jbuck_919

This is a movie in which a very poor script is allegedly rescued by all-star casting, good spot acting and adequate directing. There is not a shred of credibility in the plot, nor any artistry in the execution to rescue that fact, and you will be reeling from one "that would never happen" moment to another. The boys do not talk like boys talk, the hoods do not talk like hoods talk, and the decent adults may talk OK but do not behave like decent adult people behave. The movie is entirely contrived to make the preconceived scenario work out. On top of that, there is a gratuitous love interest, which doesn't even amount to that, introduced simply to keep the cast from being all-male. A melodramatic monster of a movie.

Reaction to this production has been very emotional and on the musicals board I have had to endure the most incredible bashing because I actually liked it.

Some people have been critical of my opinion because I had the temerity to assume they were comparing it to the classic movie version, which I adore. They weren't thinking of that at all. Yeah, right.

This was a great production of this great musical. I have no reservations. I'm sorry if the Harold Hill was not the creepy crawly we are used to in Robert Preston or that Marion was not the sweet fickle thing we knew in Shirley Jones. It is of the nature of musicals and of stage plays that were not written as screenplays in general to be open to various interpretations in various producations. I've seen a dinner theatre version of West Side Story that was better than the movie.

I just don't get the criticism, most of which is based on our image of Broderick, who will turn 40 next month. He lacks neither the talent nor the presence nor the experience to pull this off, and boy did he pull it off!

At the risk of making a ludicrous juxtaposition, a musical as great as Music Man is like Shakespeare. It has to be defeated by wilfull misinterpretation rather than lifted into triumph by faithfulness to what it is all about, because just doing it right is all that is needed. The Disney production was not a misinterpretation, and it does it right.

This movie gets broadcast so often that I am surprised there are no other comments. All the performances are excellent, the typical plot of pursuit of the outlaws is well handled, and the racism theme that would probably not fly if the movie were made today is realistically dealt with.

The surprise is Desi Arnaz Jr. in one of his few roles. No great acting is required of him, but he does a very creditable job, and the already handsome young man is smashing in his dark Indian make-up.