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Indie horror has a way of surprising you, and The Summer We Died is a perfect example of that. Directed by Dillon Brown and made on a micro-budget of just $3,300, this film is a testament to passion, hard work, and the unique approach of Horror Nerd Productions. What sets this project apart is its commitment to casting veterans and first responders, offering them a creative outlet to combat PTSD-a personal and meaningful touch that gives the film an extra layer of authenticity.

At first glance, The Summer We Died feels like a wild mix of a '90s MTV music video and an episode of The Real World. The heavy stylistic choices and editing make for an intense, immersive experience, though it can take some time to settle into. The music might not be for everyone, but it's clear that for many, it perfectly captures the film's raw energy. The acting, while not traditionally strong, is filled with heart-you can tell these aren't just performers, but real people pouring themselves into their roles. Initially, it's a bit jarring, but as the film progresses, you stop noticing the flaws and just go along for the ride.

The film doesn't hold back on blood and gore, using it sparingly but effectively, making for some genuinely cringe-worthy moments. But what really elevates The Summer We Died is its ending. The twist, which sneaks up on you in the final act, is brilliantly executed. It's the kind of reveal that makes you rethink everything leading up to it, and when it all clicks, it's incredibly satisfying.

While the movie has its rough edges, it's impossible not to appreciate the effort and passion behind it. This is indie horror at its most genuine-flawed, yes, but also bold, creative, and unexpectedly gripping. If you can embrace the rawness, The Summer We Died is a trip worth taking.

Kim Noonan's Are You There? Starts off as a slow-burn paranormal thriller, following psychology student Rosa Gonzalez as she lights a ritual candle and asks the wrong question: "Are you there?" What begins as a supernatural mystery quickly spirals into a chaotic game of questions, blurring the line between ghosts and her own trauma.

I was into the eerie setup and the psychological angle, but as the story unraveled, so did its cohesion. It felt like it wanted to be a slow descent into madness, but instead, it just kind of snapped from one tone to another. The transition wasn't as smooth as it could have been, making the final act feel like a completely different movie. When it goes batshit, it really goes batshit-which was fun, but also kind of a mess.

It's got solid performances, creepy visuals, and a cool concept, but it never fully comes together. I liked it well enough, but it felt more like two different movies smashed into one rather than a seamless unraveling of Rosa's mind.