newland80
Iscritto in data feb 2002
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Valutazione di newland80
After a promising short film ("Hongos") and an excellent feature length debut ("Piedras"), director-writer Ramón Salazar surprises all with "20 centímetros", a compelling musical which won't leave anyone indifferent.
Certainly this is not for all tastes. Instead of taking the easy way out of mixing musical and comedy, Salazar chooses drama and depicts the sub-world of prostitution with such a raw perspective that many people felt extremely uncomfortable during the film. "20 centímetros" is, after all, the love child of Von Trier's "Dancer in the dark" and early Almodóvar. As I said, not for all tastes.
Mónica Cervera, who was in Salazar's previous directorial efforts, is the star of the film, and she really shines in her one-woman-show. She sings her heart out and gives a terrific performance as Marieta, the transvestite hooker who dreams musical sequences in which she is the sole star. Other cast members include Lola Dueñas, Rossy de Palma and Najwa Nimri in brief roles, and also Pilar Bardem in a cameo. Unknowns Concha Galán and Miguel O'Dogherty play pivotal roles in this eclectic musical. Pablo Puyol, Marieta's leading man, plays Reponedor, a simpleton, gracefully and shows that he could surprise everybody if he's given the right chance.
What I liked most were the musical numbers, though. Some of them are extremely effective in narrative terms "Parole, parole, parole", and others are so well made that it doesn't matter if they don't add anything story-wise ("Quiero ser santa" is a prodigy of make-up, scenery and costume). My favorite, however, is the one in which Marieta and Reponedor sing a song each at the same time.
If you are willing for something new give "20 centímetros" a chance, specially if you like musicals and you are not afraid to watch some of the most marginal strata of our society. Also, watch it for the great performance of Mónica Cervera, an actress that could be huge in the future.
Certainly this is not for all tastes. Instead of taking the easy way out of mixing musical and comedy, Salazar chooses drama and depicts the sub-world of prostitution with such a raw perspective that many people felt extremely uncomfortable during the film. "20 centímetros" is, after all, the love child of Von Trier's "Dancer in the dark" and early Almodóvar. As I said, not for all tastes.
Mónica Cervera, who was in Salazar's previous directorial efforts, is the star of the film, and she really shines in her one-woman-show. She sings her heart out and gives a terrific performance as Marieta, the transvestite hooker who dreams musical sequences in which she is the sole star. Other cast members include Lola Dueñas, Rossy de Palma and Najwa Nimri in brief roles, and also Pilar Bardem in a cameo. Unknowns Concha Galán and Miguel O'Dogherty play pivotal roles in this eclectic musical. Pablo Puyol, Marieta's leading man, plays Reponedor, a simpleton, gracefully and shows that he could surprise everybody if he's given the right chance.
What I liked most were the musical numbers, though. Some of them are extremely effective in narrative terms "Parole, parole, parole", and others are so well made that it doesn't matter if they don't add anything story-wise ("Quiero ser santa" is a prodigy of make-up, scenery and costume). My favorite, however, is the one in which Marieta and Reponedor sing a song each at the same time.
If you are willing for something new give "20 centímetros" a chance, specially if you like musicals and you are not afraid to watch some of the most marginal strata of our society. Also, watch it for the great performance of Mónica Cervera, an actress that could be huge in the future.
Manuel Gómez Pereira was one of the finest Spanish directors in the 90's, with such comedies as "Boca a Boca" or "El Amor Perjudica Seriamente la Salud". His latest projects, however, tanked ("Off Key" was a failure both economically and artistically) or simply didn't deliver ("Cosas que Hacen que la Vida Valga la Pena" was plain and average).
"Reinas" is Pereira's return to top form, with a clever and engaging plot which uses the celebration of the first gay wedding in Spain as a macguffin to tell the story of six gay men who are about to marry and their parents, especially their mothers. The film avoids clichés in an intelligent way, so the gay sons are portrayed as people from different social strata and conditions. The actors also avoid the affected mannerisms with which gays are often portrayed in cinema. Special mention to Gustavo Salmerón in a fine performance, although the rest are also very good.
