creevey

The show provides many insights into racism, extremism, and their modern iterations, without apology. And I applaud it for that.

While delving into the modern far right and left wing, it doesn't succumb to the false equivalency they've been subjected to in recent times. "Anti-fasc" while anarchistic and occasionally violent, are shown to be at the very least compassionate (helping a homeless child), and respectful (when asking for support, offering to let them prove themselves first). On the converse Patriot Blue are shown to use tactics not uncommon to their real life counterparts. Intimidation and demands (not requests) of loyalty are common, and brutal. While they may be two sides of the same coin, one side exudes humanity, the other, inhumanity.

Further, the media does not get off lightly, David Wenham is (as usual) excellent. His depiction of a journalist clearly inspired by, shall we just say A.B. is accurate to a tee. While generally quite eloquent, when his facade has been challenged a different kind of monster emerges, and Wenham has nailed it.

Character development, while occasionally slow, is very well done, with the occasional twist. The tragic story of the main character had me feeling exceptionally lucky, and Toby Wallace does a fantastic job with him. A relatively nuanced performance, and the almost imperceptible tics he provides the character makes you feel as though you both do and don't know this person, and that's intentional.

Confronting for some, challenging for most, this show should be judged on its' merits, as such a recommended viewing for anyone (within the age restrictions obviously). But remember, if this show makes the hair on your back bristle, ask yourself; why?

I was hoping that perhaps there would be a novel concept in this movie, but no. The theme is predictable, tired, and yet scarily still not uncommon. Being that human-kind has continually angered 'Gawd' (his pronunciation, not mine). Hence disasters, be they caused by nature or human, can be occasionally pointed to as a sign that 'Gawd' is unhappy. That, unfortunately, is the gist of the entire movie.

I came away feeling very much as though i'd just seen a tired magician, sawing a lady in half. The trick is old, and the performance was worse.

If you enjoy anything close to a decent theological piece, don't waste your time. I feel soiled even reviewing the thing.