dangtruong23
Iscritto in data feb 2008
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Valutazioni653
Valutazione di dangtruong23
Recensioni36
Valutazione di dangtruong23
It's been a long time, probably since Endgame, that I've watched a superhero movie that truly feels larger than life. One that makes every villain, every punch, every threat matter. One that has me wide-eyed and grinning like a kid the whole way through.
Don't get me wrong. The Batman and Thunderbolts were both solid. But for me, they didn't land in that personal, emotional way. I enjoyed them, but I wasn't invested.
Superman changed that. For the first time, Superman wasn't just someone to admire from a distance, but someone I could actually root for. Someone who felt human. And that's something the last three Superman movies never quite pulled off.
And look, I used to be a huge fan of Batman v Superman. But this version of Superman opened my eyes to what the character could be, and I'm honestly so glad it did.
Don't get me wrong. The Batman and Thunderbolts were both solid. But for me, they didn't land in that personal, emotional way. I enjoyed them, but I wasn't invested.
Superman changed that. For the first time, Superman wasn't just someone to admire from a distance, but someone I could actually root for. Someone who felt human. And that's something the last three Superman movies never quite pulled off.
And look, I used to be a huge fan of Batman v Superman. But this version of Superman opened my eyes to what the character could be, and I'm honestly so glad it did.
It might be my childhood nostalgia talking, but I absolutely adore this movie.
Yes, it's cheesy. Yes, there are too many fight scenes. And yes, it doesn't always make sense. But that's exactly what makes it so great.
It's a visual feast that captures the spirit of classic Hong Kong heroism-not just through its iconic setting, but also thanks to a star-studded cast delivering gloriously over-the-top, magnetic performances. And yet, beneath all the action, the emotional core is handled with surprising care. In its quieter moments, the film humanizes the Walled City residents and gives real weight to the protagonist's struggle, making it feel like more than just a fight for survival. In that sense, it carries the kind of heartfelt charm that reminds me of old-school TVB dramas.
My only complaint, if I have one at all, is that Louis Koo's character's backstory feels far more compelling than the main character's own journey. It's a shame he didn't get more screen time-I was almost convinced there had to be a prequel about him that I somehow missed.
I haven't seen a Hong Kong kung fu film this good since Kung Fu Hustle, and I truly believe this one has the potential to achieve cult status in the next decade, just like that classic did.
Yes, it's cheesy. Yes, there are too many fight scenes. And yes, it doesn't always make sense. But that's exactly what makes it so great.
It's a visual feast that captures the spirit of classic Hong Kong heroism-not just through its iconic setting, but also thanks to a star-studded cast delivering gloriously over-the-top, magnetic performances. And yet, beneath all the action, the emotional core is handled with surprising care. In its quieter moments, the film humanizes the Walled City residents and gives real weight to the protagonist's struggle, making it feel like more than just a fight for survival. In that sense, it carries the kind of heartfelt charm that reminds me of old-school TVB dramas.
My only complaint, if I have one at all, is that Louis Koo's character's backstory feels far more compelling than the main character's own journey. It's a shame he didn't get more screen time-I was almost convinced there had to be a prequel about him that I somehow missed.
I haven't seen a Hong Kong kung fu film this good since Kung Fu Hustle, and I truly believe this one has the potential to achieve cult status in the next decade, just like that classic did.
This film plays it so safe that it teeters on the edge of mediocrity.
My biggest complaint lies with Dinh Ngoc Diep's performance-she overacts in nearly every scene. Her delivery is so unconvincing that even the child actresses come across as more natural and compelling.
Beyond that, the characters are forgettable, the villains aren't nearly detestable enough, and the victim's presence is too passive that she fails to earn our sympathy.
Oddly, the film reveals its twist at the halfway mark-likely because the writers couldn't come up with a more creative way to sustain suspense. From that point on, the ending drags on for too long. I would've enjoyed it more if it had been trimmed by about 30 minutes.
One saving grace is the cinematography and the effective horror elements, both signature strengths of Victor Vu. Still, I wish the film had made better use of Northern Vietnam's breathtaking landscapes.
My biggest complaint lies with Dinh Ngoc Diep's performance-she overacts in nearly every scene. Her delivery is so unconvincing that even the child actresses come across as more natural and compelling.
Beyond that, the characters are forgettable, the villains aren't nearly detestable enough, and the victim's presence is too passive that she fails to earn our sympathy.
Oddly, the film reveals its twist at the halfway mark-likely because the writers couldn't come up with a more creative way to sustain suspense. From that point on, the ending drags on for too long. I would've enjoyed it more if it had been trimmed by about 30 minutes.
One saving grace is the cinematography and the effective horror elements, both signature strengths of Victor Vu. Still, I wish the film had made better use of Northern Vietnam's breathtaking landscapes.
Sondaggi effettuati di recente
9 sondaggi totali effettuati