roo1
Iscritto in data apr 2005
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Valutazioni16
Valutazione di roo1
Recensioni3
Valutazione di roo1
First, I watched the film (last night) without realising that Roberta Langham was played by Rachel Ward; it's been years since I saw her in anything.
Anyway, I enjoyed this film immensely, ignoring - as other contributors have pointed out - the rather unlikely scenario of a largish Jewish community in a small RoI seaside town and the ability of a gay couple to live so openly there.
Thomas Sangster's performance was indeed years ahead of his age and had me sniffling occasionally. Yes, I agree with another contributor who suggested this film is best watched with someone you love.
A beautifully warm film, without resorting to schmaltz. See it.
Anyway, I enjoyed this film immensely, ignoring - as other contributors have pointed out - the rather unlikely scenario of a largish Jewish community in a small RoI seaside town and the ability of a gay couple to live so openly there.
Thomas Sangster's performance was indeed years ahead of his age and had me sniffling occasionally. Yes, I agree with another contributor who suggested this film is best watched with someone you love.
A beautifully warm film, without resorting to schmaltz. See it.
I happened upon this film the other night, fresh (!) back in Phuket from Burma. Tired though I was, and the film was perhaps a quarter of the way through, I was absolutely mesmerised by it.
First, I was trying to guess the actors' voices. Second, I was captivated by the don't laugh "acting" skills of the marionettes.
Granted, there were no facial expressions, no morphing/animatronics/etc but still there was a warmth to these carved blocks of wood. BTW I was brought up watching Gerry Anderson (Thunderbirds, et al) and now realise that I have retained a soft spot for filmic puppetry.
Perhaps that is part of the attraction of the film for me, the fact that it is reminiscent of half a dozen long-forgotten puppet programmes generally from Eastern Europe, as I recall shown during the school holidays when it was probably raining.
Gentle despite the violence in the story moving and entrancing.
Watch it if you can through child's eyes.
First, I was trying to guess the actors' voices. Second, I was captivated by the don't laugh "acting" skills of the marionettes.
Granted, there were no facial expressions, no morphing/animatronics/etc but still there was a warmth to these carved blocks of wood. BTW I was brought up watching Gerry Anderson (Thunderbirds, et al) and now realise that I have retained a soft spot for filmic puppetry.
Perhaps that is part of the attraction of the film for me, the fact that it is reminiscent of half a dozen long-forgotten puppet programmes generally from Eastern Europe, as I recall shown during the school holidays when it was probably raining.
Gentle despite the violence in the story moving and entrancing.
Watch it if you can through child's eyes.