The_True_Meller
Iscritto in data feb 2006
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Valutazione di The_True_Meller
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Valutazione di The_True_Meller
Sorry folks, but for me Crippled Avengers (AKA Return of the Five Deadly Venoms - named so probably for the marketing purposes alone, without any connections to the earlier film, except the director and the cast) was a let down, one of the glorified Shaw pictures I found less gripping than many others shaded by it's legend.
It doesn't take a genius to see that Chang Cheh just let it rip with the script and story instead of trying to make a point or create any menacing moods or great wallowing in traditional virtues (although there's a dose of loyalty, friendship and your regular good old heroism and self-sacrifice thrown in for a spice). The story must be one of the most cartoonish in Shaw history, excluding their pure fantasy adventures, and this time in a bad way.
Although in Kung Fu films, action is what mostly counts, I'd like to see some story development and good characters, and mostly there was neither. Even in my eyes the almighty Chen Kuan Tai is plain and hammy in the role of evil master Dao Tian Du. The sympathetic heroes do their best for what is given to them, which is not a lot, script-wise. And instead of a good story, we have a script that just routinely moves from set-piece to other, culminating in the final, mandatory and satisfactory revenge, and that's it, folks.
Then, after all the complaining and bashing, the good things. And of course, there's the acrobatic skills of the cast, being dizzying at best. There's also something compelling about the brashness of the film's most cartoonish fantasy elements, mainly the iron prosthetics that have unusual kill skills and hidden secrets. These add spice to otherwise routine script. And like mentioned earlier, the main cast do their best, especially Philip Kwok in the role of a blinded man, in my eyes definitely the best performance in the film.
Somehow I feel this movie owes it's status to the nostalgics who have seen it first time dubbed in English in the 70's in some grind-house or Chinatown theater. And I can't blame them for that, being a nostalgic in some matters myself. In my books, however, this is more of run-of-the-mill "Another Shaw production" as they called their flicks themself, with some unique spices added on. Entertaining, yes, but doesn't cut the custard like it's reputation lets you think it would.
This is my truth. What is yours?
It doesn't take a genius to see that Chang Cheh just let it rip with the script and story instead of trying to make a point or create any menacing moods or great wallowing in traditional virtues (although there's a dose of loyalty, friendship and your regular good old heroism and self-sacrifice thrown in for a spice). The story must be one of the most cartoonish in Shaw history, excluding their pure fantasy adventures, and this time in a bad way.
Although in Kung Fu films, action is what mostly counts, I'd like to see some story development and good characters, and mostly there was neither. Even in my eyes the almighty Chen Kuan Tai is plain and hammy in the role of evil master Dao Tian Du. The sympathetic heroes do their best for what is given to them, which is not a lot, script-wise. And instead of a good story, we have a script that just routinely moves from set-piece to other, culminating in the final, mandatory and satisfactory revenge, and that's it, folks.
Then, after all the complaining and bashing, the good things. And of course, there's the acrobatic skills of the cast, being dizzying at best. There's also something compelling about the brashness of the film's most cartoonish fantasy elements, mainly the iron prosthetics that have unusual kill skills and hidden secrets. These add spice to otherwise routine script. And like mentioned earlier, the main cast do their best, especially Philip Kwok in the role of a blinded man, in my eyes definitely the best performance in the film.
Somehow I feel this movie owes it's status to the nostalgics who have seen it first time dubbed in English in the 70's in some grind-house or Chinatown theater. And I can't blame them for that, being a nostalgic in some matters myself. In my books, however, this is more of run-of-the-mill "Another Shaw production" as they called their flicks themself, with some unique spices added on. Entertaining, yes, but doesn't cut the custard like it's reputation lets you think it would.
This is my truth. What is yours?
At times you get positively surprised, when you look forward to a film and expect to see some quality work, and you get what you seek out but in a very different way than you thought, and possibly even more. This was the case when I popped Killer Constable into my DVD player and got way more than your regular Shaw Kung Fu hour-and-a-half epistle.
