F1 Worldwide Box Office: Beats Cars Trilogy(Photo Credit –Instagram)
Brad Pitt’s film F1: The Movie has the leggiest leg at the box office. It has surpassed the domestic haul of F9 as the highest-grossing racing film post-covid. It is also the highest-grossing film in Pitt’s career, surpassing World War Z. The film is still unstoppable after so many days and has beaten the global haul of all three Cars films. Keep scrolling for more.
The film is tracking to earn $600 million at the worldwide box office, beating Tom Cruise’s Mission: Impossible—The Final Reckoning. Joseph Kosinski, who is known for directing Top Gun: Maverick, directed the movie. The success of this movie shows that non-franchise racing films will do better if the plot line is compelling.
F1: The Movie at the worldwide box office
F1 is an original story, and it collected $57.00 million on its opening...
Brad Pitt’s film F1: The Movie has the leggiest leg at the box office. It has surpassed the domestic haul of F9 as the highest-grossing racing film post-covid. It is also the highest-grossing film in Pitt’s career, surpassing World War Z. The film is still unstoppable after so many days and has beaten the global haul of all three Cars films. Keep scrolling for more.
The film is tracking to earn $600 million at the worldwide box office, beating Tom Cruise’s Mission: Impossible—The Final Reckoning. Joseph Kosinski, who is known for directing Top Gun: Maverick, directed the movie. The success of this movie shows that non-franchise racing films will do better if the plot line is compelling.
F1: The Movie at the worldwide box office
F1 is an original story, and it collected $57.00 million on its opening...
- 8/14/2025
- by Esita Mallik
- KoiMoi
On October 16, 2023, Disney celebrated 100 years of magic, from movies, television shows, theme parks, and an improbable corporate identity that has become beloved all on its own. Disney's most significant impact is the cinematic canon that defined the company, and as is to be expected from such an iconic company, it has gone through a lot of changes in its century-long history.
Disney has had eight distinct eras that shaped the company and altered the course of its vaunted animation. Each generation has had highs and lows some more than others but each has had its clear place in the Disney timeline. Despite facing various hardships, Disney has continued to delight fans of all ages with its timeless takes on classic fairy tales and original stories that resonate just as deeply. Every Disney fan has their favorite film and era, but some rank better than others in performance and quality.
Updated...
Disney has had eight distinct eras that shaped the company and altered the course of its vaunted animation. Each generation has had highs and lows some more than others but each has had its clear place in the Disney timeline. Despite facing various hardships, Disney has continued to delight fans of all ages with its timeless takes on classic fairy tales and original stories that resonate just as deeply. Every Disney fan has their favorite film and era, but some rank better than others in performance and quality.
Updated...
- 8/1/2024
- by Ajay Aravind, Robert Vaux, Cailyn Szelinski, Jordan Iacobucci
- CBR
Some '90s kids movies have incredibly dark moments hidden within them, which evolved storytelling for children across the decade. Surprisingly, even films like The Muppet Christmas Carol and Beauty and the Beast have dark moments that contribute to the overall message. Some notable dark moments include Bruno transforming into a mouse in The Witches, Scar's song in The Lion King, and Buzz realizing he's a toy in Toy Story.
Incredibly dark moments hidden in '90s kids movies underscore how much stories for children evolved during the decade. On one hand, it can be surprising how much darkness is cleverly tucked inside some of the most foundational and popular kids movies from the 1990s. On the other, it can be argued that many of these moments are crucial to delivering the positive messages and lessons that these films aimed to impart to children.
From the 20th century's best...
Incredibly dark moments hidden in '90s kids movies underscore how much stories for children evolved during the decade. On one hand, it can be surprising how much darkness is cleverly tucked inside some of the most foundational and popular kids movies from the 1990s. On the other, it can be argued that many of these moments are crucial to delivering the positive messages and lessons that these films aimed to impart to children.
From the 20th century's best...
