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Immagine del profilo di Wuchakk

Wuchakk

Iscritto in data dic 2004
Write me at: dltoes@msn.com

My All-Time Favorite Movies: http://www.imdb.com/list/ls070122364/

Film Axioms:

  • No genre is beyond redemption or above contempt.


  • Just because a movie's good doesn't mean you'll like it; just because you like it doesn't mean it's good.


  • Italians have been making the worst movies for a hundred years.


  • Howard Hawks supplied the simplest definition of a good movie: "Three great scenes. No bad scenes."


  • Nine out of ten times when there's a bar scene in a movie there's a fight.


  • Every great auteur/actor has a bad or dubious film; but, remember, even God created the cockroach.


  • People who go overboard with criticism -- e.g. "This is the worst film ever!" or "I'd give this 0/10 if I could!" -- lose credibility as reviewers. The same goes with overrating a movie.


  • Honest reviewers must resist the influence of mass hype when a popular film debuts. Separating it from the initial epidemic fervor is mandatory in determining it's true worth. (Remember when Roger Ebert gave Peter Jackson's "King Kong" a perfect rating of 4/4 Stars? Why sure!).


  • Movies are life with the boring bits taken out.


  • A movie can be technically well-made, but void of depth. The reverse is also true: A movie can be technically deficient (usually due to low-budget), but thematically wealthy. Whereas the ideal is to have both, sometimes a movie's budget doesn't allow for top-notch filmmaking, but it can still soar in the realm of worthy mindfood. Some excellent examples from my reviews include "From Within," "Billy Jack" and "Tribes." Many episodes of the original Star Trek TV series are great examples as well, such as "Space Seed," "The Naked Time" or "The City on the Edge of Forever."


  • Movies must be critiqued and graded according to what they are and aspire to achieve. For instance, 1998's "Godzilla" is a colossal-creature movie and should therefore be reviewed on that level. Compared to the original "Apocalypse Now" it's dreck, but how does it stack-up to other gigantic-monster movies?


  • Reviewers who intentionally say false things about a film reveal a personal vendetta against it and lose all credibility as reviewers. Don't even give these types of "reviewers" and their "reviews" the time of day.


  • Movies are the modern-day campfire tales of centuries past. They entertain, amuse, inspire and mentor. Generally speaking, they provide the mythology that helps the modern world cope with reality.


  • I see a lot of reviewers giving movies 10/10 Stars or 1/10 Stars when, the reality is, most movies fall between 5/10 Stars and 7/10 Stars.


  • Disregarding profits, the main purpose of a movie is to entertain; the secondary purpose is to convey a message. The better the entertainment and message, the better the movie. The reverse is also true.


  • In 99 out of 100 movies, if something doesn't happen by the end of the first reel, nothing's gonna happen (at least nothing compelling, effective, original or inspiring).


  • Popularity at the box office is very important for people who's opinion of an artistic work needs validated by others (rolling my eyes).


  • A movie that doesn't do well at the box office isn't always an indicator that it's bad; it could mean something interesting is going on that's too far out of the norm for mass consumption. "Watchmen" and (believe it or not) "The Wizard of Oz" are good examples ("Wizard" bombed when it debuted in 1939).


  • Watching a movie is like seeing someone else's hallucination. You have to be willing to enter into the film's 'world' to appreciate it. If you can't, you won't.


  • The rating of a movie is irrelevant (G, PG, PG-13, R). Does more gore, more nudity, more cussing, more overt sexual situations determine the worthiness of a film? Maybe for 13 year-olds. Is "The Wizard of OZ" a lousy film because it's rated G? How about the original "Planet of the Apes"?


  • While good movies can be made with big budgets, big names, big stunts and incredible F/X, they can also be made with small budgets, creative writers & directors and no-name-but-quality actors.


  • No one sets out to make a bad movie.


  • It's always preferable to watch an entertaining mess over a competent bore-fest.


  • Art (including film) is not meant to be an imitation of reality, but rather an interpretation of it.


  • Never watch a movie starring Jean-Claude Van Damme.

=========================

RATING GUIDE:

10/10 Stars: A+ (Top-of-the-line)
9/10 Stars: A (Excellent)
8/10 Stars: A- (Breaks the threshold of greatness)
7/10 Stars: B+ or B (Very good or, at least, good)
6/10 Stars: B or B- (Marginal "thumbs up")
5/10 Stars: C+ or C (Too flawed to recommend, but some worthwhile aspects)
4/10 Stars: C or C- (Severely mediocre or flawed)
3/10 Stars: D+ or D (Cinematic flotsam)
2/10 Stars: D or D- ("Brain and brain, what is brain?")
1/10 Star: F (Worthless garbage for one important reason or another)

Note: Like everyone else, I tend to watch movies I think I might like, which explains my numerous positive ratings.

=========================

Favorite Film of All Time:

Apocalypse Now

TV Axiom:

  • Every ten years or so a TV show comes along that doesn't suck.
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I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.