However, the film belongs to the mothers. They are in fact the "queens" the title refers to. Pereira has been lucky enough to assemble a bunch of our greatest actresses: Carmen Maura, Marisa Paredes, Mercedes Sampietro and Verónica Forqué. Betiana Blum, an unknown Argentinean actress, is, however, the standout with her over-the-top character, Ofelia.
The story is very nice plot-wise and treats gay love stories in the same way it treats straight love stories. The screenplay manages a few laughs from the audience, and it is so action-packed that you never loose your attention from the film. The only flaw I can find is that it ends so abruptly that some of the story lines are left unexplained and some character arcs end up being implausible.
In any case, I found the film highly satisfying and very entertaining, so if you like spending two hours with a good comedy you won't feel disappointed.
Overall rating: 8/10
"Reinas" is Pereira's return to top form, with a clever and engaging plot which uses the celebration of the first gay wedding in Spain as a macguffin to tell the story of six gay men who are about to marry and their parents, especially their mothers. The film avoids clichés in an intelligent way, so the gay sons are portrayed as people from different social strata and conditions. The actors also avoid the affected mannerisms with which gays are often portrayed in cinema. Special mention to Gustavo Salmerón in a fine performance, although the rest are also very good.
However, the film belongs to the mothers. They are in fact the "queens" the title refers to. Pereira has been lucky enough to assemble a bunch of our greatest actresses: Carmen Maura, Marisa Paredes, Mercedes Sampietro and Verónica Forqué. Betiana Blum, an unknown Argentinean actress, is, however, the standout with her over-the-top character, Ofelia.
The story is very nice plot-wise and treats gay love stories in the same way it treats straight love stories. The screenplay manages a few laughs from the audience, and it is so action-packed that you never loose your attention from the film. The only flaw I can find is that it ends so abruptly that some of the story lines are left unexplained and some character arcs end up being implausible.
In any case, I found the film highly satisfying and very entertaining, so if you like spending two hours with a good comedy you won't feel disappointed.
Overall rating: 8/10
After two breakthrough performances in "Días de fútbol" and TV's "Aquí no hay quien viva", Fernando Tejero lands his first leading role in yet another soccer comedy. He gracefully passes the test and proves that he can successfully carry a movie, but maybe he should start looking for different kinds of characters if he doesn't want to be typecast.
In "El penalti más largo del mundo" he plays Fernando, a complete loser who suddenly has to stand in for the goalkeeper in the decisive match that can grant his team the victory in the local league. The final penalty is postponed for a week, during which the spectators witness the events happening to the substitute goalkeeper.
Those looking for a few laughs will not feel disappointed by this light comedy, which also boasts excellent performances by María Botto, Carlos Kaniowsky, or Enrique Villén. Benito Sagredo is a discovery here as the titular goalie, while Marta Larralde shows that she is no longer a promising actress but a fully skilled performer. However, I had the impression that the writers had lost a great opportunity to get deeper into the social aspects surrounding the character. After all, the film deals with unemployment, racism, and life in a working-class without getting any deeper into the topics. Thus, the film would have offered another layer to the film's topic, making it a lot more interesting.
In any case, this is a perfectly decent movie for those who want to have a good time watching a genuinely Spanish comedy that offers sheer entertainment and nothing else.
In "El penalti más largo del mundo" he plays Fernando, a complete loser who suddenly has to stand in for the goalkeeper in the decisive match that can grant his team the victory in the local league. The final penalty is postponed for a week, during which the spectators witness the events happening to the substitute goalkeeper.
Those looking for a few laughs will not feel disappointed by this light comedy, which also boasts excellent performances by María Botto, Carlos Kaniowsky, or Enrique Villén. Benito Sagredo is a discovery here as the titular goalie, while Marta Larralde shows that she is no longer a promising actress but a fully skilled performer. However, I had the impression that the writers had lost a great opportunity to get deeper into the social aspects surrounding the character. After all, the film deals with unemployment, racism, and life in a working-class without getting any deeper into the topics. Thus, the film would have offered another layer to the film's topic, making it a lot more interesting.
In any case, this is a perfectly decent movie for those who want to have a good time watching a genuinely Spanish comedy that offers sheer entertainment and nothing else.