loza-1
Iscritto in data apr 2005
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi3
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni151
Valutazione di loza-1
Yes, the Potemkin of battleship and village fame is indeed pronounced Potyomkin. (Stress the second syllable.) And it is good to see an example of acting professionalism in today's sea of carelessness.
Having said that, the film itself is a series of pointless historical happenings, and none of them seem to go anywhere. The only one that made any sense is that members of the ruling elite wanted to modernise Russia by freeing serfs, but their plans were put off by diversionary wars. It might be good if it were made clear if these diversionary disasters were caused deliberately to delay any emancipation.
An incident that fails is the handling of the Cossack revolt. The script writers fail to understand the Cossack society, and have no inkling of the concept of Cossack brotherhood.
It is difficult to measure Cathrine Zeta Jones properly, because she was restricted by a poor script. She reads a lot, so she can quote this writer and that writer at people, and get a counter-quote in return. But there is no development of her character at all. She is still the same Catherine the German who arrives to marry the simpleton heir apparent. In fact, she was Princess Sophia (Sophie in German) and changed her name to the Russian Yekaterina. She changed her religion to Russian Orthodox. She also learned to speak Russian. The years pass, but the obvious character development has passed the script writers by. She is no longer a minor German noblewoman. She is empress of Russia, and - most importantly - she has BECOME a Russian. This would present the script writers with a challenge. How did the Russians regard her? Were they insulted at a German pretending to be a Russian? Did they appreciate the fact she had made an effort to adopt the customs of the country she ruled over? Or was it a combination of the two? The script writers could not rise to the occasion and all the characters surrounding Yekaterina Velikaya were addressing a neutrality.
The acting between Catherine and Potyomkin was not handled well. (According to S S Montefiore, Potyomkin's biographer, they were secretly married.) They might just a well be acquaintances. Of the other actors, it was good to see Brian Blessed successfully playing a role that was not some variant of Porthos from The Three Musketeers.
Some of the opulent scenery inside the palaces are good, if you are doing some interior decorating and you are looking for ideas, but the film is overly long, and you may find it disappointing.
Having said that, the film itself is a series of pointless historical happenings, and none of them seem to go anywhere. The only one that made any sense is that members of the ruling elite wanted to modernise Russia by freeing serfs, but their plans were put off by diversionary wars. It might be good if it were made clear if these diversionary disasters were caused deliberately to delay any emancipation.
An incident that fails is the handling of the Cossack revolt. The script writers fail to understand the Cossack society, and have no inkling of the concept of Cossack brotherhood.
It is difficult to measure Cathrine Zeta Jones properly, because she was restricted by a poor script. She reads a lot, so she can quote this writer and that writer at people, and get a counter-quote in return. But there is no development of her character at all. She is still the same Catherine the German who arrives to marry the simpleton heir apparent. In fact, she was Princess Sophia (Sophie in German) and changed her name to the Russian Yekaterina. She changed her religion to Russian Orthodox. She also learned to speak Russian. The years pass, but the obvious character development has passed the script writers by. She is no longer a minor German noblewoman. She is empress of Russia, and - most importantly - she has BECOME a Russian. This would present the script writers with a challenge. How did the Russians regard her? Were they insulted at a German pretending to be a Russian? Did they appreciate the fact she had made an effort to adopt the customs of the country she ruled over? Or was it a combination of the two? The script writers could not rise to the occasion and all the characters surrounding Yekaterina Velikaya were addressing a neutrality.
The acting between Catherine and Potyomkin was not handled well. (According to S S Montefiore, Potyomkin's biographer, they were secretly married.) They might just a well be acquaintances. Of the other actors, it was good to see Brian Blessed successfully playing a role that was not some variant of Porthos from The Three Musketeers.
Some of the opulent scenery inside the palaces are good, if you are doing some interior decorating and you are looking for ideas, but the film is overly long, and you may find it disappointing.