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This little-known Western will probably be most attractive to contemporary audiences for one reason only...Jayne Mansfield. And Jayne Mansfield fans will indeed not be disappointed with this charming little movie which pairs sassy Miss M with the straight-laced British actor Kenneth More.

More is incredibly charming in this movie (as he tends to be in most of his screen appearances) and plays well of fast-talking saloon owner Mansfield. This is probably Mansfield's best on-screen partnership since her Rock Hunter appearance with Tony Randall. Gorgeously photographed in sumptuous Deluxe colour and with some nifty saloon songs from Mansfield (dubbed by Conny Francis), this is a sweet, amusing little movie with solid performances from two highly likable actors.

Hopefully, its release in the JM box set will introduce this film to a new generation of viewers. While scarcely a cinema classic, it's a very pleasant way to spend an afternoon.

Enjoy!

Like many Steinbeck stories, this is more of a snapshot of a time and place as opposed to a rigid start-middle-end kind of movie. What we get here is a look into the lives of a bunch of characters with many of their respective futures left open to interpretation.

So we have the buffoonish travelling salesman, the alcoholic diner owner, the teen dreaming of Hollywood stardom, the rugged bus driver, the embarrassed stripper, the repressed teen...the list goes on. Basically, a cross section of society travel on a bus whose journey is as unpredictable and dangerous as that of the lives of most of the passengers aboard.

While it's not the most riveting of movies, and the vastness of Cinemascope certainly spoils the intimacy of some of the scenes, it is a solid little drama in the kitchen sink/new wave style that is an entertaining watch from start to finish. While the copy I own on DVD has clearly been copied from a television broadcast resulting in fluffy picture and muffled sound, I still enjoyed (and repeatedly enjoy) watching this film.

The standout? But Jayne Mansfield of course. If Marilyn silenced the critics that she could act with a movie about a bus, then so did our Jayne. Of course the platinum blonde tresses and eye-popping figure are present and correct but gone are the silly wiggle, the high pitched squeals and the plunging necklines. Here, in a rare straight dramatic performance, Jayne present Camille not as a cartoon character a la Jessica Rabbit, but rather a sex symbol with feelings, someone who is employed for her looks but has fears and emotions beneath the surface. Jayne moves and talks naturally in this film and is a revelation.

How sad that after this solid performance and her wonderful turn as Rita Marlow in Rock Hunter, ego would dictate that she would agree to appear with Cary Grant in what many consider the final nail in her A-list film career, Kiss Them For Me...a truly abysmal waste of time.

But forget about her career mistakes; Jayne is solid gold here and this is well worth a watch.

Oh dear, oh dear...

For JM fans, this was the nail in the coffin as far as her A-list Hollywood career was concerned. After solid turns in Girl Can't Help It, Wayward Bus, The Burglar and Rock Hunter it seemed Jayne was well on the way to becoming one of Tinsel Town's hottest stars. However, an obsession with racy publicity and an appearance in this clunker relegated Mansfield to the sidelines, namely cheap Euro loan-outs until Fox could drop her contract at the earliest opportunity.

This movie really is a diabolical waste of everyone's time with the exception of Suzy Parker who is the only thing in this movie bad enough for the material. Many people blame poor Jayne and her grating performance for this film's poor returns at the box office and while she is a pain in this film, she can only do her best with the material. After all, Cary hardly sets the screen on fire does he? After a handful of very good dramatic and comedy turns Jayne takes 10 steps back in her pursuit as a serious actress by agreeing (simply for the sake of appearing with Grant) to portray this squealing, idiotic menace. Her character of Alice is a complete cartoon bimbo and although she looks good enough to eat in a boiler suit, her every appearance in the film jangles your nerves. We all know Jayne could do so much better than this dross and yet here she is parading around like a prize pudding. A real shame.

Steer clear of this so-called comedy. It's more depressing than funny.