- 7/26/2023
- by Peter Mutuc
- ScreenRant
Coming off one of its most contentious years in history, the Academy of Motion Pictures Arts & Sciences has sent out its list of candidates for its Board of Governors elections late this month.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
- 5/10/2019
- by Michael Cieply and Bruce Haring
- Deadline Film + TV
Not everybody is thrilled with the upcoming Disney live-action remakes. Storyboard artists who worked on Dumbo, Aladdin, and The Lion King will not be receiving credit for the work that they put into shaping the original iconic animated films. While most Disney fans were excited to see the first trailer for Jon Favreau's take on The Lion King, many couldn't help notice that it was nearly a shot-for-shot remake of the original movie. Since then, the studio has come forward and insists that the live-action adaptation will not be an exact remake of the original.
Storyboard artist Jorgen Klubien worked on The original Lion King in 1994 and created a key scene, which gave him a story credit. However, that story credit may not be put forward with the upcoming remake, due to some old union contracts from the late 1930s that are still in place today. Klubien asks, "How...
Storyboard artist Jorgen Klubien worked on The original Lion King in 1994 and created a key scene, which gave him a story credit. However, that story credit may not be put forward with the upcoming remake, due to some old union contracts from the late 1930s that are still in place today. Klubien asks, "How...
- 1/11/2019
- by MovieWeb
- MovieWeb
Storyboard artist Jorgen Klubien looks back fondly on his contribution to Disney’s hit 1994 film The Lion King and is proud that producers acknowledged his conceptualization of a key scene by awarding him a coveted “story” credit. That’s why it stung when he learned that his credit may not appear on this summer’s CGI-enhanced remake, due out July 19, despite a trailer in December that indicates the new movie will hew closely to the original script.
“How can they not bring my credit forward? How can they just eliminate it?” Klubien asks. As Disney readies ...
“How can they not bring my credit forward? How can they just eliminate it?” Klubien asks. As Disney readies ...
- 1/11/2019
- The Hollywood Reporter - Film + TV
Storyboard artist Jorgen Klubien looks back fondly on his contribution to Disney’s hit 1994 film The Lion King and is proud that producers acknowledged his conceptualization of a key scene by awarding him a coveted “story” credit. That’s why it stung when he learned that his credit may not appear on this summer’s CGI-enhanced remake, due out July 19, despite a trailer in December that indicates the new movie will hew closely to the original script.
“How can they not bring my credit forward? How can they just eliminate it?” Klubien asks. As Disney readies ...
“How can they not bring my credit forward? How can they just eliminate it?” Klubien asks. As Disney readies ...
- 1/11/2019
- The Hollywood Reporter - Movie News
Cars
It might not be way up there in "The Incredibles"/"Finding Nemo"/"Toy Story" stratosphere, but the charming "Cars" is nevertheless a thoroughly pleasant way to mark Pixar Animation Studios' 20th anniversary.
While the other guys are still hawking talking animals, the folks at Pixar continue to up the anthropomorphic ante with terrific characters and crowd-pleasing storytelling that are as much a part of the company's much-deserved success as all that state-of-the-art technology.
Although the latest model -- concerning a hotshot hot rod who takes an unanticipated detour from life in the fast lane -- takes a little while to achieve traction, it ultimately hits all the key emotional and comedic checkpoints.
Given a fan base that spans virtually all demographics, "Cars" will handily take first place in its opening weekend and is destined to emerge as one of the season's biggest performers.
After spending the past seven years in an executive producer capacity, John Lasseter logs his first directing credit since 1999's "Toy Story 2" with this soulful road picture about a cocky rookie race car (voiced by Owen Wilson) who is en route to the Piston Cup Championship in California when an unfortunate chain of events lands him smack dab in the sleepy Route 66 town of Radiator Springs.
To make matters worse, Lightning McQueen has quickly succeeded in raising the ire of the local judge, Doc Hudson (Paul Newman), who won't allow him to leave until he makes amends for tearing up the town's main street.