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Valutazioni3326

Valutazione di Wuchakk
Ciclone sulla Giamaica
6,57
Ciclone sulla Giamaica
Sammy va al sud
7,06
Sammy va al sud
Howling IV: The Original Nightmare
3,46
Howling IV: The Original Nightmare
Sanctified
5,47
Sanctified
L'ombra dell'assassino
5,05
L'ombra dell'assassino
Il dolce corpo di Deborah
5,95
Il dolce corpo di Deborah
I gemelli
6,27
I gemelli
Abigail
6,56
Abigail
L'amante del vampiro
5,66
L'amante del vampiro
Scooby-Doo
5,46
Scooby-Doo
Piccoli brividi
6,36
Piccoli brividi
The Craving
3,56
The Craving
The Lucky Ones - Un viaggio inaspettato
6,88
The Lucky Ones - Un viaggio inaspettato
La notte dell'aquila
6,98
La notte dell'aquila
Popeye's Revenge
3,36
Popeye's Revenge
All'inseguimento della pietra verde
6,96
All'inseguimento della pietra verde
Winnie the Pooh - Tutto sangue e niente miele
4,66
Winnie the Pooh - Tutto sangue e niente miele
Winnie the Pooh: Sangue e Miele
2,96
Winnie the Pooh: Sangue e Miele
Rabbiosamente femmine
6,56
Rabbiosamente femmine
Candy Corn
4,17
Candy Corn
La mansión de la locura
5,16
La mansión de la locura
Summer Camp Nightmare
5,36
Summer Camp Nightmare
Il richiamo della foresta
5,98
Il richiamo della foresta
Ghostkeeper
5,05
Ghostkeeper
Nella stretta morsa del ragno
5,67
Nella stretta morsa del ragno

Liste17

  • Marlon Brando and Martin Sheen in Apocalypse Now (1979)
    My All-Time Favorite Movies
    • 184 titoli
    • Pubblico
    • Modificato il 02 lug 2025
  • Robin Williams in L'attimo fuggente (1989)
    Best Dramas
    • 67 titoli
    • Pubblico
    • Modificato il 02 lug 2025
  • Kevin Costner in Balla coi lupi (1990)
    Best Westerns
    • 93 titoli
    • Pubblico
    • Modificato il 19 giu 2025
  • Marlon Brando and Martin Sheen in Apocalypse Now (1979)
    Memorable Movie Lines
    • 207 titoli
    • Pubblico
    • Modificato il 09 apr 2025
Visualizza tutte le liste

Recensioni3276

Valutazione di Wuchakk
Ciclone sulla Giamaica

Ciclone sulla Giamaica

6,5
7
  • 22 ago 2025
  • A pirate ship in the Caribbean takes on some kids

    In the mid-1800s, several children are transported from Jamaica to England when a pirate ship inadvertently apprehends them.

    "A High Wind in Jamaica" (1965) is a cinematic version of the 1929 novel by Richard Hughes. It tackles challenging material that is difficult to pull off in film. However, if you pay attention to the subtle evidence, there are potent things to glean from the story.

    For instance, it's clear that the pirate captain (Anthony Quinn) experiences long-buried tender feelings as the kids become his sort of substitute family, especially Emily (Deborah Baxter). You could say they're kindred spirits despite one being 49 years-old and the other 10.

    James Coburn is effective as the first mate and best friend of the captain. The King of Cool would go on to star in "Our Man Flint" the next year.

    One thing that arguably holds the film back is the frequent use of languages besides English, whether Spanish, Dutch or Creole dialects (I'm not sure which ones were used exactly). Yet this offers a sense of realism to the proceedings. Another element that is sort of off-putting is that the pirates come across as dirty, lawless and ignoble, but this can hardly be a criticism since pirate crews were the express opposite of the royal navies of Euro monarchies.

    Despite the presence of the kids, the tone is similar to Quinn's "Barabbas" from four years earlier, just with the milieu of the open sea.

    While not as compelling as "Mutiny on the Bounty" (1962) or "The Bounty" this is nevertheless a worthwhile ship movie from the Age of (Old) Imperialism.

    It runs 1 hour, 43 minutes, and was shot in Jamaica and the waters nearby with studio work done just west of London.

    GRADE: B/B-
    Sammy va al sud

    Sammy va al sud

    7,0
    6
  • 21 ago 2025
  • A 10 years-old boy's colorful adventures in western Africa

    After a tragic bombing during the Suez Crisis in November, 1956, an English lad is forced to flee Port Said, Egypt, and travel to Durban, South Africa, a journey of some 5000 miles. Along the way he runs into an Arab "guide," a concerned white woman tourist (Constance Cummings) and an old man hunter (Edward G. Robinson).

    "A Boy Ten Feet Tall" (1963) is also known by the name of the 1961 novel it's based on, "Sammy Going South" (an inferior title). It's, thankfully, not a Disney kid's flick, but more along the lines of the future "The Black Stallion Returns" and, especially, "Duma," which happens to be the best of the lot. Both this movie and "Duma" feature a galago (bush baby) scene.

    The director went on to do "A High Wind in Jamaica," which is cut from the same cloth, an exotic adventure featuring kids and adults.

    It runs 1 hour, 53 minutes, and was shot at Shepperton Studios, just southwest of London, with location work done in Kenya (Mombasa), Uganda and Tanganyika, which is now Tanzania.

    GRADE: B-
    Sanctified

    Sanctified

    5,4
    7
  • 18 ago 2025
  • "The world is a kingdom of pain and suffering"

    In the Badlands of North Dakota, 1890, a nun (Tiffany Cornwell) helps a wounded outlaw (Daniel Bielinski) and uses him to find a remote church facility, but the man's former boss, an arrogant sadist, doesn't take kindly to this (Andrew E. Wheeler).

    "Sanctified" (2022) takes the basic premise of "Two Mules for Sister Sara" and mixes it with the gritty realism of life on the prairie in the Old West of "Bad Company" (1972). It's a morality tale that examines the toughest questions of life, such as 'Is there a God?' and 'If there is a God, why does he allow people to brutally suffer in a godforsaken world?'

    It pulls no punches and is reminiscent of "The Proposition" in some ways.

    It runs 1 hour, 29 minutes, and was shot in Medora in west-central North Dakota.

    GRADE: B.
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