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maxcellus46

Iscritto in data dic 2005
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.

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Recensioni73

Valutazione di maxcellus46
French Fields

French Fields

6,4
8
  • 31 gen 2022
  • Same but different...

    William is offered a lucrative position in France but he & Hester would have to leave England & move to France. Decisions, decisions.

    Overall, this is a great series which presents a lot of new comedic situations especially given the 'ol "fish out of water" scenario.

    My only real concern is why no attempt was made to bring back at least one or two of the characters from the original series.

    Picture this, William & Hester are sat down having a nice quiet Sunday morning breakfast when all of a sudden someone knocks at the door then enters with those immortal words, "It's only Sonia." That would have made for a great scene, weeks into this second series.

    Otherwise a most enjoyable series with the most likeable & funny characters. ENJOY!
    The Monster and the Girl

    The Monster and the Girl

    6,0
    3
  • 25 feb 2021
  • SAME OLD STORY, JUST A DIFFERENT CAST.

    The old story of transplanting a human brain into an ape's skull is an old one that's been done plenty of times in Hollywood. Also the situation of reviving someone wrongfully executed & then getting revenge on those who put him in that spot. This version is ok as a "time waster" & interesting to watch in comparison to an earlier version of this plot, "The Walking Dead" with Boris Karloff, 1936 made at WB. The current 1941 version lacks that certain atmosphere especially in the laboratory scene where everything seems quite normal & this is just another routine operation. George Zucco who plays the scientist seems to have been "held back" by the script and the director from being his usual "mad scientist" persona, not to mention the fact that he has very few lines & screen time in this whole mess. IT all boils down to just a guy in a gorilla suit & even the revenge scenes are not at all dramatic or erie as in the Karloff version. Speaking of that 1936 version, Karloff in some of scenes almost resembles his Frankenstein Monster but without the makeup. Sadly in this 1941 take-off there IS a very good cast but the story just doesn't seem to make any attempts to thrill or scare one making it somewhat of a "yawn" for just over an hour running time. Watch this first then go back 6 years to the Karloff version & compare. Then again, with Karloff in such a role, how could anything go wrong? 1941 was the middle of the second horror film cycle that began in 1939 with "Son of Frankenstein", 1940's "Man Made Monster" with Lon Chaney Jr. & of course 1941's "The Wolfman." Studios would follow Universal Studios horror wave with their own attempts at the genre. As 1945 came to a close & Universal made their last classic monster film "House of Dracula" so did the other studios. For awhile in the late 40's everyone switched over to westerns until the early 50's when monsters, gigantic things, once again would roam the Earth.
    La taverna dei 7 peccati

    La taverna dei 7 peccati

    6,5
    2
  • 25 ott 2020
  • John Wayne as a co-star. Not his best.

    NEver heard of this film before & just watched it today. I was expecting something akin to the quality of "The Spoilers" & "Pittsburgh" given they are also a Dietrich-Wayne combo. Sadly "Seven Sinners" is first, only a reference to the dive bar where Dietrich works. The story, if you can call it that, is really just a mish mash of running around, bar fights & lackluster characters. There really is no story, no sympathy for any of the character & the Duke himself has actually very little to do in this film. This seems to have been one of those "quickie" Universal productions where they were trading on Dietrich's name only & didn't bother with anything else. John Wayne had just reached real stardom the year earlier in John Ford's "Stagecoach" but was still sort of a "newbie" even though he had been making movies since 1928 & playing repetitive cowboys at poverty row studios all through the 1930's. This film & his much later "The Conqueror" where Wayne was miscast as Ghengis Khan are his two worst films ever made. Advice? You can avoid this one & not feel that your Wayne filmography watching is incomplete.
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