Zora Kerova
- Actress
- Soundtrack
Zora Ulla Keslerová (known professionally as Zora Kerova) is a Slovak-born actress recognized for her work in European exploitation cinema, particularly throughout the 1970s and 1980s. Raised in what was then Czechoslovakia, she studied acting and dance before launching her career in the entertainment industry.
Kerova began her screen career in Italy, where she quickly became associated with genre films, often appearing in horror, thriller, and erotic dramas that were in high demand during the period. She gained early attention with roles in Italian and Czech productions, including collaborations with directors such as Ruggero Deodato and Lucio Fulci. Among her most noted appearances are roles in Cannibal Ferox, Anthropophagus, and House on the Edge of the Park, where she often portrayed characters in extreme and emotionally demanding scenarios. While much of her work was categorized as cult cinema, her performances were frequently marked by intensity and physical commitment.
Beyond acting, Kerova also briefly worked as a producer during the latter stages of her career and made selective appearances in films into the early 2000s. Her contributions to Italian exploitation and horror cinema have earned her recognition among genre enthusiasts, with her roles continuing to appear in retrospectives and cult film discussions.
Kerova's legacy rests in her enduring association with an era of boundary-pushing European filmmaking. She remains a prominent figure among fans of cult and exploitation cinema, often cited for her memorable screen presence in some of the genre's most notorious works.
Kerova began her screen career in Italy, where she quickly became associated with genre films, often appearing in horror, thriller, and erotic dramas that were in high demand during the period. She gained early attention with roles in Italian and Czech productions, including collaborations with directors such as Ruggero Deodato and Lucio Fulci. Among her most noted appearances are roles in Cannibal Ferox, Anthropophagus, and House on the Edge of the Park, where she often portrayed characters in extreme and emotionally demanding scenarios. While much of her work was categorized as cult cinema, her performances were frequently marked by intensity and physical commitment.
Beyond acting, Kerova also briefly worked as a producer during the latter stages of her career and made selective appearances in films into the early 2000s. Her contributions to Italian exploitation and horror cinema have earned her recognition among genre enthusiasts, with her roles continuing to appear in retrospectives and cult film discussions.
Kerova's legacy rests in her enduring association with an era of boundary-pushing European filmmaking. She remains a prominent figure among fans of cult and exploitation cinema, often cited for her memorable screen presence in some of the genre's most notorious works.
