lee_musson

Lets face it The Simpsons belongs on TV in 20 min episodes and thats where its finest moments can be found. The movie is overlong, relies heavily on visual comedy and lacks the satirical cutting edge of the best TV episodes. That said, it's entertaining and there are some very funny moments. Homer is hilariously stupid and steals the film. Shame some of the supporting characters don't get more air time though. I wanted to see Mr. Burns more as well as Apu, Sideshow Bob and several others who were barely seen. The first part of the film is good but the middle part isn't that funny. It does pick up towards the end but never reaches the pinnacle of the best Simpsons episodes. I think they should have worried less about having a plot and spent more time writing those great gags. Still, after 15 years a good effort.

This film is about sexual inhibitions, fantasies and social restrictions. The reviewer who said this film is stupid and has no story obviously doesn't grasp the fact that this is an avant-garde film. The imagery, themes and sound are what make the film, not the narrative. It works on a different level and is better appreciated by people who are interested in film as an art form rather than merely popcorn entertainment. The imagery is dark and provocative and enhanced by the blue and white monochrome. The director employs his trademark hand-held camera and big close ups. Although the themes are sexual in nature the film never feels like exploitation. The film isn't perfect by any means but is an interesting example of avant garde film-making by a significant Japanese director. Watch it with an open mind.