brankoburcksen
Iscritto in data gen 2003
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Valutazione di brankoburcksen
Everyone will first notice the limited animation, which determines right out the gate who this series appeals to, and I happen to be one of those. I never watched the table top RPG streams the creator played with his friends that it is based on, but I enjoyed the humorous take downs of popular video games and anime on his YouTube channel done in same style. He takes that to the next level with his first full fledge series.
The voice acting carries a lot of the humorous and dramatic weight of the show to great effect. The limited movement along with the exaggerated poses and facial expressions at key moments sell what happens, but it is really the performances that bring any investment to the action, and the cast does a fantastic job of pulling that off.
It took me a little while to get into the story, but it surprised me that there was genuine heart behind the proceedings instead of nonstop antics. Apart from Molly as the grounded, audience POV, everyone is some manner of oddball meant to befuddle her. However, they begin peel back layers as unexpected dynamics develop between the various factions vying for the amulet. Those surprise insights and heartfelt moments keep me hooked to happens next.
Give Epithet Erased a watch for its unexpected style and more three dimensional characters than their appearance would have you believe.
The voice acting carries a lot of the humorous and dramatic weight of the show to great effect. The limited movement along with the exaggerated poses and facial expressions at key moments sell what happens, but it is really the performances that bring any investment to the action, and the cast does a fantastic job of pulling that off.
It took me a little while to get into the story, but it surprised me that there was genuine heart behind the proceedings instead of nonstop antics. Apart from Molly as the grounded, audience POV, everyone is some manner of oddball meant to befuddle her. However, they begin peel back layers as unexpected dynamics develop between the various factions vying for the amulet. Those surprise insights and heartfelt moments keep me hooked to happens next.
Give Epithet Erased a watch for its unexpected style and more three dimensional characters than their appearance would have you believe.
"Last Exile" was a series I yearned for for a long time, a story focused on characters and subtly engaged within a profound and fantastical world. However out of a need to finish the plot, the character development necessary to bring the story full circle falls short.
I loved this series for really taking the time to show who the characters are and really let them take hold of the story. The tone and pacing of most of the episodes reminded me of the HBO series "The Wire" which also let the story fall together one pebble at a time. The series is brilliant for capturing small moments between characters that hint at their growing bonds and frustrations like a scene in a crowded elevator at a casino, a soldier chanting before a battle and when one character puts on the clothes of another in the desert. The two leads Claus and Lavie's relationship portrays itself as a chameleon jumping from comrades to partners, childhood friends, surrogate siblings and repressed lovers. The central bond though lies with Claus and the shy, mysterious girl Alvis who hold and drive the characters and the story together throughout the series.
"Last Exile" seems quite conventional in terms of plot, but it is only when it supersedes the characters that the series falls flat. For most of the show's running time that does not happen though. It bears a unique sense of drama that I find hard to see in other forms. Nowhere but in anime or Greek tragedy could you a see a person fall in love and heart break in the same moment.
I loved this series for really taking the time to show who the characters are and really let them take hold of the story. The tone and pacing of most of the episodes reminded me of the HBO series "The Wire" which also let the story fall together one pebble at a time. The series is brilliant for capturing small moments between characters that hint at their growing bonds and frustrations like a scene in a crowded elevator at a casino, a soldier chanting before a battle and when one character puts on the clothes of another in the desert. The two leads Claus and Lavie's relationship portrays itself as a chameleon jumping from comrades to partners, childhood friends, surrogate siblings and repressed lovers. The central bond though lies with Claus and the shy, mysterious girl Alvis who hold and drive the characters and the story together throughout the series.
"Last Exile" seems quite conventional in terms of plot, but it is only when it supersedes the characters that the series falls flat. For most of the show's running time that does not happen though. It bears a unique sense of drama that I find hard to see in other forms. Nowhere but in anime or Greek tragedy could you a see a person fall in love and heart break in the same moment.
Evangelion 1.0 You Are (Not) Alone permeates limitless possibilities and pathways in a story so connective and universal yet shakes the foundations of the genres on which it stands on so much a new and profound experience emerges from its daring. Young Shinji Ikari arrives in Tokyo-3, a city rebuilt after a cataclysmic event called Second Impact that shed the world of half the human population, to meet and work for his estranged father. It turns out he only wants his son now to pilot a giant humanoid machine named Evangelion Unit 01 made to stop unknown beings referred to as Angels from eradicating the rest of humanity. Shinji is shocked and broken hearted but nonetheless agrees to pilot it. The question he now asks is why?
Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.
One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.
The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.
Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.
Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.
One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.
The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.
Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.