rehanyousuf15
Iscritto in data mar 2001
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Valutazione di rehanyousuf15
Made in the same year as his other swordsman style move classic Deadful Melody, Yuen Biao stars in this impressive seminal classic.
Directed very differently by Cheung Hoi-Ching, Yuen Biao plays a chief constable on the tail of the mysterious Golden Snake Man who also appears to be a killer, (played very impressively by Danny Lee).
Unlike most one-dimensional 'bad guys' who are in most movies, director Cheung Hoi-Ching masterfully weaves a complicated back-story of the Golden Snake Man's (Danny Lee) past. While Danny Lee's immaculate playing gives his character a three-dimensional shape.
Also, director Cheung Hoi-Ching surrounds Yuen Biao with a dynamic cast filled with wonderfully varied characters played brilliantly by the cast (which includes Ng Man-Tat, Anita Mui and the impressive Man Cheung). The two love stories between the two main protagonists (Yuen Biao and Danny Lee) are both diverse and complicated.
Although some people have complained that the story-line is too difficult to follow, this is probably because the current flow of films are very brainless (unfortunately) so nowadays most people complain when an movie which appeals to a person of an IQ of over 5 comes out.
Although made in the same year as the wonderful Deadful Melody, these two swordsman style movies are very different. This movie contains a haunting soundtrack, immaculate performances from the whole cast. The direction and the cinematography itself is nothing short of wonderful.
What director Cheung Hoi-Ching does so masterfully is surround himself with all of the above with a beautiful site at the end. And unlike most swordsman movies, Sword Stained with Royal Blood has a huge diverse universe of characters all with a back story, with an intelligent storyline and a bitter-sweet denouement with the love story between Yuen Biao and Man Cheung.
The Sword Stained with Royal Blood is an uncommon piece of swordsman style move. Assured, intelligent, patient, meditative and different.
Directed very differently by Cheung Hoi-Ching, Yuen Biao plays a chief constable on the tail of the mysterious Golden Snake Man who also appears to be a killer, (played very impressively by Danny Lee).
Unlike most one-dimensional 'bad guys' who are in most movies, director Cheung Hoi-Ching masterfully weaves a complicated back-story of the Golden Snake Man's (Danny Lee) past. While Danny Lee's immaculate playing gives his character a three-dimensional shape.
Also, director Cheung Hoi-Ching surrounds Yuen Biao with a dynamic cast filled with wonderfully varied characters played brilliantly by the cast (which includes Ng Man-Tat, Anita Mui and the impressive Man Cheung). The two love stories between the two main protagonists (Yuen Biao and Danny Lee) are both diverse and complicated.
Although some people have complained that the story-line is too difficult to follow, this is probably because the current flow of films are very brainless (unfortunately) so nowadays most people complain when an movie which appeals to a person of an IQ of over 5 comes out.
Although made in the same year as the wonderful Deadful Melody, these two swordsman style movies are very different. This movie contains a haunting soundtrack, immaculate performances from the whole cast. The direction and the cinematography itself is nothing short of wonderful.
What director Cheung Hoi-Ching does so masterfully is surround himself with all of the above with a beautiful site at the end. And unlike most swordsman movies, Sword Stained with Royal Blood has a huge diverse universe of characters all with a back story, with an intelligent storyline and a bitter-sweet denouement with the love story between Yuen Biao and Man Cheung.
The Sword Stained with Royal Blood is an uncommon piece of swordsman style move. Assured, intelligent, patient, meditative and different.
Something that makes me angry is that when a movie comes out. Which is so beautiful that everyone should see. However no-one goes to see it, but then a movie comes out a few years later, wins worldwide praise despite ripping of the other movie and wins a host of awards without acknowledging the other movie at all.
The over-rated Crouching Tiger Hidden Dragon ripped of this classic movie. If you're a fan of Crouching Tiger Hidden Dragon then you will love this movie.
Sang Sui directs the flawless masterpiece of cinema. Sang Siu highlights issues such as the gap between the rich and the poor and the injustice caused by corruption to the poor beautifully.
