bradford_jones_monkey
Iscritto in data gen 2003
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi2
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni1
Valutazione di bradford_jones_monkey
I feel so ashamed for the people who have trashed this film, they obviously don't know a lot about movies. This film is a wonderful work of art, and it seems that many of the people posting comments here don't appreciate art. Many have noted the grainy and obscure shots in the movie, that is because it was filmed entirely in digital format. It is the second film in the InDigEnt series of films shot entirely on digital, and on a budget of $150,000 or less (another film in this project being Richard Linklater's "Tape", which is an AMAZING film). The film was shot over a period of 16 days using Sony PD-100 digital cameras. As for the writing and characters that have been belittled, these characters are not entirely the creation of screenwriter Nicole Burdette, the story was inspired by the play "Under Milk Wood" by a man called Dylan Thomas, you may have heard of him... if you haven't, go to school, and then come back and critique this movie. Thomas actually resided in the Chelsea at one point in time, as well as Sid Vicious and Nancy Spungen. And if you didn't enjoy the music of the film by Wilco/Jeff Tweedy... shame on you. Chelsea Walls is a wonderful film, directed by an amazing artist. For Hawke's directorial debut, I think he did a wonderful job.