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IMDbPro

Rowland V. Lee(1891-1975)

  • Director
  • Writer
  • Producer
IMDbProStarmeterSee rank
Rowland V. Lee
Coming from a show business family (his parents were stage actors), Rowland V. Lee began his career as a child actor in stock and on Broadway. He interrupted his stage career for a stint as a Wall Street stockbroker, but gave that up after two years and returned to the stage. Lee was hired by Thomas H. Ince as an actor in 1915, and after service in World War I returned to Ince, but this time as a director. Lee didn't specialize in any particular genre in the many films he directed, but several of his lower-budget horror films were especially effective in their grim, gritty atmosphere, and his last film, Le capitaine Kidd (1945) with Charles Laughton, had the potential to be a first-rate adventure yarn, but was hampered by its low budget.
BornSeptember 6, 1891
DiedDecember 21, 1975(84)
BornSeptember 6, 1891
DiedDecember 21, 1975(84)
IMDbProStarmeterSee rank
  • Awards
    • 1 win & 1 nomination total

Photos3

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Known for

Le comte de Monte Cristo (1934)
Le comte de Monte Cristo
7.4
  • Director
  • 1934
Fay Bainter, James Ellison, Ruby Keeler, and Anne Shirley in Bonheur en location (1938)
Bonheur en location
6.3
  • Director
  • 1938
Le fils de Frankenstein (1939)
Le fils de Frankenstein
7.1
  • Director
  • 1939
The Three Musketeers (1935)
The Three Musketeers
5.8
  • Director
  • 1935

Credits

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IMDbPro

Director



  • Randolph Scott, Charles Laughton, and Barbara Britton in Le capitaine Kidd (1945)
    Le capitaine Kidd
    6.3
    • Director
    • 1945
  • Lynn Bari, Francis Lederer, and Alla Nazimova in The Bridge of San Luis Rey (1944)
    The Bridge of San Luis Rey
    5.5
    • Director
    • 1944
  • Dorothy Lovett, Victor McLaglen, and Edmond O'Brien in Powder Town (1942)
    Powder Town
    5.4
    • Director
    • 1942
  • Joan Bennett and Louis Hayward in Le fils de Monte-Cristo (1940)
    Le fils de Monte-Cristo
    6.2
    • Director
    • 1940
  • Boris Karloff and Basil Rathbone in La tour de Londres (1939)
    La tour de Londres
    6.6
    • Director
    • 1939
  • Douglas Fairbanks Jr. and Basil Rathbone in Frères héroïques (1939)
    Frères héroïques
    6.4
    • Director
    • 1939
  • Le fils de Frankenstein (1939)
    Le fils de Frankenstein
    7.1
    • Director
    • 1939
  • Constance Bennett, Vincent Price, Mischa Auer, Helen Broderick, and Charles Ruggles in Service de Luxe (1938)
    Service de Luxe
    6.1
    • Director
    • 1938
  • Fay Bainter, James Ellison, Ruby Keeler, and Anne Shirley in Bonheur en location (1938)
    Bonheur en location
    6.3
    • Director
    • 1938
  • Cary Grant, Frances Farmer, Edward Arnold, and Jack Oakie in L'or et la chair (1937)
    L'or et la chair
    6.3
    • Director
    • 1937
  • Basil Rathbone and Ann Harding in L'étrange visiteur (1937)
    L'étrange visiteur
    6.5
    • Director
    • 1937
  • Francis Lederer and Ida Lupino in One Rainy Afternoon (1936)
    One Rainy Afternoon
    5.9
    • Director
    • 1936
  • The Three Musketeers (1935)
    The Three Musketeers
    5.8
    • Director
    • 1935
  • George Arliss in Cardinal Richelieu (1935)
    Cardinal Richelieu
    6.3
    • Director
    • 1935
  • George M. Cohan and Wynne Gibson in Gambling (1934)
    Gambling
    6.4
    • Director
    • 1934

Writer



  • Howard Keel, Susan Kohner, and John Saxon in Simon le pêcheur (1959)
    Simon le pêcheur
    5.4
    • writer
    • 1959
  • The Three Musketeers (1935)
    The Three Musketeers
    5.8
    • screen play
    • 1935
  • Le comte de Monte Cristo (1934)
    Le comte de Monte Cristo
    7.4
    • dialogue
    • screenplay
    • 1934
  • Lilian Harvey and Gene Raymond in Suzanne, c'est moi! (1933)
    Suzanne, c'est moi!
    7.2
    • screenplay
    • story
    • 1933
  • Révolte au zoo (1933)
    Révolte au zoo
    6.7
    • screenplay
    • 1933
  • Helen Haye and Sari Maritza in Monte Carlo Madness (1932)
    Monte Carlo Madness
    • dialogues
    • 1932
  • Jean Murat, Charles Redgie, and Käthe von Nagy in Le capitaine Craddock (1931)
    Le capitaine Craddock
    6.1
    • dialogue
    • 1931
  • Dudley Digges, John Halliday, Walter Huston, Doris Kenyon, David Manners, and Loretta Young in The Ruling Voice (1931)
    The Ruling Voice
    5.9
    • by
    • 1931
  • Nils Asther and Pola Negri in Amours d'artiste (1928)
    Amours d'artiste
    • writer
    • 1928
  • Pola Negri in The Secret Hour (1928)
    The Secret Hour
    • writer
    • 1928
  • Barbed Wire (1927)
    Barbed Wire
    7.0
    • adaptation
    • 1927
  • Alice Adams (1923)
    Alice Adams
    5.0
    • adaptation
    • 1923
  • William Russell in A Self-Made Man (1922)
    A Self-Made Man
    • scenario
    • 1922
  • Laska Winter in What Ho, the Cook (1921)
    What Ho, the Cook
    • Writer
    • 1921

