P3charmed

This film starts off OK. It has heather graham in it, so I wasn't expecting much besides nasty sex scenes and bulging eyes (of which you get both in this film). The fact that she is supposed to be some folksy singer-songwriter is laughable because I've met this character time and time again in the downtown art scene.

All of the dialogue, starting with Jeremy Sisto's entrance is laughable and obviously written by a man. If written by a woman, Hope (heather graham) would've reached for her pepper spray after Will's (Jeremy Sisto) initial pick up line.

The movie goes no where fast, has a small up lift with the black box theatre style of the dinner, then continues on a downward spiral. The cast is amazing, and I'm surprised that so many somewhat respectable actors would sign to such boring banal work.

The special features are a laugh and a half as more praise over Graham's beauty and perfection for the part is expressed. The producer says producer-like things like "many other actresses wanted this part but Heather was just perfect". Way to make it sound like Angelina, Charlize, and Drew all wanted to be part of this ishfest.

I'm glad I bought this for 3 dollars on Thanksgiving. I'll be thanks-giving this away on Ebay tomorrow.

There are so many other problems with this film including editing, music, and character development but the other REAL comments speak for themselves.

Jeremy Sisto...what happened?

Plot- It's lacking and a bit confusing. We really don't get to know these characters at all. Pretty much right off the bat the "scary" begins to happen, so it's almost a 2 hour cat and very stupid mice game. As a viewer, you don't know anything about the masked intruders except that they walk around the house making noise and emerge out of shadows.

Acting: There was no chemistry between scott and liv. Pure and simple. When you've got two actors in a 2 hour film, it has to be believable that they are in love, or even get along.

Writing: very green writing. Its know that the direct has really only done a few attempts at screenplays and it shows. The disclaimer in the beginning wasn't needed and was somewhat confusing given the ending to the film.

In all I'm glad I used free movie passes to see it, or else I would've gone and got my money back about 30 minutes in.

I suggest waiting for it to be on TV, or renting it in a few months. No use spending 10 dollars on tickets...use it for gas money.

I guess this is a prime document of when nu pop-jazz began.

I don't think I've ever seen so many jazz sneakers and hair whipping.

This one is definitely not for the dancers that weren't trained in a Studio. If you studied contemporary or alternative/athletic modern, its gonna be a painful experience.

Not to say the dancers aren't talented and the the performances (given the script..)aren't okay. This just isn't the best way to showcase that talent. I'm sure it would favor better among the So You Think You Can Dance generation of dancers.

If you want a good dancing movie with drama, go for The Turning Point. If you want a modern film that isn't super cheesy. A modern dance film that doesn't have its dancers whipping their hair around wearing unitards and masks. A modern dance film that doesn't use a very early form of Lyrical dance as a segway to the next scene....I don't know what to tell ya...One Last Dance with Patrick Swayze?