jpilkonis

I find it very difficult to sit through the "normal" Troma film. (This might be the only living example in captivity, by the way, of the words "normal" and "Troma" coexisting side-by-side.) I find them intolerably busy, erratic, and annoying. At the same time, I am utterly fascinated and impressed by the irrepressible Lloyd Kauffman,the "face" of Troma, one of the most charismatic figures in all of cinema. Given these preferences, "Terror Firmer" becomes a Troma film worth watching, because buried deep within this highly fictionalized account of what it takes to put together a Troma film are, one would assume, many, many kernels of truth, isolated and blown up way out of proportion in Troma's over-the-top style.

Even more interesting than the film, however, is the director's commentary track by Kauffman himself, which carries the "film within a film" concept to even deeper depth (because you know Kauffman is "performing" throughout).

I haven't quite decided whether Kauffman and Troma are the best thing to ever happen for independent cinema or the worst. While Troma proves that it can be done and that such a company can endure, the quality of Troma's product might work against independent cinema by implying that the company's profitability comes from the public's acceptance of low-budget, badly conceived and executed drivel.

Hats off to Lloyd Kauffman. Just don't expect me to like what you put out.