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Akira Kubo in Invasion Planète X (1965)

News

Akira Kubo

Film Review: The Great Buddha Arrival (2018) by Hiroto Yokokawa
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Reboots of long-established franchises have regularly been recurring in the Japanese entertainment industry. For example, the ongoing “Shin Japan Heroes Universe” has modernized numerous classic pieces of tokusatsu history with movies such as “Shin Godzilla,” “Shin Ultraman,” and the upcoming “Shin Kamen Rider.” Reboots have also taken a unique direction in present-day cinema’s independent side. Such an example is reimagining a long-lost piece of Japanese cinema. That is the case with the outlandish low-budget film “The Great Buddha Arrival.”

Watch The Great Buddha Arrival on Bijou Theater

The original “The Great Buddha Arrival” is a lost 1934 independent kaiju movie directed by pioneer filmmaker Yoshiro Edamasa who served as a mentor to many filmmakers, including special effects director Eiji Tsuburaya. Its place in Japanese cinema is rather significant as it was one of the earliest pieces of daikaiju filmmaking ever constructed, predating the original “Godzilla” directed by Ishiro Honda, by two decades.
See full article at AsianMoviePulse
  • 6/10/2025
  • by Sean Barry
  • AsianMoviePulse
‘Destroy All Monsters’ Prints by Tom Whalen on Sale Tomorrow at Bottleneck Gallery
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Bottleneck Gallery will release Destroy All Monsters posters featuring Godzilla and his kaiju friends and foes by Tom Whalen tomorrow, May 15, at 12pm Et.

The standard 36×24 screen print is limited to 150 for $60, while the yellow variant is limited to 75 for $70. A 24×16 archival pigment print on three layers of acrylic panel, limited to 50, will also be available for $125.

“With 1968’s Destroy All Monsters, Ishiro Honda and the rest of the talented Toho team created a simple, all-out slobberknocker of a movie featuring Godzilla, King Ghidorah, Mothra, Rodan, and many others,” Bottleneck writes.

We’re stoked to release Tom’s officially licensed print for the kaiju clash, featuring all of our favorite killer creatures, and Tom’s exquisitely clean lines and perfect coloring. We’ve also got an extremely limited edition of acrylic prints that really allow Tom’s monster artistic talent to shine!”

In the film, aliens have released all the...
See full article at bloody-disgusting.com
  • 5/14/2025
  • by Alex DiVincenzo
  • bloody-disgusting.com
Toshirô Mifune and Isuzu Yamada in Le Château de l'araignée (1957)
Scene of the Week #2: Washizu Has A Vision Of His Murdered Comrade Miki
Toshirô Mifune and Isuzu Yamada in Le Château de l'araignée (1957)
There is simply no denying the filmography of this great director is filled with glorious and breathtaking moments. In “Throne of Blood”, when Lord Washizu (played by Toshiro Mifune) sees the ghost of Miki (Akira Kubo) who has been murdered by Washizu's assassins for fear of dethroning him, is one of these moments which still haunts audiences. The occasion, a dinner at Cobweb Caste, Washizu's fortress as the new lord, sets the tone for the event, as it is a festivity meant to re-affirm the former's general's status and the order within his realm. However, his expression when seeing the ghost destroys all illusion that basically anything is in order and highlights the chaos, as Washizu himself has continued to upset a much higher order and now has to pay the price.

The mastery of this scene in particular has to do with its execution, which is in stark contrast...
See full article at AsianMoviePulse
  • 1/14/2024
  • by Rouven Linnarz
  • AsianMoviePulse
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Film Analysis: Throne of Blood (1957) by Akira Kurosawa
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After the drama “I Live in Fear”, acclaimed director Akira Kurosawa would return to the jidaigeki with “Throne of Blood”, arguably one of the most popular works within his filmography. Being an adaptation of William Shakespeare's “Macbeth”, the feature follows the basic structure of the play's plot. However, Kurosawa infused the story with several elements embedded within Japanese culture, such as bushido, systems of belief and superstition. As a result, “Throne of Blood” stands out among the many adaptations of the famous drama as it stays true to its origin but at the same time explores its themes within the aforementioned cultural narratives Kurosawa has chosen for his feature.

on Amazon by clicking on the image below

Having successfully defeated the enemies of their lord, generals Washizu (Toshiro Mifune) and Miki (Akira Kubo) are on their way back to Cobweb Caste, but get lost in the maze-like forest surrounding the fortress.
See full article at AsianMoviePulse
  • 1/5/2024
  • by Rouven Linnarz
  • AsianMoviePulse
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Film Review: The Great Buddha Arrival (2018) by Hiroto Yokokawa
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By Sean Barry