Yuen Biao stars as Li San (who at night is the Swallow Hero, a sort of Robin Hood). Despite helping the poor, he yearns to find his loved one who was cruelly raped and put in a brothel.
Yuen Biao, who was born for this movie, gives such a diverse performance filled with anger, love, sadness, and even sometimes happiness. It's really incredible that to this day Yuen Biao has not received one Best Actor nomination from the Hong Kong Film Awards and even the Golden Horse Awards in Taiwan. This really is a terrible indictment on both these awards. Also, Athene Chu, who plays his loved one, gives a beautiful performance filled with yearning, who also deserved at least a Best Actress nomination at the Hong Kong Film Awards. The whole cast is wonderful and complement Yuen Biao and Athene Chu beautifully.
Wu Kam choreographs the fight scenes with such elegance that Yuen Biao seems fight like a twenty year old. Wu Kam also not only brings out the very best of every fighter but also emphasis beauty in the fight scenes. Some of the fight scenes that Wu Kam directs were ripped of by Crouching Tiger Hidden Dragon.
Sang Siu, includes some wonderful wireworks as Yuen Biao flies, walks over walls and exhilarates. The wireworks in this movie had been directly ripped of by Crouching Tiger Hidden Dragon.
The soundtrack is really wonderful too with the use of traditional Chinese instruments. Also, as this film was filmed in mainland China, the cinematography is beautiful, it really is wonderful and brings out the best of rural China.
Sang Siu and Wu Kam will go very far on the evidence of this. Sometimes a person lives and dies without seeing unseen masterpieces. This is one of them. If you ever get to see just one film throughout your whole life, the make it your objective to see The Hero of Swallow. Ripped of by Crouching Tiger Hidden Dragon, this is a masterpiece that comes only once a generation, if even that.
One of the things I like about Yuen Biao is that his movies are not bounded by the Hollywood conventional happy ending. This movie has a deeply sad but poetic and beautiful ending. The way Yuen Biao acts at the end will probably never be bettered. I dare you not to cry at the end of this beautiful and emotional movie.
The over-rated Crouching Tiger Hidden Dragon ripped of this classic movie. If you're a fan of Crouching Tiger Hidden Dragon then you will love this movie.
Sang Sui directs the flawless masterpiece of cinema. Sang Siu highlights issues such as the gap between the rich and the poor and the injustice caused by corruption to the poor beautifully.
Yuen Biao stars as Li San (who at night is the Swallow Hero, a sort of Robin Hood). Despite helping the poor, he yearns to find his loved one who was cruelly raped and put in a brothel.
Yuen Biao, who was born for this movie, gives such a diverse performance filled with anger, love, sadness, and even sometimes happiness. It's really incredible that to this day Yuen Biao has not received one Best Actor nomination from the Hong Kong Film Awards and even the Golden Horse Awards in Taiwan. This really is a terrible indictment on both these awards. Also, Athene Chu, who plays his loved one, gives a beautiful performance filled with yearning, who also deserved at least a Best Actress nomination at the Hong Kong Film Awards. The whole cast is wonderful and complement Yuen Biao and Athene Chu beautifully.
Wu Kam choreographs the fight scenes with such elegance that Yuen Biao seems fight like a twenty year old. Wu Kam also not only brings out the very best of every fighter but also emphasis beauty in the fight scenes. Some of the fight scenes that Wu Kam directs were ripped of by Crouching Tiger Hidden Dragon.
Sang Siu, includes some wonderful wireworks as Yuen Biao flies, walks over walls and exhilarates. The wireworks in this movie had been directly ripped of by Crouching Tiger Hidden Dragon.
The soundtrack is really wonderful too with the use of traditional Chinese instruments. Also, as this film was filmed in mainland China, the cinematography is beautiful, it really is wonderful and brings out the best of rural China.
Sang Siu and Wu Kam will go very far on the evidence of this. Sometimes a person lives and dies without seeing unseen masterpieces. This is one of them. If you ever get to see just one film throughout your whole life, the make it your objective to see The Hero of Swallow. Ripped of by Crouching Tiger Hidden Dragon, this is a masterpiece that comes only once a generation, if even that.
