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BlazeFox

Iscritto in data lug 2001
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.

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Recensioni36

Valutazione di BlazeFox
L'uomo del giorno dopo

L'uomo del giorno dopo

6,1
8
  • 4 gen 2010
  • Despite inconsistencies, this is a great movie.

    Usually I'd trust the opinions of Roger Ebert or Rotten Tomatoes, but I have to disagree with the negatives here. Sure this isn't the greatest film of all time by any standards, but in a time dominated by Doom & Gloom generic post apocalypse movies, The Postman was a breath of fresh, positive air and if you can ignore the little things like "Why is there a lion in Oregon" (Portland Zoo?) or "How did the Holnist come to power? " this is a great movie with a great message. The main character may have initially only used the story of being a Postman to get food and so he wouldn't get shot when he walked into a village, but his lie inspired hope. The movie has a comedic lightness to it, but it has it's serious moments and there are some great quotes like "Wouldn't it be nice if the a--holes who started wars were the ones who had to fight them?" General Bethlehem represented the aspects of the violent, racist, misogynistic gun-hoarding survivalists, taking advantage of the ''clean slate'' provided by the apocalypse to re-create civilization the way he saw fit, but with all the bad parts of it. His idea of a society was more like medieval times. He killed people who were mere children, just to get at his foe and he recruited people into his army who didn't want to be a part of it in the first place.
    Segnali dal futuro

    Segnali dal futuro

    6,2
    3
  • 6 ott 2009
  • Signs + National Treasure = Lame.

    Wipeout

    Wipeout

    6,6
    5
  • 26 mag 2009
  • Re-make of a comically dubbed-over Japanese game show.

    I guess I probably shouldn't be too annoyed at a show that rips off another show, which is basically a comedic American re-dubbing of a Japanese show (Takeshi's Castle), but I can't watch "Wipeout" without immediately thinking of Spike's "MXC: Most Extreme Challenge." The obstacle course names, the way the announcers try to crack visual pun jokes and call all the contestants by nicknames, its all borrowing from MXC, but the show seems to lose something without the whole "people ad-libbing over Japanese stock footage" part. It's like if MST3K were re-made, but done "seriously," and with new actors trying to replace the old B-movies that were being mocked.

    "Wipeout" tries to be "MXC" like "Repo: The Genetic Opera" desperately tries to be "The Next Rocky Horror Picture Show," and like Repo, Wipeout is barely as good as what it attempts to copy. I've even read on Wikipedia that ABC tried to buy up the search term "MXC" through Google to try to re-direct traffic to their official Wipeout website. If "MXC" hadn't come first (and been made 5 years prior, 17 if you count the age of the source material for the re-dub), maybe I could watch this show and just take it for what it is; people competing in a crazy foam prop obstacle course for money.

    Oh and btw, contrary to the belief of some, you didn't have to be an anime-obsessed "weeaboo" to enjoy the hilarity of MXC.
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