Reboots of long-established franchises have regularly been recurring in the Japanese entertainment industry. For example, the ongoing “Shin Japan Heroes Universe” has modernized numerous classic pieces of tokusatsu history with movies such as “Shin Godzilla,” “Shin Ultraman,” and the upcoming “Shin Kamen Rider.” Reboots have also taken a unique direction in present-day cinema’s independent side. Such an example is reimagining a long-lost piece of Japanese cinema. That is the case with the outlandish low-budget film “The Great Buddha Arrival.”

on Amazon

The original “The Great Buddha Arrival” is a lost 1934 independent kaiju movie directed by pioneer filmmaker Yoshiro Edamasa who served as a mentor to many filmmakers, including special effects director Eiji Tsuburaya. Its place in Japanese cinema is rather significant as it was one of the earliest pieces of daikaiju filmmaking ever constructed, predating the original “Godzilla” directed by Ishiro Honda, by two decades.
See full article at AsianMoviePulse
  • 6/11/2022
  • by Guest Writer
  • AsianMoviePulse
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Gorath
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It’s another CineSavant review of a movie largely unavailable, especially the original Japanese version. This third Ishirô Honda / Eiji Tsuburaya outer space action epic is probably the best Toho science fiction feature ever, an Astral Collision tale in which the drama and characters are as compelling as the special effects. Nothing can stop a colossal planetoid heading toward Earth, but science comes to the rescue with the biggest construction job ever undertaken by mankind. The fine screenplay generates thrills, suspense and human warmth. It also takes place in the far, far future: 1980.

Gorath

CineSavant Revival Screening Review

Not On Region A Home Video

1962 / Color / 2:35 widescreen / 88 83 min. / Yôsei Gorasu

Starring: Ryô Ikebe, Yumi Shirakawa, Akira Kubo, Kumi Mizuno, Akihiko Hirata, Kenji Sahara, Jun Tazaki, Ken Uehara, Takashi Shimura, Seizaburô Kawazu, Takamaru Sasaki, Kô Nishimura, Eitarô Ozawa, Hideyo Amamoto, George Furness, Ross Benette, Nadao Kirino, Fumio Sakashita, Ikio Sawamura, Haruo Nakajima.
See full article at Trailers from Hell
  • 3/30/2021
  • by Glenn Erickson
  • Trailers from Hell
The Great Buddha Arrival – New Teaser Trailer + Toho/Godzilla Acting Legend Akira Kubo Joins Cast!!
Japanese acting legend Akira Kubo has now joined our all-star ensemble cast! All new promotional teaser trailer for our all-star kaiju film The Great Buddha Arrival! This one promotes our upcoming screenings in France and Germany, the incredible soundtrack artists, and some of the other big stars in the film including Akira Kubo, Peggy Neal, …

The post The Great Buddha Arrival – New Teaser Trailer + Toho/Godzilla Acting Legend Akira Kubo Joins Cast!! appeared first on Hnn | Horrornews.net.
See full article at Horror News
  • 4/1/2019
  • by Adrian Halen
  • Horror News
New this Week: ‘In Time,’ ‘The Rum Diary’ and ‘Jurassic Park Ultimate Trilogy (Bd)’
Hitting movie theaters this weekend:

Anonymous - Rhys Ifans, Vanessa Redgrave, David Thewlis

In Time - Justin Timberlake, Amanda Seyfried, Cillian Murphy

Puss in Boots - Antonio Banderas, Salma Hayek, Zach Galifianakis

The Rum Diary - Johnny Depp, Giovanni Ribisi, Aaron Eckhart

Movie of the Week

The Rum Diary

The Stars: Johnny Depp, Giovanni Ribisi, Aaron Eckhart

The Plot: American journalist Paul Kemp (Depp) takes on a freelance job in Puerto Rico for a local newspaper during the 1950s and struggles to find a balance between island culture and the ex-patriots who live there.

The Buzz: Where to begin? Have you seen the trailer? There’s a lot to digest in there.

In all honesty, I’d be a lot more excited than I am, (presently my excito-meter is at about a 6/10) if I’d never caught wind of the many negative rumblings about this film (I have a close...
See full article at The Scorecard Review
  • 10/26/2011
  • by Aaron Ruffcorn
  • The Scorecard Review
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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