortment of minor henchmen and western heavies named Blackie or Lefty, and he was Nick, the sneering, humorless barkeeper who tosses James Stewart into the snow in La vie est belle (1946).
Having had his fill of acting in those kinds of parts, Leonard began a new career as a television producer in the 1950s and went on to become one of the most successful TV producer/directors of the 1950s and 1960s. Four of his productions (all on CBS)--Make Room for Daddy (1953), Gomer Pyle, U.S.M.C. (1964), The Dick Van Dyke Show (1961) (which won 21 Emmy Awards) and The Andy Griffith Show (1960)--were rated in the Top Ten. He had a further success with Les espions (1965), championing the cause of racial equality over the (initial) objections of the network by being the first series to have an African-American (Bill Cosby) in an equal co-starring dramatic role with a white actor. Leonard is also regarded as having invented the television spin-off.
Movie offers followed, and from 1939 he became one of Hollywood's most recognizable screen tough guys, the names of his characters evocative of the roles he played: Pretty Willie in Tall, Dark and Handsome (1941), Slip Moran in Jordan le révolté (1942), Lippy Harris in Jinx Money (1948), Jumbo Schneider in Un galop du diable (1953) and, famously, Harry the Horse in Blanches colombes et vilains messieurs (1955). There was also an assortment of minor henchmen and western heavies named Blackie or Lefty, and he was Nick, the sneering, humorless barkeeper who tosses James Stewart into the snow in La vie est belle (1946).
Having had his fill of acting in those kinds of parts, Leonard began a new career as a television producer in the 1950s and went on to become one of the most successful TV producer/directors of the 1950s and 1960s. Four of his productions (all on CBS)--Make Room for Daddy (1953), Gomer Pyle, U.S.M.C. (1964), The Dick Van Dyke Show (1961) (which won 21 Emmy Awards) and The Andy Griffith Show (1960)--were rated in the Top Ten. He had a further success with Les espions (1965), championing the cause of racial equality over the (initial) objections of the network by being the first series to have an African-American (Bill Cosby) in an equal co-starring dramatic role with a white actor. Leonard is also regarded as having invented the television spin-off.
