lucretiadaley
Iscritto in data mag 2023
Ti diamo il benvenuto nel nuovo profilo
I nostri aggiornamenti sono ancora in fase di sviluppo. Sebbene la versione precedente del profilo non sia più accessibile, stiamo lavorando attivamente ai miglioramenti e alcune delle funzionalità mancanti torneranno presto! Non perderti il loro ritorno. Nel frattempo, l’analisi delle valutazioni è ancora disponibile sulle nostre app iOS e Android, che si trovano nella pagina del profilo. Per visualizzare la tua distribuzione delle valutazioni per anno e genere, fai riferimento alla nostra nuova Guida di aiuto.
Distintivi2
Per sapere come ottenere i badge, vai a pagina di aiuto per i badge.
Recensioni2
Valutazione di lucretiadaley
The bad reviews are bewildering to me. It's like there's an agenda to bring down this series. Watched Defending Jacob before this, which got high 7s, and I literally fast forwarded through half of it. Presumed Innocent, another Apple TV series with high 7s, miserably slow and boring. Those shows
pale in comparison to Losing Alice, which does everything right that they do wrong.
It's subtle, well paced, cerebral, atmospheric, multidimensional, absorbing and thought provoking. It has an interesting premise. It views like a really well made film. It kept my interest and made me think and feel. The other shows must be for the masses (enough with the hackneyed dark lighting!) This is for those who truly appreciate complexity in filmmaking.
It's subtle, well paced, cerebral, atmospheric, multidimensional, absorbing and thought provoking. It has an interesting premise. It views like a really well made film. It kept my interest and made me think and feel. The other shows must be for the masses (enough with the hackneyed dark lighting!) This is for those who truly appreciate complexity in filmmaking.
Surprised this didn't get higher ratings so far. Interesting story, great acting, unique directing. Menacing tone, not overdone, depth of character. Doesn't give us all the details of the crimes-just enough to draw our own disturbing conclusions. The film drew me in from the start. Pace of the revelations is just right. Very effective.
2 main actors are pitch perfect. Henry is easily believable as the creepy ex-con, someone you would feel uneasy around were you to meet him on the street. His cringey little dance and mannerisms demonstrate his "offness" in an unsettling way. Mark as the insomniac undercover cop says little, but subtly and elegantly conveys the toll the job takes on him. His meditative breathing practices allude to therapeutic techniques to manage his double life and the low grade horror of partnering closely with a disturbed individual whose choice of prey would include the likes of Mark's own young son. Both actors have full beards, so they act mostly with their eyes-and they do it well.
The directing is very cool. The theme of what's real and what's not plays out in the deft director's hands through scenes where dialogue is overlapped, quick cutting of scenes and audio, including dream scenes that seem to bridge real life and imagination, the fog of insomnia and the idea of the tape stopping but the voices continuing. What are Henry's and Mark's "real names?" Henry thinks he has a friend. Who is the Stranger?
2 main actors are pitch perfect. Henry is easily believable as the creepy ex-con, someone you would feel uneasy around were you to meet him on the street. His cringey little dance and mannerisms demonstrate his "offness" in an unsettling way. Mark as the insomniac undercover cop says little, but subtly and elegantly conveys the toll the job takes on him. His meditative breathing practices allude to therapeutic techniques to manage his double life and the low grade horror of partnering closely with a disturbed individual whose choice of prey would include the likes of Mark's own young son. Both actors have full beards, so they act mostly with their eyes-and they do it well.
The directing is very cool. The theme of what's real and what's not plays out in the deft director's hands through scenes where dialogue is overlapped, quick cutting of scenes and audio, including dream scenes that seem to bridge real life and imagination, the fog of insomnia and the idea of the tape stopping but the voices continuing. What are Henry's and Mark's "real names?" Henry thinks he has a friend. Who is the Stranger?