But before the repairs are done, he finds himself drawn to Radiator Springs' once-thriving past and its colorful denizens, particularly the knowing Sally Carrera (Bonnie Hunt), a sporty 2002 Porsche and former Los Angeles lawyer who drove off one day in search of a more meaningful life; and the sweet-natured Mater (Larry the Cable Guy), a good ol' boy, bucktoothed tow truck.
By the time McQueen gets back on track, he finds his priorities have been seriously realigned.
Maybe it has something to do with that sleepy rural vibe, or a running time that creeps up on the two-hour mark, but whatever the reason, the picture's pacing hits some potholes during its extended sojourn in Radiator Springs.
For those accustomed to smoother Pixar rides, the shifts in rhythm might be a tad too noticeable, but Lasseter, who also penned the script along with Dan Fogelman, the late Joe Ranft, Kiel Murray & Phil Lorin and Jorgen Klubien, still manages to cross the finish line in style.
You can't miss with that dream team of a voice cast, which, in addition to Wilson, Newman, Hunt and an irresistible turn by comedian Larry the Cable Guy that turns scene stealing into grand theft, includes George Carlin as Fillmore, a hippie dippy VW bus, Tony Shalhoub as Luigi, an emotional '59 Fiat and Michael Keaton as Chick Hicks, McQueen's ruthless competitor.
Then there's the eye-popping technology which once again outdoes itself, breaking fresh ground with extensive ray tracing that provides photo-realistic reflections in all that polished metal and chrome, not to mention those striking, dusty Route 66 vistas.
Those who stay until the end of the credits will be rewarded with a hilarious tribute to Pixar lucky charm John Ratzenberger (who marks his seventh collaboration here as a not-so-trusty transport truck) as well as a touching one to Pixar animator Ranft, who passed away in August.
Settling the score, meanwhile, is Randy Newman, whose fourth Pixar collaboration ambles along agreeably, accompanied by drivin' tunes performed by Rascal Flatts, Sheryl Crow and Brad Paisley that are perfect for coasting along those alternate routes.
CARS
Buena Vista
A Walt Disney Pictures presentation of a Pixar Animation Studios film
Credits: Director: John Lasseter; Co-director: Joe Ranft; Producer: Darla K. Anderson; Screenwriters: Dan Fogelman, John Lasseter, Joe Ranft, Kiel Murray & Phil Lorin, Jorgen Klubien; Story: John Lasseter, Joe Ranft, Jorgen Klubien; Editor: Ken Schretzmann; Music: Randy Newman. Voice cast: Lightning McQueen: Owen Wilson; Doc Hudson; Paul Newman; Sally Carrera: Bonnie Hunt; Mater: Larry The Cable Guy; Ramone: Cheech Marin; Luigi: Tony Shalhoub; Guido: Guido Quaroni; Flo: Jenifer Lewis; Sarge: Paul Dooley; The Sheriff: Michael Wallis; Fillmore: George Carlin; Lizzie: Katherine Helmond; Mack: John Ratzenberger; Chick Hicks: Michael Keaton; The King: Richard Petty.
MPAA rating G, running time 116 minutes.
While the other guys are still hawking talking animals, the folks at Pixar continue to up the anthropomorphic ante with terrific characters and crowd-pleasing storytelling that are as much a part of the company's much-deserved success as all that state-of-the-art technology.
Although the latest model -- concerning a hotshot hot rod who takes an unanticipated detour from life in the fast lane -- takes a little while to achieve traction, it ultimately hits all the key emotional and comedic checkpoints.
Given a fan base that spans virtually all demographics, "Cars" will handily take first place in its opening weekend and is destined to emerge as one of the season's biggest performers.
After spending the past seven years in an executive producer capacity, John Lasseter logs his first directing credit since 1999's "Toy Story 2" with this soulful road picture about a cocky rookie race car (voiced by Owen Wilson) who is en route to the Piston Cup Championship in California when an unfortunate chain of events lands him smack dab in the sleepy Route 66 town of Radiator Springs.