Compared to other Shaw Brother's period Wu Xia and Kung Fu works, Killer Constable differs from the lot quite a bit, and in a very positive way. Director Kuei Chih-hung's background in crime films really show, as he takes interesting elements from hard-boiled crime films and Japanese samurai films, among others, and bring them seamlessly into the Wu Xia movie.
It's more than rare in these films to see the protagonists being as a part of the Manchu dynasty's government. This is probably the main reason why we have such a dark character as the main protagonist. Chen Kuan-tai as the Killer Constable himself is a dark type of hero, bordering the anti-hero nearly all of the time. Along in his company of ever-vigilant law-officers, there's no place for your typical sleek-cheeked do-gooders in the posse, as we soon see, when this group of tough law officers go for their mission to capture and punish the bandit who's responsible for stealing a large sum of Emperor's gold. Also, a bit striking are some features you can see in the villains of the movie, some of them who have unusually humane characteristics, giving less stereotypical image of the characters than your usual black-and-white Good vs. Bad composition found in many of the genre pieces.
While always being a solid actor and great martial artist - one of my very favourite Shaw Bros. stars - Chen Kuan-Tai really shines in his role. He has the powerful presence and charisma as the stone faced law officer who discovers that he is only a tool and gets betrayed by the system he has abidingly served, that the role gets nearly immortalized.
Beautiful use of lighting and scenery, tight script, good balance of action and story, and especially interesting main character make this one the winner all the way. I also have to dish out some bonus points for the very bleak ending shot that somehow emphasized the futility of it all and concretely showed what kind of destruction greed, corruption and following orders without any questioning can lead you to. (This last one may very well be only my interpretation more than the message that was intendedly embedded in the film, but that's how I felt when the last images hit the screen.)
The blend of these elements make Killer Constable very atmospheric and exceptionally dark piece of martial arts mayhem, guaranteed to satisfy the genre fans and most probably being an interesting piece also for the people who are not familiar with the genre. Definitely one of my all-time Shaw favourites!
This is my truth. What is yours?
Compared to other Shaw Brother's period Wu Xia and Kung Fu works, Killer Constable differs from the lot quite a bit, and in a very positive way. Director Kuei Chih-hung's background in crime films really show, as he takes interesting elements from hard-boiled crime films and Japanese samurai films, among others, and bring them seamlessly into the Wu Xia movie.
It's more than rare in these films to see the protagonists being as a part of the Manchu dynasty's government. This is probably the main reason why we have such a dark character as the main protagonist. Chen Kuan-tai as the Killer Constable himself is a dark type of hero, bordering the anti-hero nearly all of the time. Along in his company of ever-vigilant law-officers, there's no place for your typical sleek-cheeked do-gooders in the posse, as we soon see, when this group of tough law officers go for their mission to capture and punish the bandit who's responsible for stealing a large sum of Emperor's gold. Also, a bit striking are some features you can see in the villains of the movie, some of them who have unusually humane characteristics, giving less stereotypical image of the characters than your usual black-and-white Good vs. Bad composition found in many of the genre pieces.
While always being a solid actor and great martial artist - one of my very favourite Shaw Bros. stars - Chen Kuan-Tai really shines in his role. He has the powerful presence and charisma as the stone faced law officer who discovers that he is only a tool and gets betrayed by the system he has abidingly served, that the role gets nearly immortalized.
Beautiful use of lighting and scenery, tight script, good balance of action and story, and especially interesting main character make this one the winner all the way. I also have to dish out some bonus points for the very bleak ending shot that somehow emphasized the futility of it all and concretely showed what kind of destruction greed, corruption and following orders without any questioning can lead you to. (This last one may very well be only my interpretation more than the message that was intendedly embedded in the film, but that's how I felt when the last images hit the screen.)
The blend of these elements make Killer Constable very atmospheric and exceptionally dark piece of martial arts mayhem, guaranteed to satisfy the genre fans and most probably being an interesting piece also for the people who are not familiar with the genre. Definitely one of my all-time Shaw favourites!
This is my truth. What is yours?
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