Simon D.

I have only watched the first episode of the first series. I normally wait until the final episode of any series before putting finger to keyboard, but for some unknown reason I felt I needed to put in an early comment or two. Perhaps it was the bizarre comments of one of the reviewers on here, concerning 'police departments' that egged me on to write this.

Firstly, and probably my biggest issue with previous comments. I really don't think it matters much which police department is being featured in a drama. At the end of the day, it's the story that is important, followed closely by scripting. This drama has fast paced dialog, with facts coming at you at lightening pace, and more than once I had to press rewind on the remote in order to try to absorb the information being spoken. The fact that it was identity theft, for me, only made the whole thing more interesting, which is why I specifically sourced this box set, purely on it's subject matter...oh, and Keeley Hawes, who for me, could be the present generation Joanna Lumley! (sorry Joanna, that's not saying that you're not still a huge star and a most engaging orator...smiles).

The series could have been about murder, rape, corporate espionage, or perhaps just burglary, and it with this kind of script, and with the acting quality on show, it would still still have been interesting. It's good to see that Aiden Gillen is doing so well since his excellent performances in 'Queer As Folk'. I have a feeling his career is going to continue to move on upwards, and it might not be too far in the distance when his name will be a household name. As for Keeley Hawes, this lady surely has a huge future. Her performances in Spooks should alone have carved out an international movie career, and why they didn't have her play Lara Croft in the movies, I'll never know...her voice will always be the true Lara! On a more serious note, I feel sure Keeley also has a big future, as her beauty and speaking voice will land her international fame before too long.

Finally, just on the first episode, I can see that this was ITV's attempt to have a 'Spooks' of their own, and to some degree it works in that respect, although 'Spooks' is definitely the superior article, and focuses on an entirely different subject matter anyway. 'Identity' does succeed though, in bringing to ITV a more involved and complex story line, together with good acting, which I'm sorry to say, ITV doesn't generally compete with the BBC on. For those of us who like their stories more complex, this should certainly appeal. I really hope there's another series planned!

This is a difficult review to write as I want to give this series glowing praise, and in some ways I can, but something is holding me back. I have a feeling that one day I may see repeats and my appreciation will grow, but for this review I can only say what I feel now. The acting is superb, the dialogue is top notch, and the atmosphere is somehow homely and moody all at the same time. Even the plot content is above average. So what's wrong? It's not the lack of the belly laugh factor, because it's not intended to be that kind of comedy...it's far more of a dry comedy drama. It doesn't even work as cringe TV, because it never reaches the depths of cringe that shows like 'The Office' or 'Extras' reaches, which conversely makes them immensely funny. It's a really weird angle, that somehow works without you realising why. There is most definitely a subtlety that means there is a good chance that a lot of people, especially those with more mainstream tastes in entertainment, will not get. If this were a movie, then I'd expect this to play in the 'Art House' venues more than the local multiplex, but, with the possibility of it gaining word of mouth and becoming a sleeper hit, because audiences just started getting it!

When looking at the characters, I saw much that went on between them, going on in my own relationships. This was both cringing and heart warming. I saw the characters self indulge themselves with a self importance contained within the cocoon of their seemingly solitary existence outside of work, preventing them from getting a balanced prospective on their viewpoints and activities...but then, isn't that the same for all of us, if we're honest? This is what I meant by the cringe factor, as subtle as it is, because I saw things in their relationship, that I've seen in my own...and that makes that cringing feeling, even more uncomfortable. Maybe that's what holds me back from making this extremely well produced work, from being a classic...it's just too real to stomach? One thing for sure...at a time when good, well written sitcom's are almost a thing of the past, it is good to see that the flag of intelligent writing is still being flown, but I hope that while this was an extremely interesting watch, that the effort put into the writing in this series, could be transferred into something more mainstream, entertaining, and, dare I say it, more palatable. I would dearly like to see the Beeb return to the days of 'One Foot In The Grave', 'Men Behaving Badly', 'Waiting For God', 'Vicar Of Dibley' 'Keeping Up Appearances', and even some of the older classics like 'The Good Life' and 'Butterflies'. This series proves that the quality of the writing is out there, but that is needs to be more universally accessible. When will the current powers that be at BBC1 remember that it is the 'situation' in sitcom, and not ironically unfunny one liners that so many of todays's new comedies resort to. When will they realise that a situation is funny because of a combination of good dialogue, good plot, and good acting. There is usually one or more of those things missing in nearly every new comedy that comes along.

As a conclusion I would like to say that I enjoyed 'Roger And Val...' and looked out for it in the following weeks schedules, but probably will not miss it if a follow up series doesn't happen. I do however, have great respect for what they achieved. As a footnote, I am extremely glad to see Dawn French in something that is a huge improvement on the awful 'Psychoville', which to date, is the only box set I have given up on after just 2 or 3 episodes.

There's not a lot more I can add, that hasn't already been said, so this is really just a further endorsement of how good this was, and how you have to go out of your way to see it. An impeccable performance from Brian Cox, who is fast entering, if he hasn't already, that elite group of British actors, such as Burton, Bates, Olivier, Harris, Hopkins, Connery, Guinness, Mills, Howard, and, oh my...there's probably too many to mention, but nonetheless, a fine exclusive bunch of sheer class. Another standout performance, that hasn't been mentioned here so far, from another fine actor that has such great potential, was that of Neil Pearson, who was perfectly cast, and I really do hope we see more of him in high profile drama's like this one. A great biting and edgy script, and some wonderful comedic moments that had me smiling for hours after. This is a real treasure from the BBC, and I'm sure they will win awards for it. I'm also sure they will be rolling this one out from time to time, dusting off the covers, and allowing us to view it once again, if we haven't already added it to our DVD collections. This one will truly never date, and I had no hesitation in rating this a full 10! I too wished this had been longer, but then, maybe I'm just being greedy, and maybe it was perfect at the length it is...smiles