kgprophet
Iscritto in data apr 2001
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi4
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Valutazioni1201
Valutazione di kgprophet
Recensioni375
Valutazione di kgprophet
The moment I knew they were milking the final chapter for more money by splitting in two was when there were extended scenes of the cat chasing a flashlight beam. Or that big buildup to the attack that never happened.
Having now seen the final final installment, I could have pretty much easily skipped Part 1, save for a little character exposition. I don't normally pay attention to this genre, but grudgingly accept that for the most part all parties involved in making this a gritty and gripping drama succeeded. Primarily, avoiding the easy pitfalls when trying keep a strong narrative going. I agree with most others that Jennifer Lawrence owned this movie more than anyone else. Certainly not phoning it in like a typical superhero role.
There are attempts at a couple twists here and there, but the inevitable showdown and follow-through was foreseen without much effort. I found the screenplay made good use of the supporting characters as reminders of the path that lead to this big finale. All the action promised in Part 1 finally happens here, again meaning there was too much foot-dragging in the story for Part 1. Cinematography always framed this fantasy as a gritty war film. It helped for me to think of this as a more pedestrian drama as the throngs of YA followers focused on the love triangle. There has always been a good balance in the drama so as to not get into soap opera territory.
Visual effects remain solid, giving it a more blockbuster feel. I give it a 7 out of 10, a bit better than the previous installments.
Having now seen the final final installment, I could have pretty much easily skipped Part 1, save for a little character exposition. I don't normally pay attention to this genre, but grudgingly accept that for the most part all parties involved in making this a gritty and gripping drama succeeded. Primarily, avoiding the easy pitfalls when trying keep a strong narrative going. I agree with most others that Jennifer Lawrence owned this movie more than anyone else. Certainly not phoning it in like a typical superhero role.
There are attempts at a couple twists here and there, but the inevitable showdown and follow-through was foreseen without much effort. I found the screenplay made good use of the supporting characters as reminders of the path that lead to this big finale. All the action promised in Part 1 finally happens here, again meaning there was too much foot-dragging in the story for Part 1. Cinematography always framed this fantasy as a gritty war film. It helped for me to think of this as a more pedestrian drama as the throngs of YA followers focused on the love triangle. There has always been a good balance in the drama so as to not get into soap opera territory.
Visual effects remain solid, giving it a more blockbuster feel. I give it a 7 out of 10, a bit better than the previous installments.
I never read the Harry Potter books but became appreciative of the great amount of talent that went behind the movie productions. What worked about the movies was the bit of charm injected into them. From magical playfulness, to like-able camaraderie of the student buddies, the movies didn't just add lots of fantasy elements, but a bit of whimsy in the tone. Throughout the entire series, except perhaps near the end, did I feel any real peril for our main characters.
Fantastic Beasts shows a lot of the 1920's New York setting, but is only the backdrop of the simple primary story, a man adjusting to his new surroundings. The whole scrutiny of whether a novelist can write their own screenplay is not evident. I expect there was the same type of collaboration with the director and actors to get the right sounding dialog (or lack thereof) that is appropriate for the characters. Which brings us to Newt. Very little is revealed at first about his history before arriving in New York. I enjoyed the smart writing that allowed his character to be revealed over time as we learn about what is in his magical suitcase. For the first half of the movie, there was a great deal of charm to go around, with the simple baker, the nerdy government official with her flirty sister. Newt himself mirrors Harry Potter in being too caught up in his own world to be heavily engaged in any relationship.
The gang is back again, in terms of director David Yates, and no doubt most of the talented production that brings what could be a lackluster spinoff to life. The only bad news is the stuffy political scenes, along with the well characterized but nonetheless poorly handled villains. It is not much of a spoiler with the heavy foreshadowing that something is up with a family that warns the public of the dangers of witchcraft. They appear every once in a while during the movie to remind everyone they are up to something that you assume will occur in the third act.
By the time this dark and dreary family is explored, we get a little worn out by the constant quivering of the son, or the freakish stare by the daughter. Without revealing much, I have never found Colin Farrell an actor with great range. However that fits his role as a narrow-minded head of an anti-magic government agency. Nevertheless, he is not charismatic and only is perfunctory in his role. For most of the rest of the cast, I enjoyed the subtlety of Newt's performance, allowing for his introverted character to work it's charm over time. Same for the most part of Tina, the government official who must fuss over the rule-breaking going on. She does not wear alluring clothing and complains quite a bit. But yet I found myself surprised how well the film rewards the audience at the end of the film with a warm moment between the two.
I give a 6 out of 10. I can't give it a higher simply because I only have a lackluster enthusiasm towards the genre, and the story not my favourite. So I'm not knocking the quality of the film as much as ranking it amongst the kind of films I prefer.
Fantastic Beasts shows a lot of the 1920's New York setting, but is only the backdrop of the simple primary story, a man adjusting to his new surroundings. The whole scrutiny of whether a novelist can write their own screenplay is not evident. I expect there was the same type of collaboration with the director and actors to get the right sounding dialog (or lack thereof) that is appropriate for the characters. Which brings us to Newt. Very little is revealed at first about his history before arriving in New York. I enjoyed the smart writing that allowed his character to be revealed over time as we learn about what is in his magical suitcase. For the first half of the movie, there was a great deal of charm to go around, with the simple baker, the nerdy government official with her flirty sister. Newt himself mirrors Harry Potter in being too caught up in his own world to be heavily engaged in any relationship.
The gang is back again, in terms of director David Yates, and no doubt most of the talented production that brings what could be a lackluster spinoff to life. The only bad news is the stuffy political scenes, along with the well characterized but nonetheless poorly handled villains. It is not much of a spoiler with the heavy foreshadowing that something is up with a family that warns the public of the dangers of witchcraft. They appear every once in a while during the movie to remind everyone they are up to something that you assume will occur in the third act.
By the time this dark and dreary family is explored, we get a little worn out by the constant quivering of the son, or the freakish stare by the daughter. Without revealing much, I have never found Colin Farrell an actor with great range. However that fits his role as a narrow-minded head of an anti-magic government agency. Nevertheless, he is not charismatic and only is perfunctory in his role. For most of the rest of the cast, I enjoyed the subtlety of Newt's performance, allowing for his introverted character to work it's charm over time. Same for the most part of Tina, the government official who must fuss over the rule-breaking going on. She does not wear alluring clothing and complains quite a bit. But yet I found myself surprised how well the film rewards the audience at the end of the film with a warm moment between the two.
I give a 6 out of 10. I can't give it a higher simply because I only have a lackluster enthusiasm towards the genre, and the story not my favourite. So I'm not knocking the quality of the film as much as ranking it amongst the kind of films I prefer.
Sondaggi effettuati di recente
78 sondaggi totali effettuati