srushton
Iscritto in data mag 2003
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi2
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni3
Valutazione di srushton
No closeups-- that's one problem. Closeups take time, so they're expensive, and clearly they spent all the money on costumes and Sylvia Fine's dopey songs.
The only reason to see this, if you're not a Danny Kaye fan, is the delightful minute or so of the Pellet with the Poison exchange. But that's about it. And you have to wait an awfully long time for it. Kaye had his fans, and this movie is solely for his fans and no one else. He's just not interesting. Silly, yes, but silly only goes so far.
This is a clumsy, one-note movie that doesn't deserve its reputation.
The only reason to see this, if you're not a Danny Kaye fan, is the delightful minute or so of the Pellet with the Poison exchange. But that's about it. And you have to wait an awfully long time for it. Kaye had his fans, and this movie is solely for his fans and no one else. He's just not interesting. Silly, yes, but silly only goes so far.
This is a clumsy, one-note movie that doesn't deserve its reputation.
The scenery looks bedraggled in this movie because so many people chew it. It's an over-the-top melodrama, with William Holden being the most ridiculous. But never mind -- it has Thelma Ritter, who can save any movie. She's the best thing in this one.
I love this movie. I saw it once 26 years ago. Now I run a classic movie series in my community, and I'd love to find a 16mm print of the feature so I can show it. All I've been able to find is the W.C. Fields sequence, but I want the whole thing. Anyone have any ideas? Please e-mail me!
I remember finding the sequence of the prostitute receiving the money to be haunting and poignant: she goes to bed, sees she has TWO pillows on the bed, and gets rid of one. No way will she ever sleep with anyone she doesn't want to sleep with!
I remember finding the sequence of the prostitute receiving the money to be haunting and poignant: she goes to bed, sees she has TWO pillows on the bed, and gets rid of one. No way will she ever sleep with anyone she doesn't want to sleep with!