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Immagine del profilo di CSHaviland

CSHaviland

Iscritto in data dic 2001
CHRISTOPHER SIRMONS HAVILAND
http://www.imdb.com/name/nm0369848/
http://CSHaviland.com
http://www.facebook.com/cshaviland (Facebook)
http://Havilands.org

EDITOR, "THE SYNOPSIS TREASURY" (WRITING REFERENCE)
Published in 2015 by WordFire Press, THE SYNOPSIS TREASURY is a collection of actual synopses and story proposals written by established authors (ranging from international bestsellers to multiple award winners to rising stars) and submitted to market for publication.

The purpose of this book, for writers and fans alike, is to show what story submissions worked for the professional. It's a behind-the-scenes glimpse at how novels get accepted and published, with some chapters revealing the responses from the publishers. Featuring work by: H.G. Wells, Jack Williamson, Andre Norton, Robert A. Heinlein, James Gunn, Frank Herbert, Ben Bova, Piers Anthony, Michael Bishop, Joe Haldeman, Terry Brooks, Robert E. Vardeman, Orson Scott Card, David Brin, Connie Willis, Janny Wurts, James P. Blaylock, Brian Herbert & Kevin J. Anderson, Bruce Coville, Margaret Weis, Judith Tarr, Nancy Varian Berberick, Robert J. Sawyer, Irene Radford, Sara Douglass, Louise Marley, Roberta Gellis, Ian R. MacLeod, Julie E. Czerneda, Jacqueline Carey, Chris Roberson, and Eldon Thompson, with an original introduction by former Del Rey Vice President and Senior Editor, Betsy Mitchell, and publisher feedback from Damon Knight and Frederik Pohl.

AUTHOR, "FAITH & FAIRIES" (SCREENPLAY: FANTASY) [former title "THE TREE")
Accomplishments:
* Quarter-Finalist in the Nicholl Fellowships in Screenwriting (sponsored by the Academy of Motion Picture Arts and Sciences)
* Quarter-Finalist in the New Century Writer Awards
* Quarter-Finalist in the Screenwriting Expo (sponsored by Creative Screenwriting Magazine)
* Two time Semi-Finalist in the Chesterfield Writer's Film Project (sponsored by Amblin' Entertainment & Universal Pictures)
* Semi-Finalist in the Maui Writers Conference National Screenwriting Competition
* Finalist in the People's Picture Show contest.

AUTHOR, "FAITH & FAIRIES" (NOVEL: FANTASY, based on screenplay)
Published in 2005, advance edition in 2004. (http://www.FaithAndFairies.com)
Accolades:
* "As one can truly say—a good read!" --Grandmaster fantasy author Andre Norton
* "An enchanting tale full of humor and whimsy, reminiscent of such young adult classics as THE CHRONICLES OF NARNIA...full of wonder and imagination, yet feels familiar and real. There is much to like..." --Fantasy author Eldon Thompson
* "...a finely crafted, haunting tale of adventure, sacrifice and love that fondly recalls the young adult fantasy novels of C.S. Lewis, Andre Norton and Madeleine L'Engle." --The St. Augustine Record
* "Haviland is in the class of L. Frank Baum, Terry Brooks, or Stephen Donaldson..." --MidWest Book Review

AUTHOR, "CODE & CREATION" (SCREENPLAY: SF)
Formerly entitled CODE & CHEMISTRY, this spec script was written to be shot on a very small budget with very few locations. It is a multifaceted science fiction with a blend of satirical metaphors and hidden meanings. Most of it takes place on a single set with a single actor and deals with tech-isolationism (like THX-1138, MOON or CUBE), and symbolizes the multi-reality theories of Quantum Physics.
Accomplishments:
* Semi-Finalist in the 2012 Nicholl Fellowships in Screenwriting (sponsored by the Academy of Motion Picture Arts & Sciences). It was one of 129 best out of 7,197 entries, making it among the 1% best unproduced screenplays in the world according to the Academy, in the biggest screenwriting competition in history until that time. It was listed at Oscars.org.
* Semi-Finalist in the Chesterfield Writer's Film Project screenplay contest some years ago, managed by Universal Pictures and Steven Spielberg's Amblin' Entertainment.
* Quarter-Finalist in the New Century Writer Awards

