darkcollins

I really like Harold Huber, I really do. He was one of the best character actors of the 1930s until his passing in the 1950s. He was even really good and great in his previous Chan roles and also in the Mr. Moto films in supporting roles. But here...WOW.

Director Herbert I. Leeds also previously helmed the Mr. Moto entry "Danger Island" the same year. The buddy relationship in that film with Peter Lorre and Warren Hymer worked there perfectly because the movie never lost focus that MOTO was the main character and the chemistry between Lorre and Hymer clicked beautifully. It seems like Leeds was attempting the same for Sidney Toler and Harold Huber but Huber's comedy is overbearing, really unfunny and completely out of place. Huber is basically the main character of the film and is given free rein to go wild while Toler is left to clean up the mess (bless you for being a trooper with this, Mr. Toler). And the absence of Victor Sen-Yung in favor of Huber's bumbling annoyance is another mark against this one.

Another problem is that the murder victim isn't that interesting, nor are a good amount of the suspects who have their own sneaky self- interests to hide. Whenever the Chan films emphasized espionage rather than the basic murder mystery, the results were a largely mixed bag but here, it's a real slog to sit through. Not even Lon Chaney Jr's brief presence was enough to enjoy.

The historical aspect of the rising European tensions on the eve of World War Two make this film interesting from that perspective but the potential to make the usual fun popcorn Chan movie went down the drain with Huber being pushed to the forefront. Avoid this one.

The full sound version of this early talking John Ford film remains lost but thankfully this international work-print with inter-titles for dialogue and narration (and some sound) has survived and is preserved by the Museum of Modern Art. Up to now, this film was only available from VHS recordings of AMC's Film Preservation Festival from 1999.

After being called back to their ship during liberty in Shanghai, the sailors of the S-13 are struck by another passing vessel and sink to the bottom of the ocean. While waiting to be rescued and with oxygen levels dwindling, the men of the S-13 fight for their lives and sometimes each other in suspenseful anticipation to see who will make it out alive.

In addition to Ford's direction, the cast of characters makes the movie an enjoyable experience and makes you care for each of their fates. Kenneth McKenna as the Naval officer with a secret, young Frank Albertson as a rookie ensign who is unexpectedly thrust into being a leader for his men, Warren Hymer as a ruffian sailor hiding a heart of gold, young Stu Erwin as the S-13's radioman and Ford stock player J. Farrell McDonald as the old navy veteran. Be on the lookout towards the end of the film for young John Wayne as a radioman up on the surface.

The film has been restored for Fox's MOD DVD release and I've never seen it clearer and more beautiful. Kudos to everyone involved in getting this film restored and released because it's a true unsung gem in John Ford's very long directorial career.