dastenoantoni
Iscritto in data nov 2023
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Recensioni7
Valutazione di dastenoantoni
"The Favourite": the title is straight, the story is straight, the narration is (kind of) straight and yet, like a lot of good movies do, it aroused many questions to me, a lot more than those I can answer.
As I said, the narration is simple, a story about two girls that compete in order to be the white-haired boy of the Queen.
But one of the main doubt I had is why the director decided to use various different wide-angle lens, something really baroque and unusual in cinema, in order to represent this?
Maybe he wants to frame a big portion of scenography? Trivial.
Maybe is just a whim of the director? Looks risky with an elevated budget, great cast and everything else.
Maybe he wants to make the spectator feels like it's in a "bubble", looking back at facts that really happened -in a different perspective compared to "normal" cinema- to underline that it was the past? Looks a little too elaborated and far-fetched.
Maybe he doesn't want the spectator to empathize with the characters, that, thinking about it, is possible: there's no one represented really deeply, at least not in the nice part of it and actually, everyone of the protagonists has something wrong in itself, like some psychological issue and the extreme will of the power. It may be, but this happened also in other lots of movies, without the need of using these strange shots.
Maybe he wants to create a distorted and unfortunate world, that looks colder and farther in order to show its negativeness, with people that do everything just to fulfill their interests? It could also be.
Anyway, I'm no theoric of cinema and neither I studied psychoanalisis, so I can't give an answer that satisfies me completely.
The problem is that this is just one of the many questions I asked myself watching this movie and that I wanted to share.
As I said, the narration is simple, a story about two girls that compete in order to be the white-haired boy of the Queen.
But one of the main doubt I had is why the director decided to use various different wide-angle lens, something really baroque and unusual in cinema, in order to represent this?
Maybe he wants to frame a big portion of scenography? Trivial.
Maybe is just a whim of the director? Looks risky with an elevated budget, great cast and everything else.
Maybe he wants to make the spectator feels like it's in a "bubble", looking back at facts that really happened -in a different perspective compared to "normal" cinema- to underline that it was the past? Looks a little too elaborated and far-fetched.
Maybe he doesn't want the spectator to empathize with the characters, that, thinking about it, is possible: there's no one represented really deeply, at least not in the nice part of it and actually, everyone of the protagonists has something wrong in itself, like some psychological issue and the extreme will of the power. It may be, but this happened also in other lots of movies, without the need of using these strange shots.
Maybe he wants to create a distorted and unfortunate world, that looks colder and farther in order to show its negativeness, with people that do everything just to fulfill their interests? It could also be.
Anyway, I'm no theoric of cinema and neither I studied psychoanalisis, so I can't give an answer that satisfies me completely.
The problem is that this is just one of the many questions I asked myself watching this movie and that I wanted to share.
