Mark-Lee Kirk(1895-1969)

Art Director
Art Department

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Mark-Lee Kirk was born on 16 May 1895 in Pittsburgh, Pennsylvania, USA. Mark-Lee was an art director, known for La splendeur des Amberson (1942), Mon épouse favorite (1940) and Les Raisins de la colère (1940). Mark-Lee died on 10 December 1969 in Los Angeles, California, USA.

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Add photos, demo reels

Nominated for 3 Oscars
- 3 nominations total

Known for

Anne Baxter, Joseph Cotten, Agnes Moorehead, Richard Bennett, Ray Collins, Dolores Costello, Don Dillaway, and Tim Holt in La splendeur des Amberson (1942)

La splendeur des Amberson

7.6

Art Department

1942

Cary Grant, Irene Dunne, and Gail Patrick in Mon épouse favorite (1940)

Mon épouse favorite

7.2

Art Department

1940

Henry Fonda, John Carradine, and Jane Darwell in Les Raisins de la colère (1940)

Les Raisins de la colère

8.1

Art Director

1940

Shirley Temple, Claudette Colbert, Joseph Cotten, and Jennifer Jones in Depuis ton départ (1944)

Depuis ton départ

7.5

Art Department(as Mark Lee Kirk)

1944

Credits

Art Director

Rien n'est trop beau
6.6
- Art Director
- 1959
Le génie du mal
7.4
- Art Director
- 1959
Le remarquable Mr. Pennypacker
6.2
- Art Director
- 1958
Mardi Gras
5.4
- Art Director
- 1958
Les Bravados
7.0
- Art Director
- 1958
The Gift of Love
6.4
- Art Director
- 1958
Le soleil se lève aussi
6.2
- Art Director
- 1957
Je ne suis pas un espion
6.8
- Art Director
- 1956
Arrêt d'autobus
6.3
- Art Director
- 1956
Bungalow pour femmes
6.4
- Art Director
- 1956
Bonjour Miss Dove
7.0
- Art Director
- 1955
The 20th Century-Fox Hour
7.0
TV Series
- Art Director
- 1955
Les implacables
6.7
- Art Director
- 1955
Le prince des acteurs
6.7
- Art Director
- 1955
Prince Vaillant
6.2
- Art Director
- 1954

Art Department

Personal details

Alternative name
- Mark Lee Kirk
Born
- May 16, 1895
- Pittsburgh, Pennsylvania, USA
Died
- December 10, 1969
- Los Angeles, California, USA

Did you know

Trivia
Personally hired by Darryl F. Zanuck for Fox (1936-1940). Subsequently at RKO (1940-1943) and United Artists (1944), then back at Fox (1945-1959). The accurate period detail of La splendeur des Amberson (1942) is representative of his best work.

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