To make matters worse, Lightning McQueen has quickly succeeded in raising the ire of the local judge, Doc Hudson (Paul Newman), who won't allow him to leave until he makes amends for tearing up the town's main street.
But before the repairs are done, he finds himself drawn to Radiator Springs' once-thriving past and its colorful denizens, particularly the knowing Sally Carrera (Bonnie Hunt), a sporty 2002 Porsche and former Los Angeles lawyer who drove off one day in search of a more meaningful life; and the sweet-natured Mater (Larry the Cable Guy), a good ol' boy, bucktoothed tow truck.
By the time McQueen gets back on track, he finds his priorities have been seriously realigned.
Maybe it has something to do with that sleepy rural vibe, or a running time that creeps up on the two-hour mark, but whatever the reason, the picture's pacing hits some potholes during its extended sojourn in Radiator Springs.
For those accustomed to smoother Pixar rides, the shifts in rhythm might be a tad too noticeable, but Lasseter, who also penned the script along with Dan Fogelman, the late Joe Ranft, Kiel Murray & Phil Lorin and Jorgen Klubien, still manages to cross the finish line in style.
You can't miss with that dream team of a voice cast, which, in addition to Wilson, Newman, Hunt and an irresistible turn by comedian Larry the Cable Guy that turns scene stealing into grand theft, includes George Carlin as Fillmore, a hippie dippy VW bus, Tony Shalhoub as Luigi, an emotional '59 Fiat and Michael Keaton as Chick Hicks, McQueen's ruthless competitor.
Then there's the eye-popping technology which once again outdoes itself, breaking fresh ground with extensive ray tracing that provides photo-realistic reflections in all that polished metal and chrome, not to mention those striking, dusty Route 66 vistas.
Those who stay until the end of the credits will be rewarded with a hilarious tribute to Pixar lucky charm John Ratzenberger (who marks his seventh collaboration here as a not-so-trusty transport truck) as well as a touching one to Pixar animator Ranft, who passed away in August.
Settling the score, meanwhile, is Randy Newman, whose fourth Pixar collaboration ambles along agreeably, accompanied by drivin' tunes performed by Rascal Flatts, Sheryl Crow and Brad Paisley that are perfect for coasting along those alternate routes.
CARS
Buena Vista
A Walt Disney Pictures presentation of a Pixar Animation Studios film
Credits: Director: John Lasseter; Co-director: Joe Ranft; Producer: Darla K. Anderson; Screenwriters: Dan Fogelman, John Lasseter, Joe Ranft, Kiel Murray & Phil Lorin, Jorgen Klubien; Story: John Lasseter, Joe Ranft, Jorgen Klubien; Editor: Ken Schretzmann; Music: Randy Newman. Voice cast: Lightning McQueen: Owen Wilson; Doc Hudson; Paul Newman; Sally Carrera: Bonnie Hunt; Mater: Larry The Cable Guy; Ramone: Cheech Marin; Luigi: Tony Shalhoub; Guido: Guido Quaroni; Flo: Jenifer Lewis; Sarge: Paul Dooley; The Sheriff: Michael Wallis; Fillmore: George Carlin; Lizzie: Katherine Helmond; Mack: John Ratzenberger; Chick Hicks: Michael Keaton; The King: Richard Petty.
MPAA rating G, running time 116 minutes.
- 6/6/2006
- The Hollywood Reporter - Movie News
New story for Klubien at Vinton
Jorgen Klubien has been named director of story for feature film at Vinton Studios. Klubien was with Pixar Animation Studios for eight years, where he wrote and illustrated the original concept for John Lasseter's upcoming Cars. He also was story development artist on Monsters, Inc., Toy Story 2 and A Bug's Life, for which he also was co-writer. Klubien will develop animated feature film properties for the Portland-based entertainment studio, including his own original concepts as well as story ideas already in the Vinton pipeline.
- 3/9/2005
- The Hollywood Reporter - Movie News
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