hugo-e-der
Iscritto in data lug 2009
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi2
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni2
Valutazione di hugo-e-der
This movie will make you cry like the Iguau. True between two young men: one chaotic neutral and the other chaotic evil.
The film failed to fully depict the art, the love, the sex, & the death that made this story so intense. Art formation made Jaime, Marcos, and Jose to meet; love was so intense but it wasn't captured by the camera.
The nudes and sex scenes where short and sporadic, and they didn't give the sensation of forming part of a long relationship spanning several months.
Other thing that disappointed me, was the failure to depict Madrid's crazy life of the early 80s. Crime and instability are showed through some audios from the newsreel in the background; but a more liberal Spain and the artistic boom of the 80s don't appear on the screen.
Art, love, and lust apparently are words that doesn't exists in the director's vocabulary.
Something much better could've been done with such a great story; just like they did with "Le Mepris" (1963) from Jean-Luc Godard.
PS: Almudena Grandes didn't receive the credit of the story in this film.
The nudes and sex scenes where short and sporadic, and they didn't give the sensation of forming part of a long relationship spanning several months.
Other thing that disappointed me, was the failure to depict Madrid's crazy life of the early 80s. Crime and instability are showed through some audios from the newsreel in the background; but a more liberal Spain and the artistic boom of the 80s don't appear on the screen.
Art, love, and lust apparently are words that doesn't exists in the director's vocabulary.
Something much better could've been done with such a great story; just like they did with "Le Mepris" (1963) from Jean-Luc Godard.
PS: Almudena Grandes didn't receive the credit of the story in this film.
Sondaggi effettuati di recente
2 sondaggi totali effettuati