My Favorite P:erformances Of All Time (Actress)

Anna Magnani was born in Rome, Italy (not in Egypt, as some biographies claim), on March 7, 1908. She was the child of Marina Magnani and an unknown father often said to be from Alexandria, Egypt, but whom Anna herself claimed was from the Calabria region of Italy although she never knew his name. Raised in poverty by her maternal grandmother in Rome after her mother left her, Anna worked her way through Rome's Academy of Dramatic Art by singing in cabarets and night-clubs, then began touring the countryside with small repertory companies.

Although she had a small role in a silent film in the late 1920s, she was not known as a film actress until Mademoiselle Vendredi (1941), directed by Vittorio De Sica. Her break-through film was Roberto Rossellini's Rome, ville ouverte (1945) (A.K.A. Open City), generally regarded as the first commercially successful Italian neorealist film of the postwar years and the one that won her an international reputation. From then on, she didn't stop working in films and television, winning an Academy Award for her performance in the screen version of Tennessee Williams' La rose tatouée (1955), a part that was written for her by her close friend Williams. She worked with all of Italy's leading directors of the 1950s, 1960s and 1970s.

She was renowned for her earthy, passionate, woman-of-the-soil roles. She and Rossellini were lovers for some years after Open City, until he began his infamous affair with Ingrid Bergman. She had one child, Luca, with Italian actor Massimo Serato. The boy was later stricken with polio and Magnani dedicated her life to caring for him. Her only marriage, to Italian director Goffredo Alessandrini in the mid-1930s, lasted only a short while and ended in an annulment. Her last film was Federico Fellini's Fellini Roma (1972). She died in her native Rome from pancreatic cancer the following year at age sixty-five.

Mia Farrow is the daughter of the director John Farrow and the actress and Tarzan-girl Maureen O'Sullivan. She debuted at the movies in 1959 in very small roles. She was noticed for the first time in the film Rosemary's Baby (1968) by Roman Polanski. She showed her talent also on TV and at the theatre, but her final breakthrough was when she met Woody Allen and became his Muse after the film Comédie érotique d'une nuit d'été (1982). After that, Woody Allen wrote many other roles for her.

Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.

Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in Voyage au bout de l'enfer (1978). She went on to win the Academy Award for her performances in Kramer contre Kramer (1979) and Le choix de Sophie (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.

A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Le mystère Silkwood (1983); Out of Africa - Souvenirs d'Afrique (1985); Ironweed - La force du destin (1987); and Un cri dans la nuit (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in Sur la route de Madison (1995) and as the prodigal daughter in Simples secrets (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving Au risque de te perdre (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."

Liv Ullmann's father was a Norwegian engineer who used to work abroad, so as a child she lived in Tokyo, Canada, New York and Oslo. In the mid-1950s she made her stage debut and in 1957 made her film debut. She really became successful, however, when she began to work for Swedish director Ingmar Bergman in such films as Persona (1966), Une passion (1969) and Face à face (1976). She also had a successful film career away from Bergman (The Abdication (1974), La diagonale du fou (1984).

Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Le vice et la vertu (1963). Her breakthrough came with the excellent musical Les parapluies de Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful Les demoiselles de Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Répulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in La sirène du Mississipi (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's Le Dernier Métro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.