Producer



  • Howard Keel, Susan Kohner, and John Saxon in Simon le pêcheur (1959)
    Simon le pêcheur
    5.4
    • producer
    • 1959
  • Lynn Bari, Francis Lederer, and Alla Nazimova in The Bridge of San Luis Rey (1944)
    The Bridge of San Luis Rey
    5.5
    • producer
    • 1944
  • Joan Bennett and Louis Hayward in Le fils de Monte-Cristo (1940)
    Le fils de Monte-Cristo
    6.2
    • producer
    • 1940
  • Boris Karloff and Basil Rathbone in La tour de Londres (1939)
    La tour de Londres
    6.6
    • producer
    • 1939
  • Douglas Fairbanks Jr. and Basil Rathbone in Frères héroïques (1939)
    Frères héroïques
    6.4
    • producer
    • 1939
  • Le fils de Frankenstein (1939)
    Le fils de Frankenstein
    7.1
    • producer
    • 1939
  • Constance Bennett, Vincent Price, Mischa Auer, Helen Broderick, and Charles Ruggles in Service de Luxe (1938)
    Service de Luxe
    6.1
    • producer
    • 1938
  • George Bancroft in Désemparé (1930)
    Désemparé
    6.4
    • producer
    • 1930
  • Jean Arthur and Neil Hamilton in The Return of Dr. Fu Manchu (1930)
    The Return of Dr. Fu Manchu
    5.8
    • producer
    • 1930
  • William Austin, Neil Hamilton, O.P. Heggie, and Warner Oland in Fu-Manchou (1929)
    Fu-Manchou
    6.0
    • producer
    • 1929
  • Gary Cooper and Fay Wray in Le bateau de nos rêves (1928)
    Le bateau de nos rêves
    5.8
    • producer
    • 1928
  • Warner Baxter, Paul Lukas, and Pola Negri in Three Sinners (1928)
    Three Sinners
    • producer
    • 1928
  • Gary Cooper and Florence Vidor in Doomsday (1928)
    Doomsday
    6.2
    • producer
    • 1928
  • Barbed Wire (1927)
    Barbed Wire
    7.0
    • producer (uncredited)
    • 1927
  • Edward Hearn in Le sans patrie (1925)
    Le sans patrie
    • producer
    • 1925

Personal details

Edit
  • Alternative names
    • Roland V. Lee
  • Born
    • September 6, 1891
    • Findlay, Ohio, USA
  • Died
    • December 21, 1975
    • Palm Desert, California, USA(heart attack)
  • Spouse
    • Eleanor WorthingtonNovember 6, 1924 - December 21, 1975 (his death, 1 child)
  • Relatives
      Robert N. Lee(Sibling)
  • Other works
    Stage: "Seven Chances". Written by Roi Cooper Megrue. George M. Cohan's Theatre (moved to the Belasco Theatre on 23 Oct 1916 to close): 8 Aug 1916- Dec 1916 (closing date unknown/151 performances). Cast: Marion Abbott, Charles Brokate, Emily Callaway, Alice Carroll, Frank Craven, Florence Deshon, Hayward Ginn, Otto Kruger, Rowland V. Lee [credited as Rowland Lee], Harry Leighton. Helen MacKellar, Carroll McComas, Anne Meredith, Lillian Spencer, Allen Thomas, Beverly West. Produced by David Belasco. NOTE: Filmed as Fiancées en folie (1925).
  • Publicity listings
    • 10 Articles

Did you know

Edit
  • Trivia
    He had his own 214-acre movie ranch, located in the San Fernando Valley in California. He purchased the property in 1935 and called it Farm Lake Ranch, but the film industry always knew it as the Rowland V. Lee Ranch, with its pale brown hills of barley chaff and olive and eucalyptus trees and two scenic lakes, but for some reason it wasn't used much for westerns. For Je vous ai toujours aimé (1946), Republic Pictures built an extensive farmhouse and barn set. It also constructed a stone and wood bridge over one of the lakes, which would usually be photographed as a river. The farmhouse set would be adapted and modified over the years. RKO used it as a period French farmhouse for its modest swashbuckler Les fils des mousquetaires (1952). Its most famous use was as an Indiana Quaker family farm during the Civil War in Allied Artists' La loi du Seigneur (1956). To give it that "Indiana look", director William Wyler had cornfields planted, sycamore trees brought in and huge areas covered with green grass. The wooden farmhouse was also given a fake stone facade. You'll also see the ranch used to great effect in Alfred Hitchcock's L'inconnu du Nord-Express (1951) and in Charles Laughton's La nuit du chasseur (1955). After Lee died in 1975, the ranch was developed into an expensive gated community called Hidden Lake Estates.

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