AUTHOR, "HARMLESS" (SCREENPLAY: CRIME DRAMA - BASED ON TRUE STORY)
Based on the true story of the murder of an 8-year old girl in 1969. Accomplishments:
* 2-time Quarter-Finalist in the Zoetrope Screenwriting Contest (judged by Francis Ford Coppola)
***** This screenplay is currently under option: see http://www.imdb.com/title/tt6795952/combined

AUTHOR, "FANG HUNTERS" (SCREENPLAY: HORROR-COMEDY)
Accomplishments:
* Finalist in the AAA Screenplay Contest (sponsored by Creative Screenwriting Magazine)
***** This screenplay is currently under option: see http://www.imdb.com/title/tt4635160/combined

AUTHOR: "PARENTAL CONTROL" (SCREENPLAY: COMEDY)
* Quarter-Finalist in the ScreenCraft Comedy Screenplay Contest

AUTHOR: "PHANTASMAGORIUM" (SCREENPLAY: HORROR)

AUTHOR / CREATOR: "PREHISTORIC" (TV SERIES CONCEPT: SF-MYSTERY) [on back-burner]

AUTHOR: "THE CELESTIAL SEPTOLOGY" / "THE SYMPHONITRON SEPTOLOGY" (NOVEL SERIES: FANTASY-SF-SPACE OPERA) [in rewrite]

AUTHOR: "WAR OF THE ETHERGISTS" (NOVEL SERIES: FANTASY) [on back-burner]

AUTHOR: "THE REALITY DIVISION" (SHORT STORY: FANTASY)
Published in BAD-ASS FAERIES 2: JUST PLAIN BAD (2009/2008).
Accomplishments:
* Winner of the 2009 EPPIE award.

AUTHOR: "CHANGE" (SHORT STORY: FANTASY)
Published in PRONTO! WRITINGS FROM ROME (2002), which includes work by bestselling authors Terry Brooks and John Saul.

CO-PRODUCER, "THE FIRST OF MAY" (HBO)
Mr. Haviland was Co-Producer on the feature film THE FIRST OF MAY in 1997, starring Julie Harris, Dan Bird, Mickey Rooney, Charles Nelson Reilly, Gerard Christopher, Tom Nowicki, and baseball legend Joe DiMaggio in a cameo role. The movie was distributed to foreign theatrical markets, then HBO worldwide, and DVD. Mr. Haviland was also its Location Manager. (http://www.FirstOfMay.com).
Accomplishments:
* Award of Excellence by the Film Advisory Board
* The Dove Award from The Dove Foundation
* two Best Film Awards from the Burbank International Children's Film Festival
+ a half dozen other awards.

----

Mr. Haviland studied writing under Terry Brooks, Ben Bova, John Saul, Dorothy Allison, and Lawrence Montaigne.

Mr. Haviland regularly works in the internet business and was involved in the startups that eventually became About.com and Mail.com, and he's a highly sought thirteen-year veteran in online advertising operations. He was Director of Ad Operations at OpenX, named one of the top 10 most promising companies by Forbes, and was recently the Mobile Commerce Operations Manager for Softcard, an app acquired by Google in Q1 2015. He currently works as an Operations Manager for Innovar Media Solutions which develops advertising operations software for all the biggest cable companies in the U.S.

Right now he's probably at the movies.

