Japanese Directors

Yamada Yoji graduated Tokyo University in 1954, the year he joined Shochiku as an assistant director. In 1969, he launched the popular "Tora-san" series, the world's longest theatrical film series. "The Twilight Samurai" (Le samouraï du crépuscule (2002)) marks his 77th film as well as his 41th year as a director since his first film in 1961: Nikai no Tanin (Stranger Upstairs).

Born in Tokyo in 1962. Originally intended to be a novelist, but after graduating from Waseda University in 1987 went on to become an assistant director at T.V. Man Union. Snuck off set to film Mou hitotsu no kyouiku - Ina shogakkou haru gumi no kiroku (1991). His first feature, Maborosi (1995), based on a Teru Miyamoto novel and drawn from his own experiences while filming Kare no inai hachigatsu ga (1994), won jury prizes at Venice and Chicago. The main themes of his oeuvre include memory, loss, death and the intersection of documentary and fictive narratives.

Takeshi Kitano originally studied to become an engineer, but was thrown out of school for rebellious behavior. He learned comedy, singing and dancing from famed comedian Senzaburô Fukami. Working as a lift boy on a nightclub with such features as comic sketches and striptease dancing, Kitano saw his chance when a comedian suddenly fell ill, and he went on stage in the man's place. With a friend he formed the comic duo "The Two Beat" (his artist's name, "Beat Takeshi", comes from this period), which became very popular on Japanese television.

Kitano soon embarked on an acting career, and when the director of Violent Cop (1989) (aka "Violent Cop") fell ill, he took over that function as well. Immediately after that film was finished he set out to make a second gangster movie, Jugatsu (1990). Just after finishing Getting Any? (1994), Kitano was involved in a serious motorcycle accident that almost killed him. It changed his way of life, and he became an active painter. This change can be seen in his later films, which are characterized by his giving more importance to the aesthetics of the film, such as in Hana-bi - feux d'artifice (1997) and L'été de Kikujiro (1999).

Mamoru Oshii is a Japanese filmmaker, television director and screenwriter. Famous for his philosophy-oriented storytelling, Oshii has directed a number of popular anime, including Urusei Yatsura (1981-1984), Angel's Egg (1985), Patlabor: The Movie (1989), Ghost in the Shell (1995), and Ghost in the Shell 2: Innocence (2004).

Oshii was approached to be one of the directors of The Animatrix, but he was unable to participate because of his work in Innocence.

Having received his education at Yokohama National University, Shunji Iwai started out in the entertainment industry by directing music videos and television dramas, including the likes of Maria, Lunatic Love and Fireworks, for which he received the award for Best Newcomer from the Japanese Director's Association. He eventually moved onto larger things with his short film Undo (1994), later followed by the hit Swallowtail Butterfly (1996) starring Japanese pop singer, Chara.

As his career progressed, he received even more awards, especially for his films Love Letter (1995) and All About Lily Chou-Chou (2001) (All About Lily Chou-Chou). Shunji Iwai resides in Japan.

Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally. At the age of 18 he went to study at the film school in Yokohama founded by renowned director Shôhei Imamura, primarily because there were no entrance exams. By his own account Miike was an undisciplined student and attended few classes, but when a local TV company came scouting for unpaid production assistants, the school nominated the one pupil who never showed up: Miike. He spent almost a decade working in television, in many different roles, before becoming an assistant director in film to, amongst others, his old mentor Imamura. The "V-Cinema" (Direct to Video) boom of the early 1990s was to be Miike's break into directing his own films, as newly formed companies hired eager young filmmakers willing to work cheap and crank out low-budget action movies. Miike's first theatrically distributed film was Les affranchis de Shinjuku (1995) (Shinjuku Triad Society), and from then on he alternated V-Cinema films with higher-budgeted pictures. His international breakthrough came with Audition (1999) (Audition), and since then he has an ever expanding cult following in the west. A prolific director, Miike has directed (at the time of this writing) 60+ films in his 13 years as director, his films being known for their explicit and taboo representations of violence and sex, as seen in such works as Visitor Q (2001) (Visitor Q), Ichi the Killer (2001) (Ichi The Killer) and the Dead or Alive Trilogy: Dead or Alive (1999), Dead or Alive 2 (2000) and Dead or Alive 3 (2002).

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with La légende de judo (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. L'ange ivre (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Vivre (1952) (Living), the epic Les 7 Samouraïs (1954), the barbaric, riveting Shakespeare adaptation Le Château de l'araignée (1957), and a fun pair of samurai comedies Le Garde du corps (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodeskaden (1970), a larger-scale Russian co-production Dersou Ouzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha, l'ombre du guerrier (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Rêves (1990), Rhapsodie en août (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as L'outrage (1964), Les 7 Samouraïs (1954) as Les 7 mercenaires (1960), Le Garde du corps (1961) as Pour une poignée de dollars (1964) and La forteresse cachée (1958) as Star Wars: Épisode IV - Un nouvel espoir (1977).

Born in Takaoka, Toyama, Yojiro Takita came to international audiences' attention with the release of Okuribito ('Departures'), which won the Best foreign Language film awards at the Oscars in 2009. He had begun his directorial career in the 1980s with the 'chikan' ('molester') series depicting gropers in settings like trains. Still in the 'ping eiga' adult sub-genre he also completed the Serial Rape thriller in 1983. He diversified to comedy and TV serial work and, at the turn of the century, directed the mainstream Onmyoji. More recently he has been less prolific.

Naomi Kawase was born on 30 May 1969 in Nara, Japan. She is a director and writer, known for Les délices de Tokyo (2015), Still the Water (2014) and Suzaku (1997). She was previously married to Takenori Sentô.