Uthman

I am not a hard core Motown fan, but I have to give this film a 10, because it's the best music documentary I have seen. With just the right mix of interview footage, historical photos, and live performance, STANDING IN THE SHADOWS OF MOTOWN takes its place alongside THE LAST WALTZ as a cinematic cornerstone of music history.

Musicians will especially like some of the technical discussions, such as details about how legendary bassist James Jamerson produced his famous groove.

The live musical performances are inspired, with modern singers covering Motown classics, accompanied by the Funk Brothers themselves. I have watched the DVD of this film, and more recently, the high-definition version on ShowtimeHD. The 5.1 soundtrack is impeccably mixed. You can hear every instrument clearly, but the vocalist is not drowned out. With this type of mix, you want to listen to your favorite numbers over and over, concentrating on a different part each time. And, you can rest assured that there is no lip syncing or studio overdubbing. This is real music for real people.

All of the vocalists are superb, creatively interpreting each song, while at the same time paying respect to the style of the original recording artists. Viewers will have their own favorite performers, but mine is Joan Osborne, whose powerful rendition of "What Becomes of the Brokenhearted" brought tears to my eyes.

I recently saw a nicely restored print of this film on the Showtime cable network. The color is not the best, but certainly very good, and the monaural sound is probably better than what one would have experienced in a typical 1960 theater.

A few visuals:

The mission clock on the spaceship bulkhead has a huge "BULOVA" on the face. The "day" numerals on the mission-elapsed time display look like they was made from black electrician's tape. They only show numbers of days that could be displayed with numerals that had no curved lines: "1", "17", and "47".

The female astronaut carries a stylish black purse on board.

There is a very large indicator on the spaceship bulkhead that says "Oxygen Consumption", with a green light indicating "Normal" and a red one indicating "Excessive".

The astronauts have oxygen cylinders on their backs while on EVA, but there is no glass on their helmet visors; their faces are completely open to the atmosphere.

The shots of the Martian exteriors are really pretty cool, quite innovative for the era and the limited budget. Not only is everything a monochromatic red, but there is an interesting solarization effect, which adds a bit of surrealism and makes the backdrops look less cheesy.

Memorable lines:

"You know, I can't say that I recommend spacesuits for beautiful young dolls. What happened to all your curves?"

and the classic,

"I know you think I acted like a hysterical female there back at the ship, but I can assure you I'm perfectly capable of taking care of myself!"

The early episodes intrigued me, but eventually it became apparent that the chaotic plot will never be forged into coherency. Now, I compulsively watch each episode with all the relish of taking the next dose of an antibiotic. I hope I will be wrong, and King will deftly meld all the plot lines into a brilliant conclusion, but if his recent novels are any indication, the likelihood of a satisfying ending is slim indeed.

Kingdom Hospital has a solid cast. With her mature sexuality, Sherry Miller is especially appealing, and Bruce Davison is as dependable as ever. The talents of Diane Ladd and Ed Begley, Jr, however, are wasted on their characters, which are reduced to caricatures by the script.

Keeping up with the myriad of characters requires a written program. To make matters worse, ABC's having put the show on a two-month hiatus made it impossible for all but an idiot savant to remember all the characters and what had happened to them.

The trailer for next week's episode (7/8/04) says, "the final battle has begun." All I can say to that is "hallelujah"!