[on
Bryan Foy, the producer of
L'Homme au masque de cire (1953)] . . . he was just a divine old curmudgeon. That's exactly what he was, with a hellish reputation for being impossible. I got called to his office before anyone had even told me that I was going to be in that film, and he looked at me long and hard and said, "Wellll, Miss Kirk, we're giving you this part because you're the only intelligent actress I know that I can stand."
