DBCely
Iscritto in data mar 2004
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi3
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni2
Valutazione di DBCely
This was my first movie as "Gaffer," or Chief Lighting Technician, and boy does it show. My apologies to all viewers! Director-Producer Phil Smoot, is one of the nicest guys in the film business, however, and he constantly encouraged everyone to do their best on this little film.
One of my fondest memories was working with Lash LaRue. Lash was a consummate professional, full of great stories and patient with our inexperienced crew. I'll never forget how one night, waiting what seemed like hours for a shot to be set up, Lash just sat on an applebox, casually flipping his ever-present whip. There was a roll of toilet paper hanging from the handle of the tripod head mounted on the camera dolly. Lash would flick that whip of his, neatly tearing off one sheet of TP at a time. There was a little pile of single toilet paper sheets, steadily growing as time passed by.
Funny how little memories stay with you.
One of my fondest memories was working with Lash LaRue. Lash was a consummate professional, full of great stories and patient with our inexperienced crew. I'll never forget how one night, waiting what seemed like hours for a shot to be set up, Lash just sat on an applebox, casually flipping his ever-present whip. There was a roll of toilet paper hanging from the handle of the tripod head mounted on the camera dolly. Lash would flick that whip of his, neatly tearing off one sheet of TP at a time. There was a little pile of single toilet paper sheets, steadily growing as time passed by.
Funny how little memories stay with you.
As embarrassing as it is to admit, I was listed as production manager on this film... my very first! As a matter of fact, it was the first feature film for almost everyone who participated. Watch carefully, and you even get to see me in one of the opening scenes, as a soon-to-be-murdered asylum attendant named... "Cely" (my own last name).
Originally titled "Hostages" this picture was changed to "Another Son of Sam" by the Producer-Director who wanted to cash in on the serial killer in the news at the time. Nothing could have helped. I don't even think this picture was good enough to be shown on "MST 3K!"
The film was shot primarily with a collection of old Mitchell cameras and early Arriflex hand held cameras. Matter of fact, the shot of the helicopter during the hostage siege was filmed with my own WWII era Arri. The picture was filmed entirely in Charlotte and Belmont, North Carolina in the mid seventies. Most of the "Stars" were local TV newscasters, and the rest of the crew were just inexperienced enough or gullible enough to believe former stuntman and Producer-Director, Dave A, Adams' delusions of adequacy.
If you enjoy watching this kind of picture, you might love the work of another North Carolinian, the legendary Earl Owensby.
Originally titled "Hostages" this picture was changed to "Another Son of Sam" by the Producer-Director who wanted to cash in on the serial killer in the news at the time. Nothing could have helped. I don't even think this picture was good enough to be shown on "MST 3K!"
The film was shot primarily with a collection of old Mitchell cameras and early Arriflex hand held cameras. Matter of fact, the shot of the helicopter during the hostage siege was filmed with my own WWII era Arri. The picture was filmed entirely in Charlotte and Belmont, North Carolina in the mid seventies. Most of the "Stars" were local TV newscasters, and the rest of the crew were just inexperienced enough or gullible enough to believe former stuntman and Producer-Director, Dave A, Adams' delusions of adequacy.
If you enjoy watching this kind of picture, you might love the work of another North Carolinian, the legendary Earl Owensby.