Harry Lachman(1886-1975)
- Director
- Writer
- Producer
A former magazine illustrator, Harry Lachman traveled to Paris in 1911
to begin an art career, and soon became recognized as a first-rate
post-Impressionist painter. Decorated for his contributions to art by
the French government, Lachman afterwards became a set designer at a
film studio in Nice. In 1925 American director Rex Ingram hired him as an
assistant director on Mare Nostrum (1926) and soon thereafter Lachman gave up his
painting career and traveled to England to began a career as a film
director. He returned to France and made several films, then journeyed
to the U.S. in 1933 and settled in Hollywood. Mainly given B-pictures,
his best films were a Laurel and Hardy comedy, C'est donc ton frère (1936), and L'enfer (1935),
where his painter's eye was evident in the intense ten-minute hell
sequence. Lachman ended his career with a Charlie Chan movie in the
1940s, and returned to painting. His artworks can be seen in such
museums as Spain's Prado and the Luxembourg Museum.