One of the things I like about Yuen Biao is that his movies are not bounded by the Hollywood conventional happy ending. This movie has a deeply sad but poetic and beautiful ending. The way Yuen Biao acts at the end will probably never be bettered. I dare you not to cry at the end of this beautiful and emotional movie.
On Yuen Biao's exceptional filmography where virtually every film on it is a classic in it's own right this is a huge disappointment.
Firstly, this isn't really a Yuen Biao movie (thank goodness), despite being listed first in the credits under the name of Yuen Bill. Yuen Biao is in this movie for about a total of only 30 minutes.
The problem with this film is virtually everything. Firstly the plot is appalling. Even `gweilo in exile' Bey Logan would have a problem writing a script as bad as this. The major problem is that it really doesn't make sense. The plot lumbers from one illogical step to another. It is a travesty. It really is.
Also, the soundtrack, which can make or break a movie, is annoyingly repetitive. Go and watch other Yuen Biao classics such as The Iceman Cometh and Mr Vampire 2 and just see how brilliant their soundtracks are and wholly complement the actual movie. Here the music must have been composed by a toddler.
The direction by Philip Ko is terrible. Although, he does show some very few glimpses of talent throughout. The acting by the main actor is terrible (he can't fight as well, despite being handed most of the fights in the movie). However Yuen Biao is flawless as always. The fights in this movie are so badly choreographed a baby could have choreographed them better. Saying that Yuen Biao is so talented, when he fights, he actually makes the choreography look good.
The end fight really is shockingly short (about a minute). And it doesn't help the fight is 3 on 1 (3 god guys, one bad guy). The bad guy, Chin Siu Ho, who was in the fantastic Fist of Legend, gets only like a minute throughout the whole movie to show his talent and even then at the end he is lumbered with terrible choreography. The only film that could have saved this movie would have been to let Yuen Biao and Chin Sui Ho fight at the end one-on-one but it wasn't to be.
All in all, this is not really a Yuen Biao movie (thank goodness). Everything really does smack of badness. But I guess the laws of averages must mean that even Yuen Biao has to have a bad movie somewhere on his filmography. Here's a tip for you. Disregard this as a Yuen Biao movie (as he is only in it for less than 30 minutes) and just watch his other movies to show yourself how great Yuen Biao really is.
Firstly, this isn't really a Yuen Biao movie (thank goodness), despite being listed first in the credits under the name of Yuen Bill. Yuen Biao is in this movie for about a total of only 30 minutes.
The problem with this film is virtually everything. Firstly the plot is appalling. Even `gweilo in exile' Bey Logan would have a problem writing a script as bad as this. The major problem is that it really doesn't make sense. The plot lumbers from one illogical step to another. It is a travesty. It really is.
Also, the soundtrack, which can make or break a movie, is annoyingly repetitive. Go and watch other Yuen Biao classics such as The Iceman Cometh and Mr Vampire 2 and just see how brilliant their soundtracks are and wholly complement the actual movie. Here the music must have been composed by a toddler.
The direction by Philip Ko is terrible. Although, he does show some very few glimpses of talent throughout. The acting by the main actor is terrible (he can't fight as well, despite being handed most of the fights in the movie). However Yuen Biao is flawless as always. The fights in this movie are so badly choreographed a baby could have choreographed them better. Saying that Yuen Biao is so talented, when he fights, he actually makes the choreography look good.
The end fight really is shockingly short (about a minute). And it doesn't help the fight is 3 on 1 (3 god guys, one bad guy). The bad guy, Chin Siu Ho, who was in the fantastic Fist of Legend, gets only like a minute throughout the whole movie to show his talent and even then at the end he is lumbered with terrible choreography. The only film that could have saved this movie would have been to let Yuen Biao and Chin Sui Ho fight at the end one-on-one but it wasn't to be.
All in all, this is not really a Yuen Biao movie (thank goodness). Everything really does smack of badness. But I guess the laws of averages must mean that even Yuen Biao has to have a bad movie somewhere on his filmography. Here's a tip for you. Disregard this as a Yuen Biao movie (as he is only in it for less than 30 minutes) and just watch his other movies to show yourself how great Yuen Biao really is.