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Valutazioni1277

Valutazione di CSHaviland
Run
2,23
Run
Jurassic World: La rinascita
5,96
Jurassic World: La rinascita
Primitive War
6,87
Primitive War
Relay
7,28
Relay
Weapons
7,88
Weapons
Con Air
6,98
Con Air
Ick
5,36
Ick
Dark Shadows
8,18
Dark Shadows
Lo Hobbit
6,76
Lo Hobbit
Wonder Woman
7,06
Wonder Woman
Fantasilandia
6,66
Fantasilandia
Star Wars: Clone Wars
7,86
Star Wars: Clone Wars
The Outer Limits
8,27
The Outer Limits
Hercules
6,57
Hercules
Time Bandits
6,16
Time Bandits
Flash
7,15
Flash
Strega per amore
7,49
Strega per amore
Sanctuary
7,36
Sanctuary
Shannara
7,14
Shannara
Storie incredibili
6,37
Storie incredibili
The Defenders
7,28
The Defenders
Xena: Principessa guerriera
6,87
Xena: Principessa guerriera
Sweet Tooth
7,77
Sweet Tooth
Vita da strega
7,66
Vita da strega
Primal
8,69
Primal

Recensioni54

Valutazione di CSHaviland
Run

Run

2,2
3
  • 3 set 2025
  • If you see only one horror this year...

    Jurassic World: La rinascita

    Jurassic World: La rinascita

    5,9
    6
  • 31 ago 2025
  • Dinosaur movies should not be about Kaijus

    Jurassic World movies have gone off the rails, and this new iteration doesn't seem intent on getting back on track.

    When I go to a movie to see dinosaurs, I want to see dinosaurs - not made-up mutant monsters. And if I do se a movie with made-up mutant monsters, I want them to have a very believable origin story.

    Jurassic World: Rebirth gave us two hours of contrived plot points badly recycled from earlier movies, and delivered increasingly absurd mutant monsters. The biggest of those had a terrible design, like it fell down the stairs and struck its head so hard it grew an alarming goose egg.

    I would have expected this Jurassic World follow-up to be more about humanity facing its own extinction, not humanity suffering the inconvenience of a sauropod that wandered out of his zoo into the streets of the city and caused a traffic jam. The public in this movie isn't impressed by dinosaurs anymore.

    While I respect that Gareth Edwards (whom I've seen in person) made some decent movies in the past, this isn't one of them. Sure the rendering is pretty good, but when humans don't act like humans, dinosaurs don't look like dinosaurs, fate repeats itself, coincidences happen every hour on the hour and dialog sometimes stretches on so long I start thinking about my shopping list, something's gone horribly wrong.

    If you want a decent dinosaur violence movie, go see Primitive War instead.
    Primitive War

    Primitive War

    6,8
    7
  • 31 ago 2025
  • Superior to Jurassic World Rebirth

    If you see only ONE dinosaur movie this year, choose Primitive War instead of Jurassic World: Rebirth. It's a lot less patronizing.

    Primitive War is like Dog Soldiers (2002), replacing the werewolves with dinosaurs, and set in Viet Nam during the war instead of the present day Scottish Highlands. And the cyclical chaos has a very similar pace.

    The two movies are alike not just in their strong points but in their weaknesses.

    On the one hand, the action and effects are great. On the other, the soldiers suffer from cliché movie squadron syndrome: testosterone-injected pejoratives, over-use of the "F-" word, and the occasional war trauma.

    But God, man, the dinosaurs are terrific! While the movie favored particular predatory dinosaurs (and over-amped them a bit too high), there was a full array of species to play with, and they were rendered according to the latest science. The movie did not romanticize them like Jurassic World or Jurassic Park. Spielberg made some very effective "wow" moments introducing dinosaurs with the most realistic CGI we had seen until that time, Luke Sparke, who directed Primitive World (which could have used a more creative title) looks past all that and keeps us focused on horror sci-fi, and it doesn't pull its punches. (Or carnage.)

    Actor Ryan Kwanten carries most of the movie, and he does fairly well. I didn't even recognize Tricia Helfer at first, and she was competent as expected. Some of the other actors could have been improved though. And some of the character design, especially with the leadership roles.

    But if you're looking for Platoon meets Jurassic Park with the vibe of Dog Soldiers, and you prefer only the best dinosaur effects and designs without going "kaiju" like Jurassic World movies did, this is your movie!
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